The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done.

I love doing comedy. You don't get many good comedy scripts. They're rare. But, I do love playing comedy. Even in drama, I like to try to find the humor because I think it's very human.

I consider myself a 'local' actor in France. I started out in France, I went to drama school in France and the French film community was very welcoming to me when I was a young actress.

My parents couldn't afford a full time drama school, but I basically just did every class I could do, and followed every drama interest I could. When I was 15 or 16 I did drama courses.

My biggest accomplishment was playing 'Lark' on the daytime drama Port Charles because it was the most regular acting job I have had, and I had to step in and fill someone else's shoes.

I actually studied in college, for the three semesters that I stayed in school, I don't recommend that, but I studied theater, and in high school I was involved in the drama department.

When it's a comedy or drama or horror or romance, it's all the same. You want to be honest with the character. You want to play truthfully and you want to be genuine with your character.

The marathon is a charismatic event. It has everything. It has drama. It has competition. Every jogger can't dream of being an Olympic champion, but he can dream of finishing a marathon.

It takes great courage and personal strength to hold on to our center during times of great hurt. It takes wisdom to understand that our reactiveness only fans the flames of false drama.

I wasn't really happy in school and didn't really have anything else going for me; I wasn't really good at anything. Drama was at least something I loved and was really passionate about.

It wasn't like, 'I'ma lose weight and start doing dramas.' I wanted to be healthier, and that was the impetus for wanting to lose weight - it's just about being healthy and feeling good.

Drama school can't make you a brilliant actor, but you can do stuff for three years - you're not going to be fired. You should just go for it all, even the stuff you think is codswallop.

I like storytelling, and for storytelling you need a drama. And for there to be drama, you need twists, and by twists I mean the ability to constantly change the trajectory of the story.

I don't feel pressure in a negative way. I like pressure. I feel excitement and calm at the same time. No pressure, no diamonds. I want pressure: pressure creates drama, creates emotion.

All of the sadness and drama you have lived in your life was rooted in the making of assumptions and taking things personally. The whole world of control between humans is based on that.

Ive lived this very dramatic life, with high points and terrible low points. Nothing has been ordinary, and I want to have the experience of the last breath. I want a little drama to it.

A life filled with silly social drama and gossip indicates that a person is disconnected from purpose and lacking meaningful goals. People on a path of purpose don't have time for drama.

I hate drama. But at the same time, nothing bothers me more than when life's perfect. And that's the sick part. I just love a challenge, whether it's a relationship, my career, clothing.

When someone who is known as a comedic actor goes to drama, it often doesn't work out, because they really just chose wrong, I think - or maybe they're just not good actors, I don't know.

The comedies are not a million laughs on the set. Its business and the dramas are business as well, really. When I'm writing it I struggle more with drama because I started out in comedy.

You can bring truth to anything, whether it's a dance movie or an incredibly poignant indie drama or a really broad comedy. As long as you show up to play, I don't think you can go wrong.

I actually feel like, for a lot of my career, I wasn't able to show my comedic range. I did a lot of dramas and dramedies. I was on 'E.R.' That's not generally thought of as a funny show.

The booing and the drama help make the Olympics interesting, but at what cost? When will people finally get tired of it and start watching the X-Games or competitive tire rolling instead?

I think people who do comedy tend to do it well, and to do it painfully and truthfully. So making the leap to drama is easier for them because everything they've done is from pain anyway.

I wouldn't say in all situations, but a lot of times kids can be the most reasonable people around because they don't have the deal with all the drama that goes along with being an adult.

The action movie, the thriller and the drama all have safety nets under them. But not the horror film. The horror film can sink to an abyss far darker than the imagination can ever reach.

I do believe we are actors in our own dramas, which, moment by moment, we ourselves write; that we are characters in our own fictions or those devised for us by someone or something else.

I would love to do comedies and I would love to do dramas. I'm very passionate about art, music, drawing, acting, so I'd like to have the chance to get the larger choice regarding acting.

Our responsibility is to captivate you for however long we've asked for your attention. That said, there is tremendous drama to be gotten from the great, what you would say, heavy issues.

John Kerry wants to be the hero in his own drama. He likes King Arthur and the Round Table. He likes the young swashbuckling Churchill, and he loved the early antics of Theodore Roosevelt.

Many years ago, when I was working on Broadway, I used to go to a drug rehabilitation centre on Sundays. I didn't lecture them against the perils of drug-taking; I gave them drama therapy.

I started really young, like 12 or 13, and then I started doing school plays. We had a really good drama department, so the kind of drama-geek stigma wasn't really there in my high school.

The business of the dramatist is to keep himself out of sight, and to let nothing appear but his characters. As soon as he attracts notice to his personal feelings, the illusion is broken.

From Abby Lee Miller's intensity and her students' incredible performances to their devoted moms and its high drama, 'Dance Moms' has become one of the most compelling shows on television.

You make films whether they're dramas or comedies about neurotic people. Flawed people. Interesting personality traits. To make them about calm, stable untroubled people isn't interesting.

There is hardly anything more confusing than a really strong-willed woman and when you are surrounded by two of them in the midst of trying to save the world, it really adds to some drama!

The bottom line of comedy is to be funny, and the bottom line of drama is to be truthful. You can be truthful and funny, but if you're not truthful in a drama than the audience leaves you.

I've always wanted to create drama in my pictures, which is why I paint people. It's people who have brought drama to pictures from the beginning. The simplest human gestures tell stories.

Every third person in the world is a drama queen. And crying 'victim,' especially when you're not really a victim in any real way, feels good. It feels good to cry victim if you're not one.

The great drama at the core of American race relations is always the same: Can black Americans ever be truly equal - are they capable of achieving it and are others capable of accepting it?

People tend to think of Brisbane as a sleepy, sub-topical place. I don't know. It's like Baltimore or something. I don't know. You would hear the family dramas going on behind closed doors.

When you do your comedy and your drama, your acting style doesn't change. If it's a comedy, the situations and the characters might be a little funnier, but you're just trying to be honest.

This story's gonna grab people. It's about this guy, he's crazy about this girl, but he likes to wear dresses. Should he tell her? Should he not tell her? He's torn, Georgie. This is drama.

I began to feel that the drama of the truth that is in the moment and in the past is richer and more interesting than the drama of Hollywood movies. So I began looking at documentary films.

Every third person in the world is a drama queen. And crying 'victim,' especially when you're not really a victim in any real way, feels good. It feels good to cry victim if you're not one.

I don't play the role of a villain, really, but I like playing anti-hero kind of roles. I like characters where there's conflict, drama, and more personal investment than just being heroes.

I don't stay in the genre because I just like all stories that have a smart hook in them and I can find a comic way through if it's a comedy or a suspenseful way through it if it's a drama.

We just happened to come along at time where there hadn't been a new young adult drama that also could appeal to adults as well in quite some time. We sort of found a little bit of a niche.

You have to understand how the human eye behaves when it views a scene for the first time. Work with that knowledge, and your paintings will have more drama and will evoke strong reactions.

I just want to work with talented people who are enjoyable to be with, and take big huge risks from high comedy to deep, dark, brooding drama, to thriller. I just want to go back and forth.

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