We would sift through every inch of what it was that worked, or if it didn't, and wonder what was effective in it, in terms of paint, the subject matter, the size, the drawing.

Drawing is the most direct and personal kind of graphic expression. Unlike painting, it doesn't forgive. You put down your black line, and there it is - as inevitable as death.

You can't use a drawing to prove a war crime. A drawing doesn't have that notion that it's proof of a reality. Because of that, you can do all sorts of interesting things in it.

I feel the calmest when I'm drawing or when I'm creating images. I love connecting the mind with the hand and producing something - that is very comforting and centering for me.

When I was a child of four I wasn't really drawing like a child, I wasn't sketching as a child. I would sketch and I was using perspective, the good relationship of the subject.

I suppose no matter what I'm drawing, there will always be some sort of question in my mind about it. A work of art (even cartoon art) is never really finished; it is abandoned.

All the other kids in ninth grade were drawing hot rods and cocker spaniels and getting blue ribbons in art class. I was getting rejection slips from the 'Saturday Evening Post.'

The modes of expression of men of genius differ as much as their souls, and it is impossible to say that in some among them, drawing and color are better or worse than in others.

It takes that je ne sais quoi which we call sophistication for a woman to be magnificent in a drawing-room when her faculties have departed but she herself has not yet gone home.

I began to realize that for two years my life had been a drawing on resources that I did not possess, that I had been mortgaging myself physically and spiritually up to the hilt.

If you have an idea, you have to move on it, to make a gesture. Drawing is an immediate way of articulating that idea - of making a gesture that is both physical and intellectual.

The drawings that interest me most are made with closed eyes. With eyes closed, I feel my hand slide down on the paper. I have an image in mind, but the results always surprise me.

My interior is very, very dense - Proustian-looking, sort of Henry James. The walls are covered in pictures, and I transformed the big drawing room into a library lined with books.

The hardest thing is in terms of the drawing, because, you know, I really have to work to keep my hand fluid, and I've done a lot of recovery, but it's not the same as it once was.

I have these large pieces of recycled brown paper stretched on my apartment wall and when I am not doing anything fashion-related, I'm drawing on it, playing with colour spectrums.

For me, travelling and drawing the world, experiencing as much as possible first hand, has been very important. Making notes, drawing and writing on the move, became second nature.

The whole essence of good drawing - and of good thinking, perhaps - is to work a subject down to the simplest form possible and still have it believable for what it is meant to be.

When drawings of the main buildings I have designed in the last five years are juxtaposed, the fact that they all involve the pursuit of certain configurations is obvious to anyone.

Life can be a fearful thing. Everyone needs someone drawing alongside, saying “You can do it. Don’t quit.” Everyone needs someone who believes in them. Everyone needs encouragement.

Drawing is like studying Greek and piano- you can't speak or play in your conscious, which is clumsy. You must get it into your subconscious, which is graceful. But that takes time.

I've been through a lot of ups and downs. I've been on both sides of it all, I guess. So there's not one specific event or thought that I'm dealing with or drawing from necessarily.

For a while, I was drawing on good paper, but now I've gone back to the bad stuff. I put matte medium on it. If you put matte medium on it, it seals up, so it doesn't really matter.

There was about six months when I was absorbing other stuff and not drawing very much. After a long period of not drawing, you have to, like, relearn how to draw. It's not very fun.

I can often tell when drawings are done from photographs, because you can tell what they miss out, what the camera misses out: usually weight and volume - there's a flatness to them.

Imagine my surprise when, after a lifetime of teaching me to keep personal things to myself, Mom insisted my drawings were the start of a comic strip for millions of people to enjoy.

Although there is a sense in which the camera does indeed capture reality, not just interpret it, photographs are as much an interpretation of the world as paintings and drawings are

I have the standard cartoonist setup, which is one of those Cintiq tablets, and a laptop. If I'm mostly writing code, I'm on the laptop, and if I'm mostly drawing, I'm on the Cintiq.

A game of chess is a visual and plastic thing, and if it isn't geometric in the static sense of the word, it is mechanical, since it moves. It's a drawing; it's a mechanical reality.

I don't think anyone can do any character that doesn't have at least some ounce of themselves in it. You are who you are, and your brain is drawing on things that you've experienced.

When the sense of solidarity has been developed to such a point that each one feels the cause of all others as his own, we shall be drawing near to international and to social peace.

I have to hope that my instincts will do the right thing, because I can't erase what I have done. And if I drew something first, then my paintings would be illustrations of drawings.

After 'Blankets,' I was sick of drawing myself and doing this autobiographical, mundane, Midwestern sort of comics. I wanted to create something bigger than myself and outside myself.

Since childhood, I have been painting, for no special reason, numerous dots and nets, drawing from the hallucinations that seem to appear endlessly. I can't explain why if you ask me.

I saw that everything famous and beautiful in the world, if we judge by the descriptions and drawings of writers and artists, always loses when we go to see it and examine it closely.

I love painting still lifes because there's a feeling of musical, flowing experience. The drawing doesn't matter as much - what you're really after is a feeling of clarity and beauty.

Learn to draw. Try to make your hand so unconsciously adept that it will put down what you feel without your having to think of your hands. Then you can think of the thing before you.

Like art, political action gives shape and expression to the things we fear as well as to those we desire. It is a creative process, drawing on the power to imagine as well as to act.

I have been watching and drawing the surface of Mars. It is wonderfully full of detail. There is certainly no question about there being mountains and large greatly elevated plateaus.

The trouble is, we've been taught what to see and how to render what we see. If only we could be in the position of those men who did those wonderful drawings in Lascaux and Altimira!

Dad loved computer games, and I would sit beside him for hours with graph paper, drawing out plans to try and forecast the moves he should make while he worked the computer controller.

Sometimes when looking through my pile of drawings, I find an image that... awakens in me a passionate desire to inhabit it, as though I were to feel more at home in it than in myself.

When you invent something, you're drawing on reservoirs of knowledge that you already have. It's only when you're faithful to the truth that something can come to you from the outside.

The problem is, when you're making an animated movie, the studio has an illusion in their minds - and it's really not true - that because it's a drawing, it can be changed at any time.

The authentic insight and experience of any human soul, were it but insight and experience in hewing of wood and drawing of water, is real knowledge, a real possession and acquirement.

Everything will be all right - you know when? When people, just people, stop thinking of the United Nations as a weird Picasso abstraction and see it as a drawing they made themselves.

Dropping the exclamation point was our way of drawing a line in the sand. We have a new record and we feel like a new band. We were all tired of it, and we went ahead and got rid of it.

I've felt that in the past, where I just felt like I had to keep drawing in the same way to maintain this sameness and rhythm throughout an entire book, and it was not really necessary.

I haven't had the opportunity to study visual art, but it was always my first love when it came to artistic expression. I started drawing and experimenting with visual art when I was 5.

Europeans are dying out. Don't you understand that? And same-sex marriages don't produce children. Do you want to survive by drawing migrants? But society cannot adapt so many migrants.

We strive all the time to give our life its form, but we do so by copying willy-nilly, like a drawing, the features of the person that we are and not of the person we should like to be.

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