Quotes of All Topics . Occasions . Authors
We're downtown New Yorkers and had very close proximity to the events of September 11th. Like everybody on the island of Manhattan, we were impacted by it in so many ways in terms of what we saw, what we felt, what our daily experience became in the wake of it.
We were from downtown, so we were rapping in Danceteria, in these white downtown clubs, really. Nobody downtown was rapping. Nobody we knew was rapping. So we were like, 'We should do it.' We weren't making fun of it; we loved it, and we wanted to be part of it.
I used to go and hang out at Patricia Field's store when it was on 8th street before it moved downtown. Amanda Lepore would be there, and I would be obsessed with the shoes and the make-up - everything. I just knew it was a creative place that I wanted to be around.
Now that Sacramento is building an arena downtown, they're the only one not in an urban core. The only one. It's really not good business. It's nothing against Auburn Hills, Oakland County or L. Brooks Patterson. An arena in the middle of a field is not an ideal thing.
Ironically, the original Detroit Stock Exchange once sat less than a thousand feet from StockX headquarters here in downtown Detroit. It is only fitting that we are going to build the next iteration of the world's most efficient market invention almost in the same spot.
To my great surprise, Twitter is not housed in a silver pod that orbits Earth at supersonic speeds, vacuuming up and then dispersing digital bits of worldwide chitchat; it's in a big, bland office building in downtown San Francisco, near a bowling alley and an Old Navy.
Consider that the overwhelming majority of those 40,000 near-Earth asteroids are small enough to fit on the parking lot at the mall. And while these rocky runts won't cause Armageddon, they could still flatten such popular hominid hangouts as Manhattan or downtown Des Moines.
I have a very high love for the game. My mom would always drop me off at the YMCA downtown in Flint, and I'd stay there all day. If she couldn't take me, I'd take the bus there and be there until she'd pick me up when she got off work. I've always had the love for basketball.
I'm from Chicago. And I was an actor in high school and college, and I wanted to see if I could make a run of it in this job. So, I went downtown in Chicago, and I went up on a stand-up stage and did an open mic. It went well, so I'm like, 'Alright, I'll give it another try.'
I ended up moving downtown with these three dudes that I didn't really know. I came into the house, and I didn't realize how things worked. From, like, 15-18, I was just fighting them. I fought, like, every day, and these were, like, older dudes. It was every man for himself.
I went to this little performing arts school in downtown Phoenix. You had to dance or act, and everyone sang in choir. I started out playing the saxophone, but I always wanted to be in an orchestra. That was a dream as a kid, and there aren't a lot of saxophones in an orchestra.
I'd paint long strips of canvas and abandon them on the beach, or put bread out in geometric patterns for the pigeons downtown. I wanted people to find something nice and intriguing to puzzle over. Then I'd go back to see if the things were still there, or if anyone would notice.
For me, growing up in Harlem and then migrating down to SoHo and the Lower East Side and chillin' down there and making that my stomping ground... That was a big thing, because I'm from Harlem, and downtown is more artsy and also more open-minded. So I got the best of both worlds.
During the winter of 2013, we were running 'Comet' up in midtown - as opposed to downtown - and across the street in the Standard, and that was, like, our third time going at it, from Ars Nova to downtown to near Broadway. We weren't on Broadway. We were near Broadway, as we said.
I remember the first time I went out on the street to shoot pictures. I was in downtown Philadelphia, and I just took a walk and started making contact with people and photographing them, and I thought, 'I love this. This is what I want to do forever.' There was never another question.
When I was 16, I started to spend a lot of time in Soho and downtown New York and noticed everyone's style and the eclectic things people would wear. And that's when I started to experiment with things like my lipstick and mixing different kinds of pieces and, of course, my hair color.
'The Good Guy' is a totally differently-looking New York than 'How To Make It' portrays. 'The Good Guy' is all about Wall Street and that culture, which 'How To Make It' touches on, but 'How To Make It' also is downtown, Lower East Side loft parties, cool clubs, Brooklyn and that world.
At the end of the 1960s, I was part of the downtown theatrical movement in New York that was making work in alleyways, garages, gyms, churches, non-traditional spaces. The idea was to get away from the illusion of the conventional theatre. But then I thought, what's wrong with illusion?
