Quotes of All Topics . Occasions . Authors
When I drew Captain America in 'The Ultimates,' I hated my Cap, even though some people are like, 'Man, your Cap's cool!' and they made statues out of it.
I like how powerful fashion makes me feel. I live for that grungy-prissy juxtaposition that Kate Moss, Naomi Campbell, and Drew Barrymore wore in the '90s.
I went to a Catholic high school and it seemed like every time I drew something for a class project, it either got thrown away by the teacher or something.
I usually find a couple of guys in the offseason to watch - their clips, their games and see how they play. Aaron Rodgers is one. I try to watch Drew Brees.
Ricky Morton and Robert Gibson were not giants, they were giants in the ring, they drew money, people loved them and that's what you find in the Young Bucks.
I liked climbing trees and could often be found up one reading a book. I played games with Dad and drew maps for him on isometric paper. It was very bonding.
I drew a picture on the back of a calendar in pencil. In those days they used to give out free calendars, I had no art paper, so I took whatever else I could.
Drew is a shopaholic. He must have 400 suits and 180 pairs of shoes. I have three pairs of jeans, and that's it. I shop in his closet and take anything I want.
I did 32 years of political cartoons, one every day for six days a week, I wrote and drew every word, every line. That body of work is the one I'm proudest of.
I was the governor that drew a tough, tough straw. I was governor during the worst recession since the 1930s, and I had to cut $5 billion from the state budget.
Boarding for me, like in the days of 'Dexter,' was really hard, because I couldn't draw as well, and I had people around me who drew really well, so it was hard.
For some reason, I was drawn towards boxing. Or maybe boxing drew me towards it - because once I put those gloves on, after about six months, boxing was my life.
In the Emperor's New Clothes, they got a different celebrity to do each voice. They drew up a picture of each character and then each actor wrote their own part.
What drew me to Cyborg was the tragic nature of his origins and how grounded he is in a reality that I recognise. As an actor, it really gave me a lot to chew on.
And when I was born, I drew in the common air, and fell upon the earth, which is of like nature; and the first voice which I uttered was crying, as all others do.
Back before I entered primary school, I liked to draw, even though I was a brat. I especially liked animals and vehicles, and I drew that sort of thing constantly.
When I was five, six, I drew myself as a cat a lot, because I was obsessed with cats. And then, as soon as I took my first riding lesson, I started drawing horses.
The sizes and shapes of the panels have never been important to my stories. It has always been the words and images that drew me in, kind of like watching a movie.
Going back to Georgiana Drew and John Drew, and my great-grandfather Maurice Barrymore, and it was such a sort of circus of odd, interesting people that loved acting.
My parents did call me Zowie now and then, but then, realising that it drew too much attention, they called me 'Joe'. Then, later, I sort-of co-opted my own name back.
Cartooning, quietly and discreetly, drew me into the circle of politics and I continue to enjoy both. They both inspire me and I could never given up one for the other.
I've been very successful doing voices in movies. I did Olive, the Other Reindeer, with Drew Barrymore, and I did Cats and Dogs. My children came to some of the sessions.
Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.
What drew me to the character is that Roberto Duran is the son of an American soldier - a Marine - stationed in Panama and a humble Panamanian mother, and he was abandoned.
I thought I was going to make crazy cartoons for the rest of my life. I didn't think I'd ever get paid for it, didn't think I drew well enough, but I knew it made me happy.
I would often draw in my sleep. That alone made for twice the work... I couldn't use the weird stuff I drew while dozing off, so I'd end up having to draw it all over again.
The eldest and biggest of the litter was a dog cub, and when he drew his first breath he was less than five inches long from his nose to where his tail joined his back-bone.
Art was a huge passion of Jeff's from a very early age. He took a few lessons one summer. He always had a huge passion for art. Loved Dali. Jeff drew and sketched constantly.
After graduating from high school, I worked at an advertising agency as a designer. After I left, I spent a year doing nothing in particular. At age 23, I drew my first comic.
Well, I had always been a fan of 'The Office' and thought the mockumentary style of the show was hilarious. So with 'Parks' taking the same approach, it drew me in right away.
For 'Downside of Bliss,' I drew upon my own personal experiences in order to play Bliss: a penniless, single mother who is estranged from her father and diagnosed with cancer.
I'm in a comic book now. That was cool. That's something that I'm still sorta reeling about, 'cause I read comics as a kid. Someone drew me, and actually did a pretty good job!
What drew me towards team sport were the camaraderie and friendship. The chance to celebrate victory and success with a group of other people is something I have enjoyed doing.
I remember when I was in school, they would ask, 'What are you going to be when you grow up?' and then you'd have to draw a picture of it. I drew a picture of myself as a bride.
In kindergarten I had to draw a picture of what I wanted to be when I grew up. I drew a rapper. I didn't really know what a rapper was or what they did - I just wanted to do it.
Every social organisation which is rooted in life still lasts a long time, even after the conditions from which it drew its strength have changed in a manner unfavourable to it.
I'm a Banksy fan. I'm also a fan of Chris Hobe, Mister Totem, Drew Wootten, Mad Clout, Hense and Sever, in visual and street art. And Jonathan Mannion and Shane Nash in photography.
I'm very used to working with first time actors - you can just look back at 'E.T.' with Drew Barrymore, and Christian Bale from 'Empire of the Sun,' who'd never made a movie before.
We were emerging from the period of war, of uniforms, of women-soldiers built like boxers. I drew women-flowers, soft shoulders, fine waists like liana and wide skirts like corolla.
I lived for two years in Odawara, a castle town an hour outside of Tokyo, near the sea. It's a beautiful place, and I drew on my experiences there when writing 'The Lake of Dreams.'
I was an 'Ironman' fan. It was in the '70s. I definitely liked comics and drew a lot of panels on my notebook when I should have been studying - probably why I ended up in the arts.
I drew a lot. I always had sketchbooks. My parents were really great about any gift-giving holiday - birthdays, Hanukkah, Christmas - it was always art supplies for my brother and I.
What drew me to conservatism years ago was the fact that it gave discipline a slightly higher status than virtue. This meant it could not be subverted by passing notions of the good.
I was a film-directing major at NYU. I'm still not sure why I became a directing major, when I was really an actor and a comedian, but there was something that drew me to doing that.
When I was a kid, I loved having a book in my hand. I still do. I wasn't a fast reader, but I was a steady reader. I read all of The Bobbsey Twins, Nancy Drew, and Cherry Ames books.
America's revolutionary deists saw themselves as - and they were - participants in an international movement that drew on most of the same literary sources across the civilized world.
Sometimes my life opened its eyes in the dark. A feeling as if crowds drew through the streets in blindness and anxiety on the way towards a miracle, while I invisibly remain standing.
I was a very good girl for a long time, that's what really drew me to acting. The stage was the perfect place to be outrageous, to be sad, to be angry, to be all these different things.
During dull moments at school, I admit, I not only drew soldiers shooting one another but also tanks, bombers, fighters, and even the occasional space ship with planet-destroying powers.
When I was running Atari, violence against humanoid figures was not allowed. We'd let you shoot at a tank... but we drew the line at shooting at people, with blood splattering everywhere.