There's no audience to wonderfully get in your way when you're doing a single-camera anything, whether it's a sitcom or drama or film. And I do mean that in the best way.

Whatever kind of movie it is, youre going to be more into it when you care more about the drama, or youll have a better laugh if you feel like you know the people better.

For me, comedy literally is way more terrifying than doing drama, so it's always about stretching what I think I can do and putting myself out there in different context.

I was maybe one of two black kids in the drama department. It was, 'Well, you can't play this role because that guy has a white girlfriend or a white cousin or whatever.'

In television, women can really run anything. It can be a comedy, it can be a drama, it can be genre, it can be anything. But in films, women are still getting to the top.

In our culture, the Oedipal drama succeeds in making us assume either a male or female sexual position. Certainly this is an ancient construct that's rapidly coming apart.

To those who help me, I repay them with grace. But to those who don't, I repay them with exactly what I've received. That's my motto. Only then the world will be balanced.

A lot of times, drama around it is not for the worse but for the best in the long run. If we look at it that way, I have learned to find the best of it in most situations.

We still have to wait. The situation will repeat, we will get tired, but as long as we don't let go of each other's hand, then one day they will recognize that we are one.

I wasn't in the drama department, but I auditioned anyway and he not only cast me but also included a few sketches that I wrote, which really sparked my pursuit of comedy.

Over-the-top dance reality shows are hard for me to watch. The real drama in our world is much more emotional, personal, and extreme. There is manipulation and sneakiness.

I quite like the drama of an encore. I think an encore is for those artists who are inclined to do dramatic gestures, and I certainly would say I am inclined towards them.

Drama is my sweet spot, but the thing about being an actor is that you want to do a variety of things. I definitely love fantasy and would want to be in a fantasy project.

I think comedy is drama, often. It's hard to have comedy over a period of time - commercials are one thing, but over a period of time - comedy and tragedy go hand in hand.

To try to write a grand cosmical drama leads necessarily to myth. To try to let knowledge substitute ignorance in increasingly larger regions of space and time is science.

I like drama as well. When I played Hamlet, I got one review that said, "This must surely be the funniest Hamlet in history," but schoolgirls would still cry when he died.

Timing and pace are important in any film, whether it be comedy or drama. And how better to learn the fundamentals of these show show business ingredients than by dancing?

I wasn't good at examinations, but I went to a very good secondary school - Bolton-on-Dearne - with wonderful teachers, who taught me drama and encouraged me in every way.

I'd been doing comedy up that point and hadn't really done a lot of drama, and then all of a sudden he casts me as a 400-year-old vampire from hell. It was, like, "What?!"

Being a parent gives you historical perspective. You have thoughts about how you fit into a larger generational drama - those who came before and those who will come after.

'Heirs' is really a good drama. Everyone put out their heart and soul into this series, from the actors to the whole staff. That's why I think we won awards for this drama.

To awaken within the dream is our purpose now. When we are awake within the dream, the ego-created earth-drama comes to an end and a more benign and wonderous dream arises.

When I was younger, Big Bang didn't go on many variety programs, so we used to try and plan many fun events for our concert, like drama parodies, which Korean fans enjoyed.

I haven't done period dramas back-to-back, or really anything back-to-back. You get asked to do what you're most recently famed for, so I'm careful of not repeating myself.

Whatever kind of movie it is, you're going to be more into it when you care more about the drama, or you'll have a better laugh if you feel like you know the people better.

One of the greatest things drama can do, at it's best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.

I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.

I don't want no drama in my life, even though we have a little bit, but no more letting people control you. That's drama, because then you become something that you're not.

I like doing both comedy and drama. I'm not really feeling more drawn to one over the other. I also like dramedies. I like movies and TV shows that are mixtures of the two.

I think that you take the path of least resistance. And for a lot of people comedy is that path. I mean, even against mainstream, it's easier to sell a comedy than a drama.

I was the suburban kid of Scottish parents, and the idea of an acting career was so beyond my experience. I didn't even know there were drama schools until a friend told me.

Most of the time, my favorite drama has comedy in it as well. I think most good dramas have comedy in there. And all of the dramatic actors I look up to are also very funny.

There's a reason Tony Stark makes fun of 'Thor,' and mentions 'Shakespeare' in the park in 'The Avengers.' It's great to play high drama and comedy alongside a modern story.

Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean periods, it is surprising that so little of any value has been added since.

Endless drama in a group clouds consciousness. Too much noise overwhelms the senses. Continual input obscures genuine insight. Do not substitute sensationalism for learning.

The audience wants to be attracted not by the critics, but by a great story. You must deliver to the audience emotion - and when I say emotion, I mean suspense, drama, love.

I do like any kind of project that has both comedy and drama in it because in life you don't have one day where everything is funny then the next day everything is dramatic.

I did drama at school and when I was doubling Xena, one time for my birthday mom and dad bought me an acting course 'cause I've always liked the performance side of anything.

Lots of people misunderstand this. They think not experiencing fear means they're courageous. Bravery isn't about not being afraid, it's about persevering despite your fears.

I still look back at the days in the early '90s and think, 'Boy, that confidence just came out in me strong,' and it was fantastic, the drama and the entertainment I brought.

I had the training at drama school where I studied Shakespeare and Brecht and Chekov and all these period historical playwrights and I think that I responded to the material.

My worst holiday was in Athens when I was a young drama student at Rada in 1965. I ran out of money. I had my things stolen and I wasn't able to speak a word of the language.

I don't buy into any of that hogwash. They put that out to sell tickets. It's just a classic horror movie, with the Greek drama formula of good versus evil, and lots of fear.

Drama is always conflict. Conflict either comes from within or without. The thing that makes a show different is the conflict manifests itself both internally and externally.

I think television is a unique form, in terms of storytelling. Having source material for these really dense, complicated, serialized dramas is a great way of world-building.

Mascara is my daily essential. I pile it on top and bottom lashes during the day. If I'm going out, I'll add the individual Eylure lashes at the outer corners for more drama.

He'd been waiting for a love fraught with passion and drama; it hadn't even occurred to him that true love might be something that was utterly comfortable and just plain easy.

The secret to all drama, film, TV, or books - the thing that people respond to most, and the thing I find myself as a viewer feeling most interested in, is the idea of change.

'King of California' was just, I thought, a really great, fresh, original kind of script. I loved the tone, the mix of tragedy, comedy, and drama, and that it was a good part.

Their incompatible appearances have actually made them more compatible ... Some people said that when a couple comes together ... they will compliment each others shortcomings

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