When I went to the University of California, Santa Barbara, in 2002, I decided I wanted to leave my car at home and create an experiment with my own life. I'd only be able to find creative solutions to transportation if I felt the pain of trying to get to downtown at 10 o'clock at night.
I think when it comes to women who write or who fancy ourselves 'hip downtown literati', there is a certain contempt for being overly sexual or really looking for boyfriends. We tend to be marginalized as some 'Sex & The City' Carrie Bradshaw chick-lit dummies who just want shoes and a ring.
My first CD that I had was the Ying Yang Twinz, and my grandma bought it for me. Honestly, I think my grandma got it from a thrift store or something. She just got it for me. It was in downtown Philadelphia. And I would listen to it. I liked it. None of my friends did, though, but I liked it.
I first saw Walter Hill's second film, 'The Driver,' as a teenager, late at night on the BBC, quite possibly sitting too close to the telly. Given that this 1978 slice of neo-noir takes place almost entirely in the dark streets of a deserted downtown L.A., it's really a perfect midnight movie.
My parents came from the Kyushu Island in the Southern part of Japan to find work in Tokyo. So we could only afford to live downtown, in a low-income area. It was just by the river, and whenever a typhoon came around, we were under water up to, like, here. That's the kind of place we lived in.
Many times, I left the prison thinking, 'I'm smart. I can make it. I won't get caught up again.' But you get off downtown Skid Row, and you're a target for all of the environmental harms in that area. The pain and trauma in that area is so thick, you can almost reach your hand out and touch it.
When I was little, my mom would dress me up and take me downtown on the Carondelet bus, which in itself was exciting. We would go to see Santa Claus at Famous-Barr. The decorations were so pretty. The line was long, but that just gave me more time to enjoy Santa's Toyland. I loved every minute of it.
I would still rather be in Silicon Alley. I like the West Coast also, but it's sort of fragmented. You have companies in downtown San Francisco, companies in Mountain View, and people are driving between them all. It's kind of nice in New York to just jump in a cab and reach another company so easily.
Until the Eighties, Oslo was a rather boring town, but it's changed a lot, and is now much more cosmopolitan. If I go downtown, I visit the harbour to see the tall ships and the ferries, and to admire the modern architecture such as the Opera House or the new Astrup Fearnley Museum on the water's edge.
In July of 2010, I lost my finance job in Chicago. Instead of updating my resume and looking for a similar job, I decided to forget about money and have a go at something I truly enjoyed. I'd purchased a semi-professional camera earlier that year and spent my free time taking photos in downtown Chicago.
I was 22 and stopped writing plays, and I didn't start again until I was 25. I was writing badly. In college, I attempted to write these more conventional plays, but the theater I loved was downtown experimental theater. I didn't feel like I could do that either. It didn't occur to me to do my own thing.
Even the cleanest air, at the centre of the South Pacific or somewhere over Antarctica, has two hundred thousand assorted bits and pieces in every lungful. And this count rises to two million or more in the thick of the Serengeti migration, or over a six-lane highway during rush hour in downtown Los Angeles.
I was the illegitimate child of the legitimate theater. I had no training. I came from downtown rock and roll, and when I came in and auditioned for the Broadway revival of 'Hair,' I had no eyebrows - kind of a Bowie-esque glimmer kid. And it was hard representing the flower power era when we were stone cold punks.
In the late 1960s, Ontario Airport was a throwback to a bygone era. Located 35 miles east of downtown Los Angeles, the airport served only two carriers, Western and Bonanza. Passengers could catch regional flights to San Francisco, Sacramento, Las Vegas, Palm Springs, Phoenix and Los Angeles, and that was about it.
Labor, under their current leadership, want to be the Downtown Abbey party when it comes to educational opportunity. They think working class children should stick to the station in life they were born into - they should be happy to be recognized for being good with their hands and not presume to get above themselves.
Each day as I travel through downtown Tucson, I am amazed at how quickly the most ancient of human behaviors have changed. For as long as there have been Homo sapiens - roughly 200,000 years - people have filled their lives principally with two activities: talking directly with other people, and doing physical things.
