All my work begins with drawings.

As a child, I copied Duerer drawings and Bruegel.

But the drawings are not created only to be sold.

Buildings are always better than drawings and models.

Creeds made in Dark Ages are like drawings made in dark rooms.

I don't like computers. I still like to do my drawings by hand.

I like to draw, and my drawings are what yell and scream for me.

I don't labor over my drawings. I want to get freedom in the line.

Drawings help people to work out intricate relationships between parts.

The worse my drawings were, the more beautiful did the originals appear.

If you start with character, you probably will end up with good drawings.

Well, directing is doing the key drawings, not the key animation, mind you.

Playing acoustic and line drawings are the two things I'm most competent at.

As my early drawings warned me, where humans go, lions and tidal waves follow.

Cartoons are not real drawings, because they are drawings intended to be read.

Drawings, paintings, and sculptures. That's the three pillars of art academia.

I see drawings and pictures in the poorest of huts and the dirtiest of corners.

I sit, I think, I make some drawings. As a designer, you cannot retire totally.

I was absolutely lost in love and life when I did my drawings. Time stood still.

My website's kind of fun for me. I get to do drawings on that. It's kind of fun.

I love drawings, so I've always enjoyed making drawings that exist on their own.

All the important drawings I do myself. Every single character is also done by me.

I definitely used to write a lot at school. Comic poetry and drawings about people.

Prose, poetry, and drawings stand side by side in a very democratic way in my work.

My daughter does sewing, needlepoint and very good drawings. My son plays the piano.

I do a lot of work that's permanent. The drawings, the sculptures, they're permanent.

I started my own magazine with drawings, commentary, news, film reviews and drawings.

Doing fashion drawings was the only way I had to express myself when I was a teenager.

The comics were not only stories to enjoy; for me they were drawings that possessed me.

Animation is not the art of drawings that move but the art of movements that are drawn.

You have to make thousands and thousands of drawings before an illustration is perfected.

My home is in West Vancouver, B.C. My husband built it from drawings to design and colour.

I've always been a 'write first' artist: the drawings are always in service of the writing.

Doing simple flip books, I used to get such a kick out of it, just drawings and nothing else.

I have kept a diary as long as I can remember, and drawings are really another kind of diary.

When I read Alison Bechdel's 'Fun Home,' it was the first time I saw drawings that looked like me.

Where as in animation you have to kind of do a series of drawings in between to complete the movement.

My drawings have to be quick. If they don't happen in 20 minutes or a half hour, then they're no good.

I don't work from drawings. I don't make sketches and drawings and color sketches into a final painting.

All the drawings and sketches and clothes of Yves Saint Laurent in the '70s were so colorful, so bright.

Drawings don't have a point. Cartoons, you want to have an opinion; you want them to express a viewpoint.

I like to be able to get swift curves in the plant drawings that are usually drawn in five to ten minutes.

My drawings at first were made altogether in watercolors, but they wanted softness and a great deal of finish.

The Internet is a crazy archive of a lot of old everything. Paintings, drawings, old, new, and everything in between.

I have tons of drawings of 'Star Wars,' whether it be stormtroopers, Darth Vader, Star Destroyers, or the whole thing.

In 'Tom and Jerry,' there was hardly any dialogue at all. It was all action. It required a great many drawings to make.

I don't look at my films or my old drawings much, so that was an interesting way to kind of reconnect with myself a bit.

The entire brain of the organization is here. The construction drawings and data processing all takes place in Rotterdam.

Something about glamour interested me. All my schoolbooks had drawings of women on terraces with a cocktail and a cigarette.

I made all sorts of things: drawings, sculptures - I was doing origami before I even knew the word. I was constantly creating.

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