Quotes of All Topics . Occasions . Authors
I never know what my next thing is going to be, and I'm not out there specifically searching for one thing in particular. I'm just looking for something that's new and different. It could be a drama or a comedy, I just want to challenge myself and work with people that inspire me.
A national crisis, a political convulsion, is an opportunity, a gift to the traveler. Nothing is more revealing of a place to a stranger than trouble. Even if a crisis is incomprehensible, as it usually is, it lends drama to the day and transforms the traveler into an eye witness.
Jazz music should be inclusive. Smooth jazz to me rules out a certain kind of drama and a certain tension that I think all music needs. Especially jazz music, since improvising is one of the cornerstones of what jazz is. And when you smooth it out, you take all the drama out of it.
My father was an actor. Both of my older brothers are actors. My younger sister is an actress. For me, that's my job; that's my craft. But then all through school and through drama school, I was gigging and running nights and playing in bands, and I just didn't want to let that go.
Deep down, I'm a small-town girl who has it drilled in her DNA to grow up, marry, have kids, settle down. Maybe I will knock the same theory in my kids' heads, too. I'm also liberal, a political enthusiast, a bookworm, and the least bit ambitious to pull off a soap drama queen act.
When you wear the costumes in a period drama, you already feel like a different person - the clothes make you stand differently, change your posture, the way you walk. You really have to have stamina - you have two hours in hair and makeup, and then another hour to remove all that.
Managing the creative process means selecting the best people and then letting them do their work. That means nurturing. It also means, from time to time, creating drama - even uncertainty - so that the creative environment has an edge to it, a charge, and does not run out of steam.
I'm here to challenge myself and to see whether I can shape-shift in an environment that's actually quite daunting, but which I think would be nice to shine a light into. The destination of any interesting drama is that you shine a light into a place that not many people know about.
It is a very strong rule in drama, and in life, that people remain true to their basic natures. They change, and their change is essential for drama, but typically they only change a little, taking a single step towards integrating a forgotten or rejected quality into their natures.
I was a football player at college and dislocated my thumb. I was out for a bit and passed the theatre and saw some lovely drama students walking into an audition for 'Much Ado About Nothing' and thought: 'That's what I'll do when I recover.' I joined that production and was hooked.
I'm really proud of 'Private Life.' It's about a marriage and a couple on the hunt to make a family by any means necessary. They're on such an obsessive quest that, after awhile, you forget that it's even for a baby. It fits right in that middle pocket of being a comedy and a drama.
To try something longer, I entered a half-hour radio drama contest with the national public broadcaster, CBC. To my surprise, I won. And that opened doors in film and television, because that broadcaster was looking to cultivate new Canadian talent, especially women who could write.
It's always been fun for me to play somebody else. I did drama class when I was younger. It kind of just happened. I never said, 'I want to act.' I just auditioned for the role, I got it. I was blessed with this opportunity to be in 'Earth to Echo.' It's fun for me; it's cool to do.
There's not a lot of room anymore for what I call 'made-up' drama. The drama comes from real places now - marriage takes work and focus, the kid stuff takes patience and commitment. And if you don't grow as people and as a couple, within all of that, then you've got some real drama.
A lot of the time, you need to find the right home for ideas. You know, sometimes you think 'oh this'd be a sitcom, oh, no it wouldn't, it'd be a drama, or an educational thing, or a doco or something.' I've got loads of ideas and you just have to keep sending them and pitching them.
If you keep running away every time you are scared, then you will do nothing but hide your entire life. Is that really, how a person should live their life? The only way you can get over this fear is by fighting. No matter how scared or afraid you are, you cannot win without fighting.
The Pleiadians see a huge upswing in the drama on the planet and in individual lives. The drama is not a bad thing. It's just simply getting our attention to that which we need to take care of and notice all that we're still holding onto within ourselves. It's just to act as a mirror.
I've done my "mind over matter" movies, and I think probably that people aren't really interested in seeing me do that anymore. I think I'm kind of past my prime to do dramatic films. I think it'd become kind of like almost a pathetic cry out to be recognized as a serious drama actor.
There's a certain rhythm to comedy that is almost like you're dancing and you just go on autopilot, so to speak. There's something just beautifully enjoyable about comedy in that respect. It's a joy to be able to do that. Drama, you get to go to depths that you haven't gone to before.
I had a great drama teacher, and he sort of made out drama school as this incredibly difficult thing to get into: 6,000 people apply every year, and some of the schools only have 12 places. It's a phenomenally difficult thing to get into. And that excited me - I wanted that challenge.
I walk with Federico Garcia Lorca around the Upper West Side in Manhattan because that was a neighborhood he lived in and I imagine walking around Paris with Cesar Vallejo, a great Peruvian poet who lived in Paris. And I kind of create the walk as a kind of drama of my apprenticeship.
I felt, "Oh, film is a great art because I can pull in music and visual imagery, and it has its literary aspects and drama." Film was a sort of Wagnerian synthesis of the arts, as opposed to opera, which Wagner had thought would be. That's another art form that has seen its best days.
When you watch the top guys, you know there will be no drama all match. They're gonna wipe their face between points, they're gonna ask for balls, they're gonna choose the ball, they're gonna bounce the ball 200 times, they're gonna hit the ball, and that's it. That's the whole story.
Ooh, it's too embarrassing to share my innermost romantic secrets - although I have written Danielle the odd poem. If anything they are more comedic than romantic. They used to be well-received but that was before she started studying Shakespeare at drama college. Now I feel so inept.
