Quotes of All Topics . Occasions . Authors
I always write on unlined typing paper and write the first draft in longhand, using cheap Bic pens. I try to write about four pages a day, which usually yields a first draft in six months. I don't plot ahead of time, so I'm flying by the seat of my pants for the first draft.
I used to tell people that in 2012 when I was trying to understand where am I most likely to be drafted and who are the three or four teams that have pursued me the most and it would make sense that they would pick me, I never thought of who would be least likely to draft me.
We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it's okay to get cultural details wrong in your first draft. It's okay if stereotypes emerge. It just means that your experience is limited, that you're human.
I cried most days working on the first draft. The last scenes were the hardest. I had a feeling where I wanted to end - the exact note - but I couldn't see how to get there. Sarah Murphy, my editor, asked the right questions to help me. I think of 'The Bear' as a hopeful book.
The draft is one of my favorite events because it is about football. People are focused on how their teams improve. It's a celebration of football. And most importantly, it represents a very important time in the lives of these men who are entering the NFL, and their families.
True partisans draft legislation that gives themselves everything and their enemies nothing. They love bills that repulse and even disgust the other side. Today's politics have become an all-or-nothing, black-or-white, zero-sum game - it's not a contact sport but a blood sport.
I think early in my development as a quarterback, before I ever got a Division I college offer or anything, my brother was in the spotlight, first-round draft pick. People expected me to be him, but I was underdeveloped, undersized, unrecruited... so it was tough at that point.
When I was in college going through the draft process my dad was like, 'Hey Michael Jordan loves your game,' I'm like dad? This is before social media; this is before any of that so I'm like, 'Dad, get out of here, there's no way you can know that Michael Jordan likes my game.'
Any time you have defensive ends going above you in the draft, when you know you put up numbers that were equal to better, you just have to use that as motivation. Whenever you're the underdog, you have to have the right attitude and just go out there and be yourself; just play.
I have no preferred team, but everyone wants to go No. 1 in the draft. Even the guy who gets picked last in the draft wants to go No. 1. But I just know that whoever picks me, I'm going to be excited to play for that team, and I can't wait to see myself in 'Madden' on that team.
I think how veterans are treated in our country is an abomination. We don't have the draft any more, which is why so many soldiers come from working-class - rather than middle- or high-income families. Those wealthier families aren't affected, so they're not agitating for change.
The Iraq war was fought by one-half of one percent of us. And unless we were part of that small group or had a relative who was, we went about our lives as usual most of the time: no draft, no new taxes, no changes. Not so for the small group who fought the war and their families.
The only thing you are really here to do is play football. So when you get a chance to go to the draft, and that part is over with, and you get signed on to a team, and you're ready to go, now it's back to everything you've been doing to get to this point, and that's play football.
I've been saying it before the lottery, before the Phoenix Suns even had the No. 1 pick. I've just been talking it into the existence. I'm not saying I'm the best player in the draft and trying to be cocky like that, but I was just saying I'm going to be the No. 1 pick, regardless.
In my office in Florida I have, I think, 30 manuscript piles around the room. Some are screenplays or comic books or graphic novels. Some are almost done. Some I'm rewriting. If I'm working with a co-writer, they'll usually write the first draft. And then I write subsequent drafts.
The first draft of everything, I write longhand. One of the nice things about that is that it makes you keep going. If you write a bad sentence on the computer, then it's very tempting to go back and fidget with it and spend another 20 minutes trying to make it into a good sentence.
You have to build your core nucleus of your team through your draft. What that does is you basically introduce them to your culture and your environment. Then, as guys begin to perform and play to that level, then you say, 'You know what? You guys deserve an extension, so here it is.'
As a little kid in the late 1960s, I was afraid of the world. Even if I didn't get caught in the draft that was sending American teenagers to Vietnam, there was always the possibility of a Soviet nuclear attack. I made constant escape plans and imagined a life going from port to port.
If you're not a first-round pick or you're not 6-2, they always say you can't be the best. But the only time there's a weight class is before the draft. This is the NFL. It's all about what you do. I can run past guys and get done what I need to. I can do everything the big guy can do.
With the draft, everybody was involved. Everybody was fodder. When you got to be 21, 22 and graduated from college, for two years your life stopped. If you had been running in the direction of your life, you had to stop and do this other thing which was, if not menacing, just plain boring.
For me, and I said this even before the draft, I think being with the same team for my whole career would be something that would be very special to me because, especially at the quarterback position, that means that we won a lot of games, hopefully Super Bowls, 'cause that's the end goal.
I had expected that at some point during the first draft a light would go on, and I would understand, finally, how to write a book. This never happened. The process was akin to blindly walking in the dark, feeling my way only by touch, and only recognising dead ends when I smacked into them.
The requests for blurbs seem to come in waves. I'm not sure what precipitates them. I think it must be excruciating for editors to draft those elaborate letters asking for a blurb, and I know it's torturous for us writers to ask directly. But publishers encourage us to. Rock and a hard place.
I don't write a play from beginning to end. I don't write an outline. I write scenes and moments as they occur to me. And I still write on a typewriter. It's not all in ether. It's on pages. I sequence them in a way that tends to make sense. Then I write what's missing, and that's my first draft.
If you draft a player to be a backup, why did you draft him? You're drafting a guy because you think he's worthy of being drafted at that spot, but you're also drafting him because you think he can compete. If you're going to say, 'This guy's a backup,' - really? That doesn't make any sense to me.
Since we replaced the compulsory military draft with an all-volunteer force in 1973, our nation has been making decisions about wars without worry over who fights them. I sincerely believe that reinstating the draft would compel the American public to have a stake in the wars we fight as a nation.
