She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling.

You go first. Go through the door before me. Enter the limousine while I wait by your side. Enter the shops while I stand behind, guarding your back. Sit at the table before me. Please, sample the tastiest morsels while I sit quietly. My desire is that you go first, in every occasion of earthly life. Only once will I go before you, And that will be at my last moment. For when death claims us, you must go last. Because I can't live one second without you.

I have to get back there." I said to Adrian. "Into that door." He arched an eyebrow. "What, like sneaking in? How very black ops of you. And oh, you know— dangerous and foolish." "I know." I said, surprised at how calm I sounded as I admitted that. "But I have to know something, and this may be my only chance." "Then I'll go with you in case that guy comes back," he said with a sigh. "Never let it be said Adrian Ivashkov doesn't help damsels in distress.

"Ladies and Gentlemen, we're about to begin boarding. If we could ask for your cooperation, please stay seated until you row has been called." ... That's what they say - but somehow, by the time it comes out of the speaker, it sounds like, "Everybody up and rush the door! Everybody up and try to squeeze your big fat butts in the small gate door area! Immediately! ... Do whatever you have to do to get on board. This is the last helicopter out of Vietnam!"

The great Norwegian playwright, Henrik Ibsen, wrote, "One of these days, the younger generation will come knocking at my door." The future is knocking at our door right now. Make no mistake, the next generation will ask us one of two questions. Either they will ask: "What were you thinking; why didn't you act?" Or they will ask instead: "How did you find the moral courage to rise and successfully resolve a crisis that so many said was impossible to solve?

With Cats, some say, one rule is true: Don’t speak till you are spoken to. Myself, I do not hold with that — I say, you should ad-dress a Cat. But always keep in mind that he Resents familiarity. I bow, and taking off my hat, Ad-dress him in this form: O Cat! But if he is the Cat next door, Whom I have often met before (He comes to see me in my flat) I greet him with an oopsa Cat! I think I've heard them call him James — But we've not got so far as names.

Rochelle," she calls out, still looking at me. "Is there anyone down at the desk? I need something." I'm too startled to move. Is she going to tell on me, get me in trouble? Rochelle's gotten up; she's banging the toilet stall doors open one by one, checking to make sure no one's in there. When the last stall turns up empty, she gives Amanda an annoyed look. "What do you need this time of night?" Amanda smiles at me, then turns to face Rochelle. "A tampon

What is opportunity, and when does it knock? It never knocks. You can wait a whole lifetime, listening, hoping, and you will hear no knocking. None at all. You are opportunity, and you must knock on the door leading to your destiny. You prepare yourself to recognize opportunity, to pursue and seize opportunity as you develop the strength of your personality, and build a self-image with which you are able to live - with your self-respect alive and growing.

a perception of the cosmic unity of this higher level. And a feeling of timelessness, the feeling that what we know as time is only the result of a naive faith in causality - the notion that A in the past caused B in the present, which will cause C in the future, when actually A, B, and C are all part of a pattern that can be truly understood only by opening the doors of perception and experiencing it... in this moment... this supreme moment... this Kairos.

I love the gothic literature. It always has such great stories with characters bigger than life and the stakes are always high. And because there's always a wolf at the door, the emotions are high; the romance, the sexuality, friendships, and relationships. You don't know if the guy kissing you one minute is going to bite you the next. This heightens all of the sensibilities and emotions, and therefore, it sings to me. And that's where the music comes from.

Do you remember that old TV series, Get Smart? Do you remember at the beginning where Maxwell Smart is walking down the secret corridor and there are all of those doors that open sideways, and upside down and gateways and stuff? I think that everyone keeps a whole bunch of doors just like this between themselves and the world. But when you're in love, all of your doors are open, and all of their doors are open. And you roller-skate down your halls together.

You don't want atheism shoved down your throat? OK. We will stock knocking on doors spreading our 'Truth,' and having tax-exempt organizations dedicated to atheism that have influential political action committees. We will also stop printing 'In atheism we trust' on all US currency and saying, 'One nation, under atheism" in the pledge of allegiance. We will also stop insisting that everyone who disagrees with us will be sentence to eternal damnation... Wait...

When you are happy, so happy you have no sense of needing Him, so happy that you are tempted to feel His claims upon you as an interruption, if you remember yourself and turn to Him with gratitude and praise, you will be — or so it feels— welcomed with open arms. But go to Him when your need is desperate, when all other help is vain, and what do you find? A door slammed in your face, and a sound of bolting and double bolting on the inside. After that, silence.

