Quotes of All Topics . Occasions . Authors
I do feel like no matter what you're doing, whether it's music or writing a play or a poem or drawing a picture or painting something, that you're speaking to what is it you want to express, what is it you want to see.
Spaces between the forms, or the negative shapes, play just as great a role as the positives and they enable you to check the accuracy of your drawing. The positives make the negatives and negatives make the positives.
I do a lot of work on computers, but I am so practiced in drawing that I can draw it full size, and you can take the measurements off my drawings. It's like drafting, but it's a work of art - a really beautiful drawing.
I'd want to read the stories that I'd written, I'd want to show the drawings that I made. That was just purely natural. So I knew I wanted to go into the arts in some way and that I'd want to show that work in some way.
Drawing on President Bush's reform plan, which would allow citizens to transfer part of their Social Security contributions into personal accounts, an alteration of the current system is needed to make necessary change.
I design all my sets. With my tour and my album artwork, I co-design that with people who are better at drawing than me. But I've got a good imagination. I went to art school so I understand how to communicate my ideas.
A drawing of the nude is a most revealing expression because it is at once the most private and the most personal. Often such drawings are made with no thought of public exhibition. They possess the intimacy of diaries.
I showed the grown ups my maasterpiece, andI asked them if my drawing scared them. They answered why be scared of a hat? My drawing was not a picture of a hat. It was a picture of a boa constrictor digesting an elephant.
When I use weed creatively, I'm much better at drawing or making something or playing music. But what I do for a living is mostly performing as an actor or writing, and for those things I need to have my faculties sharp.
I took a number of graphic courses, lithography and etching and wood engraving [at Art Institute]. And particularly as I got more and more into ceramics, I thought, life drawing doesn't have anything to do with ceramics.
I wouldn't want to be defined so much by comics or cartoons. My work is more narrative than that. If you take your basic cartoon, there's always a punchline or a joke at the end. My drawings don't depend on that so much.
I think I was drawn to black culture by the same things that have been drawing the entire world to it since the days of Richard Wright, Josephine Baker and Louis Armstrong. This culture is original, potent and seductive.
I had always loved cartoons, especially 'Bugs Bunny,' and I found I enjoyed making animated films. Even a 30-second commercial involved drawing and painting, storytelling, not to mention actors, music, and sound effects.
Ethologists are often accused of drawing false analogies between animal and human behaviour. However, no such thing as a false analogy exists: an analogy can be more or less detailed and, hence, more or less informative.
I am drawing my inspiration from resource-constrained developed nations like Japan, South Korea, Singapore, and Dubai in attracting global investments. Compared with them, Andhra Pradesh has more resources to leverage on.
I'm very artistic - I feel like ever since I was born I've been drawing. I actually have a picture in my room that I painted, and people are always like "Where did you buy that?" It's cool that people are impressed by it.
From an early age, I had always loved drawing. Laying on the floor, in front of the fire, drawing from my imagination, marching soldiers, dive bombers, spaceships and monsters. Now, suddenly, I was drawing from real life!
The subject of the lesson itself should not become more important that the underlying basis. Drawing thus provides first the written forms of letters and then their printed forms. Based on drawing, we build up to reading.
In 1971, I put together the 'Johnny Face' drawing as a concept, with the words as part of an image in a circle. Combining my abstract drawing with the headline 'Crazy World Ain't It' created an emblem and became a button.
We need to stop Sharon. His lethal policies are drawing blood on both sides. That's why we need a serious intervention -- international troops. And we need to end the occupation if there is to be security for both people.
The novels have done so well because the drawings are abstract, black-and-white. This adds to the universality of the story. "Persepolis" also has dreamlike moments, and the drawings help maintain cohesion and consistency.
Writing a mystery is like drawing a picture and then cutting it into little pieces that you offer to your readers one piece at a time, thus allowing them the chance to put the jigsaw puzzle together by the end of the book.
There are also dozens and dozens of success stories; many couples have emailed me with their original posts. I love reading these stories, but confess I am not as interested in drawing them as the unfinished, elusive ones.
Now, you integration-minded Negroes are trying to force yourselves on your former slave master, trying to make him accept you in his drawing room; you want to hang out with his women rather than the women of your own kind.
I have a personal definition of cartooning, which is, simply, "imaginative drawing." Anything you're drawing that is not in front of you but is a mental construct that you want to express in a drawing is, to me, a cartoon.
