If you want a measure of how private a place the dressing room was when I was growing up at Manchester United, consider this: even Sir Alex Ferguson would knock before coming into the dressing room at the Cliff, the old training ground. The dressing room is for the players - and the players only.

When I did 'Racing Demon' by David Hare, I worked with Paul Giamatti, who had stacks of books in his dressing room. I was offstage a lot, so I would go read in his room. He was reading a four-part series on the Byzantine Empire by Alexander A. Vasiliev. I read two of those during the run of the play.

I think it's hard to differentiate between your wrestling character and your real character - you kind of end up being both. I've always been my wrestling character in and out of the ring and in and out of the dressing room, and I was always really respected in the dressing room by the other wrestlers.

One of the main things I take away is just the way the boys approach the game and carry on. You are in the dressing room and it is very much just about getting in and doing as well as you can, putting everything you can and having fun. There is no underlying context to it other than just playing the game.

I had my guitar at the set of 'Lost in Space' every day. I was the only one in the cast who had a stereo in his dressing room. So while I was in school or when I was in there working with Dr. Smith and the robot, half the rest of the cast was in my trailer listening to their records that they would bring.

Whenever I was in the dressing room on my own, I'd start playing blues to myself. One night, Bob Daisley, the bass player, came in and said, 'You know, Gary, you should make a blues album next. It might be the biggest thing you ever did.' I laughed. He laughed, too. But I did, and he was right, and it was.

I would like to be remembered as the reporter who snuck back stage to all the off-limits shows, be it the Vatican dressing room, the Pentagon war room, or the Celtics locker room. Some curtains ought never to be pulled back; others deserve to be ripped down. When appropriate, I want to be the curtain remover.

I'll never forget my interview with Barry Humphries - one of the oddest I've ever done. He insisted that for half the time he appeared as Dame Edna. So I interviewed the real Barry Humphries in a suit and tie, and then I interviewed Edna in full fig in her dressing room, where she criticised Barry mercilessly.

What I miss about football is being in the dressing room. But do I miss three o'clock on a Saturday afternoon when matters are totally out of your hands? No, I don't. Do I miss placing my destiny in the hands of others? No, I don't. I loved it as a player. I liked it as a manager. But that's all come and gone.

I keep saying, and I've said it to the players, what happens in a dressing room stays in a dressing room, whether that's with me and a player, whether it's two players together, whether it's the coaching staff and the players. I just think it's almost a sacred environment and that trust in that area is unbreakable.

When I got to New York, I had no place to sleep. The pay from 'Sesame Street' wasn't enough to rent an apartment. I was staying on people's couches. I stayed in the dressing room until they found out. I stayed with Jim Henson and his family for a week, and I wanted to do that permanently. I didn't dare ask, though.

I don't like to be rushed. I plan my outfits for the week in advance. I find the appropriate outfit for each occasion, try it on, make sure it is in good condition and have it all ready with shoes, handbag and accessories laid out in my dressing room. Fashion is such a huge part of my career, I have to think ahead.

Hiding my migraines on the set may have been my toughest challenge as an actor. There were times when the pain from migraine headaches was so severe that I literally had to crawl across my dressing room floor. But I couldn't let anyone know. If they thought I might slow production, I figured that would end my career.

I can tell you that the Galacticos era in the early 2000s wasn't just memorable for the fans. It was also incredible to be part of as a player. You would sit in the dressing room, look around you, and see the Ballon d'Or winner, the Spanish player of the year, the top scorer in La Liga, the best goalkeeper in the world.

I learned so much during my time at United. Sharing a dressing room with Paul Scholes, Cristiano Ronaldo, Wayne Rooney, Ruud van Nistelrooy, and Ryan Giggs at such a young age was an amazing experience. I didn't play as much as I would have liked, but it was a master's degree in development both as a player and a person.

Somewhat naively, I entered the BBC's 'New Talent Competition,' believing it was for people who had never tried comedy before. I remember sitting in the dressing room before the show and hearing the other acts - who all knew one another - talking to Rhod Gilbert about how he must be about ready to go 'full-time' as a comic.

My roomate at 'Harvey' is this guy Morgan Spector, an actor in town, and I've taught him Hive and Fastrack. Others have played For the Win, but Cards Against Humanity has been the dressing room hit. We've had the understudies, even Jim Parsons playing it. Our dressing room is practically sponsored by Cards Against Humanity.

I'm really at ease in being me and going all around the world playing music. But I do get a lift once we start. I'm humming stuff in the dressing room and smiling, looking at myself and making sure I don't have nose hair! But once I get really close to the stage, and the guys are doing the intro thing, I do get a pick-me-up.

I was a bit nervous when I first entered the Indian dressing room. Some of the players sitting out there had 10 years of experience and were sitting in front of me. But then Virat Kohli and Ravi Shastri told me that there are no seniors or juniors in the team. So I could open up to them easily and irritate them with my questions.

That feeling in the dressing room after you win - nothing comes close to that. You can't get that in any other career. Maybe in the stock market back in the '80s when people were making tons of money, maybe they felt something similar. Maybe. But look at the market now. Nothing gives you that emotion like sports. Nothing. Am I wrong?

Fundamentally, footballers don't look around a dressing room and think, 'He's a black player... he's Japanese.' They don't think like that. They think, 'He's a good player; he can help. He's not very good.' I'm not trying to defend anyone's actions, but there are going to be isolated incidents because it's an emotive, passionate sport.

My husband recently made me try on a bikini. A bikini is not so much a garment as a cloth-based reminder that your parts have been migrating all these years. My waist, I realized that day in the dressing room, has completely disappeared beneath my rib cage, which now rests directly on my hips. I'm exhibiting continental drift in reverse.

As awesome as it is to be with a big act and get three catered meals a day and get a dressing room with an actual shower in it, it's hard sometimes as a new artist to come across in 25 minutes. You get 25 minutes to hopefully impress these people. I think the longer set is more suitable for us and gives us an opportunity to connect better.

When I was on 'The View,' I went backstage to Whoopi Goldberg's dressing room, and she told me, 'People are going to love what you do, and people are going to hate what you do, but you have to keep doing it. You have to stand up and do what you know is true, despite what people are going to say.' And I'm taking that into every aspect of my life.

I ushered at the Shubert in New Haven during graduate school when plays en route to Broadway still went out of town to try out. I worked backstage at summer stock doing jobs from garbage man to strapping on Herbert Marshall's wooden leg to fixing Gloria Swanson's broken plumbing in her dressing room with her yelling at me as I worked the plunger.

Prince was outside his dressing room, shaking one of those little Easter egg maracas. His hair was straightened to a soft wave; his eyelashes were unfairly lovely. He smelled like the most expensive shelf in the Sephora perfume aisle. This man wearing eyeliner, heels and ladies' perfume somehow managed to be more masculine than the burly bodyguard.

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