We are still fearful, superstitious and all-too-human creatures. At times, we forget the magnitude of the havoc we can wreak by off-loading our minds onto super-intelligent machines, that is, until they run away from us, like mad sorcerers' apprentices, and drag us up to the precipice for a look down into the abyss.

I hope people realize that drag queens and queer people, we're not just archetypes and stereotypes. We're human beings with a lot to share. And a drag queen doesn't have to just be a clown, she can also be like a cooking TV personality or like a DJ, or a talk-show host. We should be able to infiltrate TV everywhere.

I think if they wanted to get me to leave 'Children in Need,' they'd have to drag me off screaming. It's one thing that's so close to my heart, and I feel passionately about it. I gave up my radio show, with regret, but knowing I'd done it for a long time, the same with Eurovision. But 'Children in Need' is different.

Coming out as nonbinary was a response to a lot of criticism I got when it leaked that I'd be playing a nonbinary character on 'Steven Universe.' I never really had the words like nonbinary or gender fluid or gender nonconforming until after 'Drag Race' and that's when I first started identifying publicly as nonbinary.

One of the things I did to make myself feel better is that I kicked up my running even more. I knew that I had to stay active, that I had to keep living as if my life was actually going to unfold naturally because when you stop, when you freeze, and you think about it, that's when the demons come and can drag you down.

This whole idea of editing, not one time I can tell you, not one time has a producer ever asked me to say something I did not want to say. I will also say this about 'Drag Race' producers: I will stand by the show and the people there because they have changed so many people's lives for the better, and I'm one of them.

'All Stars' is a weird game. The rules are weird. However, I think 'All Stars' mirrors the real industry much more closely than normal seasons of 'Drag Race' do. In the real world of entertainment, it really is about the impressions you leave on your brothers and sisters in the room, and that's kind of what it is about.

My inspirations come from everywhere. It's important to look at everything and anything. I think what I create is serious fashion, but I don't want to keep my focus on that. You have to look at a lot of different things. I mean, people are always surprised when they find out that my favorite show is 'RuPaul's Drag Race.'

I think that people are taking our artistry a little more serious compared to when we started. They are of course fascinated and entertained by who we are as performers and what we do in terms of our artistry, but a lot of viewers identify with us as human beings. I think that that has helped change how people view drag.

'Free Agents' was an awesome experience. I never play the glam girl in anything, so that was a new experience. I would walk into one of my trailers and it would be like Spanx, a spray-tan gun, and chicken cutlets. I would have hair extensions. It was hilarious. Every day felt like I was turning into an awesome drag queen.

I want to follow in RuPaul's footsteps, which is that combination of not just personal stardom but to really transform myself into a producer of drag. That's the way to make a lasting impact on the world of drag and... to make actual differences in the queer community. I think there's no better model for that than RuPaul.

I lived deep in the country in northern Wisconsin. I didn't have any neighbors or anything, so in the summers, I played guitar for hours and hours every day until I was about 18. I never thought about combining it with drag, 'cause to me, well, drag queens don't play guitar. Now I'm like, 'You idiot, that's an opportunity.'

In my real life, I see people who are really enjoying their lives - I mean, really enjoying their lives - and they take joy in their daily obligations; they just do. And I believe that at a certain point, you've got to choose to be that way. You choose to approach your life that way. Or it's all kind of a drag until Friday.

We don't live in a jazz world, unfortunately. I think if I had lived in a jazz world, I would have done OK. I'm not sure I would have done great. I'm a lover of jazz music, so I would have been happy, don't get me wrong. I go to jazz concerts like the biggest jazz fan in world. The drag is that I don't play jazz for a living.

I'm just playing songs for my friends and for people, and they're just like, 'Wow, this is powerful.' I'm excited. It's also important that, in the record, I move the focus a little bit away from me to more about the things that I think about, communities like drag, gender expression, and friendship-concepts that go beyond me.

People don't realize 'Drag Race' is a certain percent competition, but it's also a game show. There's a certain amount of throwing dice and spinning wheels, and there are twists and turns all the time. Part of it is also having the right idea and pulling the right look together that day. We're all making choices in the moment.