I love costume dramas, I love performing in them, because in a funny kind of way, you feel more free. You know about the period, you can read the books, you can see the paintings, but you've never actually going to know what it was like. You can kind of stretch those boundaries a bit.
I think the way WWE Studios is going now - they're going away from action, doing more drama, more comedy - it will open a lot of people's eyes. Because a lot of people see big guy, big frame: action superstar. We've proven, especially with 'Legendary,' that that is not always the case.
I love soap operas - the stories, the plots! And I love the game shows and the courtroom dramas and the detectives - Jessica Fletcher, 'Columbo,' 'Perry Mason,' 'L.A. Law.' Any sense of guilt appeals to me in a television program - a sense of guilt, or a sense of making a lot of money.
This used to be about sex. The literature of my people was pornography, filled with cries for mercy, drama enacted on people without prolonged negotiation, partners engaged in a dance in the middle of a bonfire. Now, it's 300-page manuals about how to make sure nothing bad will happen.
Architecture is a small piece of this human equation, but for those of us who practice it, we believe in its potential to make a difference, to enlighten and to enrich the human experience, to penetrate the barriers of misunderstandin g and provide a beautiful context for life's drama.
With drama, you need to be laughing, in between takes, 'cause you're going to those recesses of your soul and those dangerous parts. Normally, if you're not an actor or some crazy artist, you don't feel the need to run around in those areas. You keep them separate because it's painful.
If the role is right and it's another situation of having a benevolent genius at the head of it, someone who likes actors, and will protect the actors from the ravages of reality-TV drama. It's a brutal world, and you need to have a strong creative team who can stand up to the network.
Evidently one cannot look for long at the Last Supper without ceasing to study it as a composition, and beginning to speak of it as a drama. It is the most literary of all great pictures, one of the few of which the effect may largely be conveyed - can even be enhanced - by description.
...it was the arts, those noble expressions of the human spirit that are communicated through literature, dance, song, film, drama, painting and sculpture, among the many other such creative means, that helped articulate the sufferings of [these] people that were heard around the globe.
'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.
Ooh, it's too embarrassing to share my innermost romantic secrets - although I have written Danielle the odd poem. If anything they are more comedic than romantic. They used to be well received but that was before she started studying Shakespeare at drama college. Now I feel so inept.
My acting has always been in the world of comedy, but in my writing, other than writing sketches, I really am drawn to the balance between comedy and drama. I like things that sort of toe that line of one minute you're in this emotional space and then all of the sudden something happens.
I earned my Ph.D. in philosophy, and one of my specializations was the logic and mathematics of game theory. I've also got a degree in drama, so I know about stories, characterizations, plot arcs, and the like. Lots of game designers can do one or the other: I've got the skills for both.
There's not one film that I've ever made that could get made today by a studio, not one - even 'A Few Good Men' because it's an adult courtroom drama, and studios do not make them any more. And so every movie that I make, have made and will make is always going be independently financed.
I like to invest as a performer in the director's vision and then bring a sense of reality to whatever I'm doing, whether it's comedy or whether it's drama, and trust that they're going to tell me if something's reading as funny or if it's reading as dramatic or reading in the right tone.
comedy ... is much harder to do than drama. It's not true that laugh and the world laughs with you. It's very hard to make a group of people laugh at the same thing; much easier to make them cry at the same thing. ... That's why great comic acting is probably the greatest acting there is.
while it is certainly the biographer's business to describe the foibles, passions and idiosyncrasies which make his subject a person, his work will be very meagre if these individual traits are not also seen as part of a universal drama - for each man's life is also the story of Everyman.
I always look for a story that hasn't been told in the same way. I don't care about a lot of the usual elements people use for a quick drama boost. I want to know, for example, what happens when a man who was victimized by his father tries to be a father to a woman sixty years his senior.
When you're dealing with long-distance relationships, it's a relationship played out over technology. When you're in high school, it's because you're not supposed to act on those impulses yet. So some of my favorite relationships in drama are based in people that can't really be together.
Only teenagers think boring is bad. Adults, grown men and women who've been around the block a few times, know that boring is a gift straight from God. Life has more than enough excitement up its sleeve, ready to hit you with as soon as you're not looking, without you adding to the drama.
Drama is life with the dull bits left out. There is no terror in the bang, only in the anticipation of it. I believe in putting the horror in the minds of the audience, and not necessarily on the screen. The length of a film should be directly related to the endurance of the human bladder.
I like comedy, but I like comedy as a device in drama. It's more interesting for me to use comedy to seduce people into thinking about something serious. If you want to hit a beat in a drama, you can distract people with a little comedy, and you can punch them in the gut with some emotion.
Often we take personally the slings and arrows of our 'abusers'. But frequently we are merely the interchangeable pawns of their own neurotic dramas. Anyone else in your position would have received the same treatment. There is nothing especially noxious or negatively noteworthy about you.
For me, comedy and drama are all the same thing. How the comedy ever even started in my life was that moments got uncomfortable and I felt uncertain of what the outcome was going to be, so I found a way to deflect what I was feeling, or what everyone else was feeling, by creating laughter.
It was in Spain that [my generation] learned that one can be right and yet be beaten, that force can vanquish spirit, that there are times when courage is not its own recompense. It is this, doubtless, which explains why so many, the world over, feel the Spanish drama as a personal tragedy.
I worked on live studio drama, which was one weird aberration in the 1980s. I worked on the 'Battle of Waterloo,' and my job was to reload the Brown Bess muskets - the only time the audience realised it was live was when somebody leant on a button and plunged the whole studio into blackout.