Dresses Quotes - Page 26

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Fashions change and with rare exception are forgotten by the public. But the classic fragrances, like an invisible dress, endure. Fragrance must be introduced properly. A fragrance is like a signature, so that even after a woman leaves the room, her fragrance should reveal she's been there.

The idea of a stag hunt evokes chivalry - knights in jerkins and hose, ladies on sidesaddles with wimples and billowing dresses, a white stag symbolizing something-or-other, and Robin Hood getting in the way. An actual stag hunt is more like a horseback meeting of a county planning commission.

The beauteous dragonfly's dancing By the waves of the rivulet glancing; She dances here and she dances there, The glimmering, glittering flutterer fair. Full many a beetle with loud applause Admires her dress of azure gauze, Admires her body's bright splendour, And also her figure so slender...

I feel like Nashville has watched me grow up in front of them, which is cool, but it kind of sucks at the same time because you get pigeonholed, like, 'Oh, she's the girl with the long hair that wears fairy dresses.' That was me at one point because I was new and I was young. But we all grow up.

You can see the next big trends in fashion on the red carpet and see what colors, silhouettes are hot right now. You might see Taylor Swift wearing Gucci, and most of us can't afford that Gucci dress, but you can look at the beading and be inspired by it for, say, your prom or a friend's wedding.

There's a reason why the cultures of so many Chinatowns around the world in some ways are more Chinese. They've held onto older Chinese rituals, traditions, and symbols in ways that, if you go back to China today, they're not holding on to. They're getting married in white dresses and in churches.

I have an amazing stylist; she's called Rebecca Corbin Murray... I go around to her living room, and it's sort of exploding with dresses, and we go through them all, and she's so good at picking things she knows I'll like, and we work together. She's taught me absolutely everything; she's brilliant.

Much-derided chick lit, chick flicks, and chick magazines have left ambitious women in a bind. Why is it that I, a young woman, can read 'GQ,' enjoy 'Fight Club,' and subscribe to 'Thrillist,' while the idea of a guy doing the same with 'Glamour,' '27 Dresses' and 'Daily Candy' is nearly unheard of?

In the early years of Rent the Runway, our challenge was twofold: getting investors to buy into our vision for how the world was changing and getting women to understand that renting was a viable - let alone a smarter - alternative to spending hundreds of dollars on dresses they would wear just once.

All movements begin and end, and all have been inspired by others that have come before them. They evolve and then deconstruct again. There are very few designers whose aesthetic I'm drawn to on a personal level. However, that's different from the ways in which I might dress the characters in my films.

A dog will recognize his master in whatever way he dresses. The master may dress in robes, suit and tie, or stand naked, but the dog will always recognize his master. If we cannot recognize God, our beloved master, when he comes in a different dress from another religion, then we are less than that dog.

Every young woman should dress well, that is, neatly, tastefully, modestly, whether she be rich or poor. Conspicuous dressing is vulgar. True refinement avoids anything showy and flashy: it never dresses better than it can afford, and yet it is always well dressed, even in simple muslin or plain calico.

The problem with multiculturalism is it's kind of arrogant. The arrogance is the assumption that everyone will buy into our values, because they have to be Superior. What is different about Islam is it's not just a type of food you ate or the way you dress, it's a total system of life driven by values...

The new generation of designers, like Prabal Gurung and Alexander Wang, have hundreds of thousands following them on social media who will probably never be able to afford their dresses but still feel a loyalty to them. So when that designer writes a book or launches a beauty line, they might pick that up.

There wasn't much said, but I was thinking, perhaps unkindly - not unkindly,but on - inaccurately of Theodore Dreiser's "Carrie," when the main character in "Carrie" has been brought down by Carrie and his - he - dress is disheveled and all that sort of thing. And that's the last I ever saw of [Will Shawn].

There's a continuity between what I care about in any form: I care about it in my music, in article-writing, in how I dress, in how I live, in my relationships, in how I navigate paparazzi, how I decorate my home. There's such a continuity between everything that I don't really care what form it shows up in.

When I first started in the industry back home in Australia at 18, there was a lot of push and shove as to how I should dress, if I was allowed to cut my hair short, if I had too many tattoos. If I didn't get a campaign, or if I didn't get a role, they would always come back to, 'Well, she dresses like a boy.'

Part of what made 'The Bling Ring' such a fun, freeing experience was that we got to wear these really over-the-top clothes we'd never pick in real life - like for the nightclub scenes, we'd have on these really short, really tight dresses. But you know what - I actually learned how to walk in heels on that set!