'RuPaul's Drag Race'... is very little about boys who dress up in girls' clothing: it's very much about grit, integrity, heart, power of perseverance, and the power of love. It's also opening a dialogue up about the persecution and the marginalization of trans people, of queer people, of gender non-binary and gender fluid people.

At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!

I grew up when one of America's greatest black playwrights, August Wilson, was writing about life in Pittsburgh, but I never saw myself in any of his straight-male plays. And then I see 'Angels,' which was so honest and painful, and it had this black drag queen in it, Belize, with a big heart. I finally had a character to relate to.

The primary way that we know about what lives in the ocean is we go out and drag nets behind ships. And I defy you to name any other branch of science that still depends on hundreds-of-year-old technology. The other primary way is we go down with submersibles and remote- operated vehicles. I've made hundreds of dives in submersibles.

I have watched every episode of 'RuPaul's Drag Race'... I know a bizarre amount of drag queens now. And it's weird because one of the guys that drives my tour bus in America drove the drag queen show before me, and I used to just sit there and hear all the stories so I could go tell my girlfriend because I knew what a big fan she was.

I used to write exclusively with one particular Montblanc fountain pen, although lately I have had to use a roller-tip fountain pen, because I find it harder and harder to control the fine muscles of my right hand during prolonged periods of work. I buy boxes of Deluxe Uni-ball pens, use them until they start to drag, and then change.

Once you just tell yourself, 'OK, I'm going to have a breakdown right now, and I'm going to cry for an hour, put my phone away. I'm going to go swimming, and then I'm gonna make my family dinner and lay on the couch and watch 'Ru Paul's Drag Race,' once you accept that it's not the day and you can just have a breakdown, you're over it.

Drag really isn't just about exaggerating and celebrating femininity. Some drag queens want to look like monsters, some drag queens want to look like hot dogs. Really what it is is just dipping your toes in all the swimming pools of identity and allowing yourself. Because society really tries to compartmentalize humans in a certain way.

Drag can be considered so many dangerous things, which it isn't. But the one thing we're never called is misogynist, which might be the only thing that we truly are. Because no woman looks like this. You have so many real biological everyday women say: 'Oh I wish I would look like you.' They would look ridiculous if they looked like us.

My parents actually ran drag clubs in Australia, which is how I grew up. It was normal for me. It was my normal. I knew the other kids didn't do it, but for me, it was life, and nothing was wrong with it. I would see nothing wrong with Beyonce having a drag queen nanny. And why not? Everyone needs one! And a great gay man in their life.

A real New Yorker is always someone who came here from somewhere else to avoid some kind of persecution, often sexual-preference based, or to be discovered in one of the infinite-though-no-longer-thriving alternative scenes, i.e. theater, music, dance, vaudeville, art, drag, or, in those of the greatest egos, to be 'the next Andy Warhol.'

I'm essentially a humorist and, I think, a pretty good one. I've known all along that 'My Friend Dahmer' is the one book I'll be most known for, and in a way, that's a drag, as it's nothing like the rest of the work I've done or will do moving forward. But the way I figure, it's better to have a best-known work than not to have one at all.

If you want to really get in shape and get strong, there's these things called 'sleds.' You take a weighted sled, and you just push it across the floor, and then you drag it back. And, basically, if you do that for 20 minutes a day, you'll look like Arnold Schwarzenegger. If you put enough weight on it, it's the hardest thing in the world.

Drag queens always base their personas on their favorite female icons. Mine was Barbie, who's not necessarily a human but is as iconic and beautiful as any woman. I started really pushing it because I hit a crossroads of, 'I don't want to look like a woman or a man. I want to look like a wind-up toy, a plaything manufactured in a factory.'

I always say that drag queens are like an exaggeration of women, and I'm like an exaggeration of drag queens. People ask, 'Why do you do your makeup so differently?' and I always say, 'Well, in a subversive art form, ask yourself why so many drag queens do their makeup exactly the same.' If you can do anything, why does everybody do the same thing?

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