When I got out of college in 1991, I had four jobs in four different parts of L.A. There was I Love Juicy, a smoothie bar in Venice, and the Videotheque on Sunset Boulevard, across from the old Tower Records. I was also an intern at the 'Los Angeles Reader' in the Miracle Mile and at 'High Performance' magazine downtown.
For me, hipsterism is for one to appropriate the codes of a social class or another milieu that wasn't theirs originally, in order to define their personality through something different and unique. Which is why a lot of hipsters live downtown, and they're dressed as farmers. Then you have the Oscar Wilde hipster: the dandy.
My cousin Jerry Lucey and five other firefighters died in a warehouse fire in Worcester, Mass. - my hometown - right in the middle of our old neighborhood downtown when a homeless couple started a fire to keep warm and the entire building went up. My cousin died trying to save homeless people who had already left the building.
I went downtown to the courthouse pretty late at night, and arraignment court was on. You have these prosecutors and public defenders and judges and all of these people who are there on a Friday night at half past 12, and how can you expect people to bring their judgment and their best selves to their work at that kind of time?
I got scouted for modeling on the street. I'm such a tomboy - still am. I just never thought about modeling before, but I thought, 'Ooh, interesting, similar world, perhaps it's a way into something.' Then, I was on my third photo shoot ever, and Adam Leech from 'Downtown Abbey' saw me reading poetry and asked me to recite some.
I'm the same kid who used to hop the trains with headphones and just go to downtown Manhattan, walk around and listen to music or walk through the city. The fame restricts that. It's a small complaint in comparison to the benefits I get from it, but the restrictive part is what I don't like - and the fact that it's not reversible.
I went to see the stock exchange when I was 18 years old. I'm not a Wall Street lawyer, I'm a Stanwix Street lawyer. Stanwix Street is a street in downtown Pittsburgh. One of the clients is Mellon Bank, which merged with the Bank of New York Mellon a number of years ago. And I have for years have done software licensing for Mellon.
'The Sandberg Game' comes up all the time. Fans tell me where they were. They were driving down the highway, they were in the bleachers, they were downtown listening on the radio, they were on the farm on a tractor. I've heard all the stories where people have been. They're just amazed by the ending of the game and the thrill of it.
The lake was always my orienting point when my dad was teaching me how to not get lost. The lake is east, so you'll always know that. It's a weird thing where you can kind of feel where you're at in Chicago, and when I was downtown, I was like, 'Oh, it feels more open over here. That must be east.' It felt like a little secret thing.
Policing has to be done compassionately and consistently. You cannot police differently in Harlem than you're policing downtown. The same laws must apply. The same procedures must be employed. Certain areas at certain times may have more significant crime and require more police presence or more assertiveness, but it has to be balanced.
2015 was an interesting year for me. After finally getting back behind the camera at the end of the summer to shoot the CW's 'Arrow,' I found myself a couple of months later in a federal building in downtown Los Angeles, trying to convince half a dozen security guards to let me make my EEOC appointment despite my expired driver's license.
I know that I come from mid-20th century America, urban, specifically downtown New York, specifically an Italian-American area, Roman Catholic - that's who I am. And a part of what I know is there's a decency to people who tried to make a living in the kind of world that was around us and also the Skid Row area of the Bowery; it impressed me.
Can you find out how owns C and R industries? They bought the old abandoned mental asylum downtown." "That old thing? What are they going to do with it?" "I don't know. I was hoping their overcompensating sign would say, but it just says 'private property' and shouts lots of threats in capital letters, all of which I plan to completely ignore later.
Downtown New York, I'm within certain styles of music and I'm also within certain cultural, you know, and literary context. So DJ Spooky was meant to be a kind of ironic take on that. It was always meant to be kind of a criticism and critique of how downtown culture would separate genres and styles because it was ambiguous. You couldn't fit it into anything and that was the point.
If something comes along that you don't like, there are a few sort of four-letter words that you can use to push it out of the sphere of discussion. If you were in a bar downtown, they might have different words, but if you're an educated person what you use are complicated words like "conspiracy theory" or "Marxist." It's a way of pushing unpleasant questions off the agenda so that we can continue in our own happy ideology.