I believe that God—if he exists at all—is what we want him to be. The true God is unknowable, and so we dress him up in costumes that make him visible to us. Then we come up with a lot of very silly rules that we attribute to him and tell everyone if they don't follow those rules, they can't be part of the gang.

Child of woe is wane and delicate... sensitive and on the quiet side, she loves the picnics and outings to the underground caverns... a solemn child, prim in dress and, on the whole, pretty lost... secretive and imaginative, poetic, seems underprivileged and given to occasional tantrums... has six toes on one foot.

When you really do feel like an alien, and you really do feel like a space creature, and you really do feel you want to experiment and dress up and be different every day, to find what looks best but never stick to one thing... Just the fact that that was offered to those kids during that time is pretty remarkable.

When I was a young boy, growing up in Durham, North Carolina, the women in my family were truly passionate about their clothes; nothing was more beautiful to me than women dressing with the utmost, meticulous attention to accessories, shoes, handbags, hats, coats, dresses and gloves to attend Sunday church services.

Ma is my biggest critic. When she cleans my cupboard she keeps nagging me as to why I have 20 shoes or why my accessories don't match my dresses. I just keep hiding things from her. There are times when I wonder why she can't praise me like other mommies. But, in a way she is right and I like it when she corrects me.

I didn't have cable television growing up; there were only six channels you could watch then. The only really good channel was channel 10, and they would play 'The Nanny Called Fran' every night for years. I've seen every episode 100 times. I would get my Grandma to make me leopard skin dresses on her sewing machine.

In perpetrating a revolution, there are two requirements: someone or something to revolt against and someone to actually show up and do the revolting. Dress is usually casual and both parties may be flexible about time and place, but if either faction fails to attend, the whole enterprise is likely to come off badly.

He was also handsome in a too-pretty way that made me think with less muscles, a wig, and some makeup, he'd look great in a dress. Vlad's scowl vanished into a smile as the brunet's gaze swung in my direction as though he'd somehow heard that. "Looks as though she's put you in your place as well, Bones," Vlad drawled.

If I'm uncomfortable on stage, everybody can see it. I'm not very good at hiding it. I like long, loose jacket dresses - anything that I can literally have room to move in - not that I'm a very big dancer, but because sometimes I'm sitting down at the keyboard, and then sometimes I'm standing. It just has to feel good.

It was always a fantasy of mine growing up - my favorite program was always 'Little House on the Prairie' - so I always wanted to wear those looks. When I was a child, I wouldn't let my mom put me in anything but calico dresses and now... whaddaya know, every day I'm in a calico dress, basically, so it's kind of funny.

I just kind of opened up and said, 'I feel like a rag doll. I have hair and makeup people coming to my house every day and putting me in new, uncomfortable, weird dresses and expensive shoes, and I just shut down and raise my arms up for them to get the dress on, and pout my lips when they need to put the lipstick on.'

I love the Sixties with Julie Christie and Jane Birkin - those natural English beauties. That's the look that is most me, when I wore the tight-to-the knee dresses. I don't think I bleached my hair until I was 20. I like experimenting for big occasions, though. You've always got to do a bit of a number for the birthday!

I have nothing against the veil. And I think that, wrongly, many in the West look at the veil as a symbol of oppression. Now, as long as a woman chooses to wear the veil, because that's her belief and because of her own - that's a personal relationship with God, so she should be free to dress in whichever way she wants.

Anthony: Now lower your dress a little- Roslynn: Anthony! Anthony: This is no time for offended modesty... You're the distraction. Roslynn: Och, well, in that case. Anthony: That's quite low enough, my dear... Roslynn: I was only trying to help, Anthony: Commendable, but we want the chap to ogle you, not bust his breeches.

I only saw one collection of Victoria Beckham, and I thought it was very much like Pierre Cardin or Marcel Rochas dresses. She's thought about it, and she knows what she wants. And people buy it, so that means she works. She has this incredible will power to do something that she likes to do. And I love that. I respect that.

When Diogenes came to Olympia and perceived some Rhodian youths dressed with great splendor and magnificence, he said with a smile of contempt, "This is all arrogance." Afterwards some Lacedemonians came in his way, as mean and as sordid in their attire as the dress of the others was rich. "This," said he, "is also arrogance.