All the old bogeys of 'dignified subject-matter,' of 'balanced compositions,' of 'correct drawing' were laid to rest. The artist was responsible to no one but his own sensibilities for what he painted and how he painted it.
When I get to the drawing, I really enjoy taking a big chunk of time and working on the drawing and nothing else. That allows me to make sure that I'm really challenging the art, making each picture as interesting as I can.
There's the artist's intimacy and truthfulness to himself, but an equal intimacy to the Other [the one drawn]. Picasso drawings are like that... the Rembrandts are like that. The artist who most often did that was Van Gogh.
I've been drawing authors and politicians for newspapers for many years. I try to read up on the person; in the case of authors, read one of their books. I watch interviews via YouTube and collect pictures via the Internet.
As we grow old, we become aware that death is drawing near; his shadow falls across our path; the realities of life seem less crude than of yore, they touch our senses less intimately, and they lose much of their poignancy.
Drawing from art history and mythology allows me to connect with viewers in a familiar, yet loose visual framework. Blending disparate histories and themes can give the overall presentation a recognizable, yet unique flavor.
The troubles of this world pass, and what we have left is what we have made of our souls, so it is to this we must look to becoming more spiritual, drawing nearer to God, no matter what our human minds and bodies go through.
I played old men back in drama school. It's just now that I'm drawing level with the age of the characters I play, but I'm fine with that, and I've certainly never envied people who became hugely famous when they were young.
At some point, you have to make a decision. Boundaries don't keep other people out. They fence you in. Life is messy. That's how we're made. So, you can waste your lives drawing lines. Or you can live your life crossing them
Composition, the aim of which is expression, alters itself according to the surface to be covered. If I take a sheet of paper of given dimensions, I will jot down a drawing which will have a necessary relation to its format.
I like charcoal drawing a lot. I'm not very good, but I always find myself buying canvases and paints whenever I'm on location, because I always have this ambition to fill the hotel room I'm in and turn it into an art studio.
The average artist, if he chooses, could render an exact drawing of what he sees. Artistic work not only allows but demands some deviation from form and line. Just how far this may go depends on the viewpoint of each painter.
You have something to give and are willing to give it. You do this without fanfare or publicity, drawing attention to the God we worship, not yourselves, and with no thought of what you will receive.That’s what disciples do!.
In the final analysis, a drawing simply is no longer a drawing, no matter how self-sufficient its execution may be. It is a symbol, and the more profoundly the imaginary lines of projection meet higher dimensions, the better.
I don't think we know who a lot of these athletes are. We think we do, but they're never allowed to be themselves. Because the minute they try, people are saying, What's wrong with him? Why is he drawing attention to himself?
escape from the black widow spider is a miracle as great as art. what a web she can weave slowly drawing you to her she'll embrace you then when she's satisfied she'll kill you still in her embrace and suck the blood from you.
That's the conundrum of cartoon stripping, as opposed to political cartoons. When your anger is the driving force of your drawing hand, failure follows. The anger is OK, but it has to serve the interests of the heart, frankly.
Your eye level is your reference point for drawing the perspective lines. All lines above your eye level will go down to the horizon vanishing point and all lines below your eye level will go up to the horizon vanishing point.
Movie actors disappear - any young person wouldn't know Cary Grant. They're going to disappear. Fifty years ago, you thought film was here to stay. But nothing is here to stay, actually - except perhaps paintings and drawings.
All intervening steps, scribbles, sketches, drawings, failed work models, studies thoughts, conversations, are of interest. Those that show the thought process of the artist are sometimes more interesting than the final product
Drawing and visual arts was kinda my first passion going all the way back to when I was a kid. I always felt like it was what I was supposed to do - but in reality I don't know that I ever had the skill to make it a profession.
[Drawing] and making things was all we ever did. My brother and I built the entire New York World's Fair of 1939 in miniature out of wax. The floor of our room was covered with little waxen buildings. Nobody else could come in.
Nobody gets any fun out of baseball any more. I guess a kid's crazy not to be serious about it when he's drawing down $20,000 or $30,000 a year, and any smart-aleck gag you try may be your last. But what's life without a laugh?
I think we need to price carbon; there's no question about it. The way we do it needs to be based on science and not political debates and attacks, and that's why I'm drawing on experts and best practices from around the world.
That Moorish architecture is all over the place, of course. It affects me everywhere I see it, as it does so many people. But Brand Library was a special place to me, and I know I've paid homage to it many times in my drawings.