Quotes of All Topics . Occasions . Authors
That's what's gonna make me come up with new stuff, if you get a good break or a good beat, you get a certain energy, and you wanna release that energy. Freezes to me are like releasing a certain energy. That's me releasing energy that beat gives me, to come up with certain things. A good beat, a rare break, a dope song that I've never really breaked to before will give me a new feeling, a new movement.
I'd take out a joint and light it. First, just faking it. Then I started lighting live joints, passing them around to the band, you know. I was great, it relieved all my tensions. And I ended up with the greatest supply of grass ever. Other acts up and down the Strip heard about what I was doing - Little Anthony and the Imperials, people like that - and started sending me the best dope in the world. I never ran out.
These pharmaceutical company executives are dope dealers and they should be treated worse, and more roughly than dope dealers. When you're talking about millionaire and billionaire executives at pharmaceutical companies, these are people with something to lose if threatened with jail. Frog-march them out of their door in suburbia, handcuffed and surrounded by DEA officers, with their children and neighbours watching.
That's what I hate about the war on drugs. All day long we see those commercials: "Here's your brain, here's your brain on drugs", "Just Say No", "Why do you think they call it dope?" … And then the next commercial is [singing] "This Bud's for yooouuuu." C'mon, everybody, let's be hypocritical bastards. It's okay to drink your drug. We meant those other drugs. Those untaxed drugs. Those are the ones that are bad for you.
I bet you never heard of a playa with no game, Told the truth to get what I want, but shot it with no shame. Take this music dead serious while others entertain. I see they makin' they paper so I guess I can't complain...or can I? I feel they disrespectin' the whole thang. Them hooks like sellin' dope to black folks, And I choke when the food they serve ain't tastin' right, My stomach can't digest it even when I bless it.
My wife says, and I agree with her, that what would be really great for Maine would be to legalize dope completely and set up dope stores the way that there are state-run liquor stores. You could get your Acapulco gold or your whatever it happened to be - your Augusta gold or your Bangor gold. And people would come from all the other states to buy it, and there could be a state tax on it. Then everybody in Maine could have a Cadillac.
Real bibliophiles do not put their books on shelves for people to look at or handle. They have no desire to show off their darlings, or to amaze people with their possessions. They keep their prized books hidden away in a secret spot to which they resort stealthily, like a Caliph visiting his harem, or a church elder sneaking into a bar. To be a book collector is to combine the worst characteristics of a dope-fiend with those of a miser.
Both destiny's kisses and its dope-slaps illustrate an individual person's basic personal powerlessness over the really meaningful events in his life: i.e. almost nothing important that ever happens to you happens because you engineer it. Destiny has no beeper; destiny always leans trenchcoated out of an alley with some sort of Psst that you usually can't even hear because you're in such a rush to or from something important you've tried to engineer.
The concept of need is often looked upon rather unfavorably by economists, in contrast with the concept of demand. Both, however, have their own strengths and weaknesses. The need concept is criticized as being too mechanical, as denying the autonomy and individuality of the human person, and as implying that the human being is a machine which "needs" fuel in the shape of food, engine dope in the shape of medicine, and spare parts provided by the surgeon.
What came first I would say was the producing. I was a huge fan of Pharrell Williams and around that era, when I was in high school, the producers started getting recognition for all the dope beats: Dr. Dre, Timbaland, and all these dope producers.I also started rapping. I wanted to be Eminem, and that's why I still have those qualities in my music, and that's why I'm able to be so versatile - sing, rap whatever. But really my number one thing is singing.
In the new American ghetto, the nightmare engine is bubble economics, a kind of high-tech casino scam that kills neighborhoods just like dope does, only the product is credit, not crack or heroin. It concentrates the money of the population in just a few hands with brutal efficiency, just like narco-business, and just as in narco-business the product itself, debt, steadily demoralizes the customer to the point where he’s unable to prevent himself from being continually dominated.
Drug users made me. They taught me. I didn't know how to work a scale; I didn't know what a gram was. Drug users taught me the business. They're going to teach it to the next guy, because they want a good drug dealer, one they can trust, one that's not going to rob them, one that's not going to cheat them out of their money, one that's not going to sell them fake dope. That was me. They're going to find another one because they're going to be looking for that guy every single day until they find him.
I'd seen the Led Zeppelin reunion and I've never been such a huge Led Zeppelin fan as much as the Doors or Beatles. I went and saw the reunion and watching them play "Stairway to Heaven," it was very breathtaking for one reason mostly. I can imagine these two guys looking at each other, Robert Plant and Jimmy Page. Not to compare us to Led Zeppelin, but I did miss the fact that I could look over at the guy, Twiggy Ramirez, that wrote "The Beautiful People" and "Dope Show." Emotionally, it's taken a long time to repair that.
I'd known the people at Rolling Stone for a while. I'd gone to them with a piece I'd done on Beirut for Vanity Fair that Vanity Fair didn't want to publish, because they said I was making fun of death... This was Tina Brown.But they paid me for it. So I've got this big chunk of a piece, and Rolling Stone liked it, but they thought it was a little dated. But then they called me back and asked me to do a similar piece about the Turks and Caicos Islands, where the whole government had been arrested for dope smuggling. That was fun.
At the bottom of the social heap is the black man in the big-city ghetto. He lives night and day with the rats and the cockroaches and drowns himself with alcohol and anesthetizes himself with dope, to try and forget where and what he is. That Negro has given up all hope. He's the hardest one for us to reach, because he's the deepest in the mud. But when you get him, you've got the best kind of Muslim. I look upon myself as a prime example of this category - as graphic an example as you could find of the salvation of the black man.
I’ve never seen an exploding helicopter. I’ve never seen anybody go and blow somebody’s head off. So why should I make films about them? But I have seen people destroy themselves in the smallest way, I’ve seen people withdraw, I’ve seen people hide behind political ideas, behind dope, behind the sexual revolution, behind fascism, behind hypocrisy, and I’ve myself done all these things. So I can understand them. What we are saying is so gentle. It’s gentleness. We have problems, terrible problems, but our problems are human problems.