My mother was not happy with the Afros that my friends and I emerged with - there's that crack in the book of 'Why, if a fly landed in there, he'd break his little wings trying to get out.' I was not pure dashiki, though - I was a combination of African dresses, miniskirts, tank tops, shawls, ethnic-looking earrings, sandals.

I sit at this really weird crossroads. My job requires me to take in calories. I take care of myself. I eat healthy. I exercise a lot. But then I have to go to events in cocktail dresses and look fancy, and people want to interview me about what I'm wearing, and then I'm compared to people who are wearing size 2 all the time.

When I was younger, I didn't have that type of person that I could look up to and be like, 'OK, this is someone who dresses like me and I relate to.' I didn't have that growing up, so to give that opportunity to a younger generation of women - and not just Somali women, but anyone who feels different - that means a lot to me.

My interest in society - at times so pronounced that the word 'snob' comes a little to mind - derives from the fact that I like an immense number of things which society, money, and position bring in their train: painting, tapestries, rare books, smart dresses, dances, gardens, country houses, correct cuisine, and pretty women.

True economy consists in always making the income exceed the out-go. Wear the old clothes a little longer if necessary; dispense with the new pair of gloves; mend the old dress: live on plainer food if need be; so that, under all circumstances, unless some unforeseen accident occurs, there will be a margin in favor of the income.

I believe in sketching because there is something very sensitive in sketching, you know, in sketches that you don't have out of a computer that looks the same like everybody even if, later on, the dresses are OK, but I like to sketch, and I like to see trails made after my sketches that look the same. It is you know, what I like.

How is Angeline?” asked Dimitri. “Is she improving?” Eddie and I exchanged glances. So much for avoiding her indiscretions. “Improving how exactly?” I asked. “In combat, in following the dress code, or in keeping her hands to herself?” “Or in turning off caps-lock?” added Eddie. “You noticed that too?” I asked. “Hard not to,” he said.

I've heard people say to me, 'How can you claim to be a feminist when you dress like that?' I wear a lot of slip dresses and nightwear and stuff. People always question my credibility because of that: 'Oh, are you selling sex? Are you doing this or that to be recognized more or to sell your music?' No, it's just a fashion thing for me.

Originally, back in 1992, DKNY started because I couldn't find a pair of jeans. I also wanted to dress my teenage daughter Gabby. So it was the perfect street wardrobe: jeans, anoraks, jumpsuits, boyfriend jackets, sweaters, skirts and dresses. Then DKNY grew into an entire lifestyle concept, including tailored clothes you wear to work.

Gwen Stefani has amazing style. I used to really love Courtney Love, and anything she wore I loved. Or Chloe Sevigny, because I really love that sort of classic look, and I like being girly and flowery, and wearing little D&G dresses. I wear hats a lot, too. I think it goes back to when I was a bit grungy and was a skater girl for a bit.

The red carpet has become like a parallel business. The next day, there are TV programmes, and magazines, and it's all, 'Do you like the dress or not like the dress?' and 'Did she look fat?' To keep borrowing dresses and jewellery is like a full-time job. And you have to be a fantasy, which you can never be, so you always feel depressed.

I always tell this story: When I started, the woman went to the store to buy a dress. She saw it in pink and red, and then she remembered that the husband, who is probably going to pay for the dress, loves it in pink. So she buys the pink. Today, the same woman goes to the store and remembers the husband likes pink, and she buys the red.

When my parents went off to Knoxville to work, I lived with my father's mother. She was strict - the kind who starched and ironed dresses. I had to sit more than I played. Oh, I was miserable. I liked being out with the animals. I'd come in the house with my hair pulled out, sash off the dress, dirty as heck. I was always getting spanked.

Out of the ashes of the Great War came the freewheeling cultural renaissance that was the Jazz Age, but the decade-long party of flapper dresses and bootlegging came to a crashing halt with the Crash of '29 - triggering the Great Depression and the New Deal that would help America get back on its feet, just in time for another, greater war.

The way I grew up, I had hippie parents, and we would run around the garden with no shoes on, very close to nature. So I never wore little princess dresses. I still have this feeling whenever I wear a very formal dress; I always have this slight fear that people will point their fingers at me and laugh: 'Vicky is trying to look like a lady.'

I have an oddball sense of humor. So when there was an episode at a comic book convention-of course they end up having Lois dress up all sexy and stuff-but really what I would dress up like is a Stormtrooper. That's what I'd do, because it's hilarious, and who doesn't want to be that at some point, right? So then they made something out of that.

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