I didn't want to miss that opportunity to be able to enjoy an afternoon fishing with my dad which is something we had done growing up a ton of times on Lake Michigan and it was funny that it kind of turned into an attention thing than I expected and even more than if I would have gone to the draft.
Affirmative action is a little like the professional football draft. The NFL awards its No. 1 draft choices to the lowest-ranked team in the league. It doesn't do this out of compassion or guilt. It's done for mutual survival. They understand that a league can only be as strong as its weakest team.
I had a very strong feeling about the Vietnam War, and I had a strong feeling about participating in it. The military draft was in place, I was summoned for a physical exam, and I was either going to be classified as fit for military service or make my objection to it. So I made my objection to it.
I didn't know there was an NBA draft. But in my mind, I was always telling myself, one day, 'I'm going to be in professional basketball.' And I believed it. One day, I will. I believe this every day. I think about this every day. I was going to do whatever I had to do to be there. And it comes true.
Six years after I wrote the first draft of 'Plan B,' I received my first paycheck as a writer. It included both the $3,000 in deferred option money as well as half the fee for performing the initial rewrite. The amount was scale according to the Writer's Guild guidelines, but a lot, according to me.
Writing the first draft of a new story is incredibly difficult for me. I will happily do revisions, because once I can see the words on the page, I can go about ripping them up and moving scenes around. A blank page, though? Terrifying. I'm always angsty when I'm working my way through a first draft.
In 1969, we decided we had to do certain things technically to win, and we decided to do them then, even though we knew some of the personnel couldn't do it. In other words, instead of adapting the system to the players, we just installed our system. Then we set out to fill our team through the draft.
The core plot of 'Mercury' is so gripping that when I thought of making it as a silent film, it only made it more interesting. Once I finished writing the first draft, making a silent film that's both thrilling and engaging seemed possible. When the film team read the final script, they felt the same.
In L.A., we have a saying - 'What do you do?' It's less of a question and more of a self-defense mechanism for wayward screenwriters looking to slip you a first draft, or the occasional actor looking to get in on the latest shoot. But I hate the question because of my own answer - I write about games.
I hate first drafts, and it never gets easier. People always wonder what kind of superhero power they'd like to have. I wanted the ability for someone to just open up my brain and take out the entire first draft and lay it down in front of me so I can just focus on the second, third and fourth drafts.
Writing can flow out when I'm feeling something strongly, whether that's joy, pain, fear, desire or anything else. The challenge is actually later, in the second or third or 100th draft of the music, when it can be so easy to cover up the original sentiments by making the music more ornate or cloaked.
To me the only real star of the movie is the writer. And I work with writers very closely, from outline to first draft and on to the seventh draft, whatever it takes. Then my job is to support the director to make the best movie we can. Some producers try to go past them, but my job is to support them.
After finishing a draft, no matter how rough, I almost always put it aside for a while. It doesn't matter if it's a story or a novel, I find that when it's still fresh in my mind I'm either thoroughly sick of its flaws or completely blind to them. Either way, I'm unable to make substantive edits of any value.
I have never had a problem with national service. I am not sure the draft is the way to go about it, but I am positive that you live in a society and you take from this society, which every citizen here does. You owe something back to this country, and that should be paid back in some form of national service.
I guess the thing I would say most fervently is that your original impulse to write something is an impulse you should trust, and that if it doesn't work on the first draft, which it hardly ever does, the commitment to revising ought to be something you embrace really early. And to revise and revise and revise.
At the combine and at my workouts, I tried to be the perfect player. I tried to promote my strengths and conceal my weaknesses, and on paper, I kind of succeeded: I was the first pick in the draft. And with that, I inherited this big shiny trophy that I carried around, and it had one word engraved on it - anxiety.
I had friends around campus and great teammates. I didn't want to leave. I didn't expect to be regarded and scouted as such a high pick, so it was a crazy twist to reality. I'd always wanted to make the NBA. It was my dream. Then all of a sudden, people were telling me I'd be the fourth pick if I entered the draft.
I feel very protective in the first draft, when all the pieces are coming together. I work in a way that is not linear or chronological at all, even with the short story. I will just be writing bits and pieces, and then when I have all the pieces on the table, that for me is when it feels like the real work begins.
'Bonfire' was kicking around for a very long time. It was an idea I wanted to explore for a television show. Then I was given this weird gift of time when 'Jessica Jones' finished season one. I got really organized and just kind of banged it out, but it took a long time. It took two years to even have a first draft.
One of the problems we currently have is there hasn't been in the population any serious engagement with the ethics of war because we have an all-volunteer army. I would think the return to the draft would be an intervention that would require discussion that might be more helpful in terms of our ability to limit war.
I'm the best player in the draft. I truly feel that way. But I feel like you can ask anybody in the draft and they would have said the same thing. I just feel like I showcased it on many levels and I was put through so many different scenarios where I had to make the best out of it. And I had a lot of success with it.
I wrote the first draft of 'Tigerman' while my wife was pregnant - needless to say, I was relaxed and casual about her well-being during this tender time - and the novel clearly has its center in that panicked parental desperation that accompanies a first child and in the admittedly comedic extremes to which it drives us.
Back in my pulp-mag days, I worked from about 8:30 to noon, took an hour off for lunch, and worked again from one to three, for a work day of five and a half hours or so. I wrote 20 to 30 pages of copy in that time, doing it all first draft, so that I was able to produce a short story of 5,000-7,500 words in a single day.
I was part of the draft resistance movement in L.A. where we did demonstrations at the draft centre and burned our cards and made a lot of trouble on campus. I had a student classification and they said that anybody who'd taken part in these demonstrations would be reclassified and drafted. And that's when I went to Canada.