It is an accurate statement that the followers of Witchcraft do not usually proselytize, which means you aren't going to find us standing on your local street corner thumping our Books of Shadows. Nor do you have to worry about jumping out of the shower to answer our serene and smiling faces at the door with your clothes stuck to various uncomfortable places on your wet body. But just because we (hopefully) aren't the forcible type doesn't mean we don't exist.

Turtles hate heights. They don't even like being a few feet off the ground. It's the main reason they have resisted evolution for so long-fear of heights. Turtle thinking goes thus: Sure, first our scales turn into feathers and the next thing you know we're flying and chirping and perching on trees. We've seen it happen. Thanks, but we're staying right here in the mud where we belong. You're not going to see us flying full-tilt boogie into a sliding glass door.

If a friend of mine gave a feast, and did not invite me to it, I should not mind a bit. but if a friend of mine had a sorrow and refused to allow me to share it, I should feel it most bitterly. If he shut the doors of the house of mourning against me, I would move back again and again and beg to be admitted so that I might share in what I was entitled to share. If he thought me unworthy, unfit to weep with him, I should feel it as the most poignant humiliation.

For me, the writing life doesn't just happen when I sit at the writing desk. It is a life lived with a centering principle, and mine is this: that I will pay close attention to this world I find myself in. 'My heart keeps open house,' was the way the poet Theodore Roethke put it in a poem. And rendering in language what one sees through the opened windows and doors of that house is a way of bearing witness to the mystery of what it is to be alive in this world.

That’s how Ptolemy imagined the disposition of his memories, his thoughts: they were still his, still in the range of his thinking, but they were, many and most of them, locked on the other side a closed door that he’s lost the key for. So his memory became like secrets held away from his own mind. But these secrets were noisy things; they babbled and muttered behind the door, and so if he listened closely he might catch a snatch of something he once knew well.

I'm not particularly good at coping with it. I just cope. I just leave my brain at the door and just stand there. I can get the screaming more than I get the photo things. That's the worst, when you have this wall of photographers. I've never understood the logic in how they do it. Everybody shouts at the same time, and you're trying to do a logical thing, looking from the left to the right. And they almost always end up looking disappointed with you afterwards.

Hope is not a lottery ticket you can sit on the sofa and clutch, feeling lucky. It is an axe you break down doors with in an emergency. Hope should shove you out the door, because it will take everything you have to steer the future away from endless war, from the annihilation of the earth's treasures and the grinding down of the poor and marginal. To hope is to give yourself to the future - and that commitment to the future is what makes the present inhabitable.

By entering through faith into what God has always wanted to do for us - set us right with him, make us fit for him - we have it all together with God because of our Master Jesus. And that's not all: We throw open our doors to God and discover at the same moment that he has already thrown open his door to us. We find ourselves standing where we always hoped we might stand - out in the wide open spaces of God's grace and glory, standing tall and shouting our praise.

Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.

You knocked the door down." Disbelief rang in his matter-of-fact tone. "I know," she answered,unable to say anything else. Unable to look away from his body. "But it's solid oak." "I know." She felt the solid oak beneath her and a little shocked that she'd done it, too. If it mattered at all, her shoulder felt a little bruised. And it was the slight pain that brought some reality back into the moment. "You don't have any clothes on." Oh, God, did she really say that?

A gentleman of ambition is aware of the people he wishes to be associated with both socially and commercially. He knows that moving through different levels of society is akin to stepping through different rooms in an enormous house, each door leading to a grander environment than the last. He may, of course, settle for the comfort of any room he reaches. Alternatively, he may continue through successive doors to surround himself with even greater fineries and riches.

Earth Is Enough. We men of Earth have here the stuff Of Paradise - we have enough! We need no other stones to build The Temple of the Unfulfilled - No other ivory for the doors - No other marble for the floors - No other cedar for the beam And dome of man's immortal dream. Here on the paths of every-day - Here on the common human way Is all the stuff the gods would take To build a Heaven, to mold and make New Edens. Ours is the stuff sublime To build Eternity in time!

During the course of the year a number of ideas just come up automatically. I could be walking down the street. Or shaving. An idea will hit me and I'll write it down. Then, when I'm ready to write, I check my little matchbooks and napkins and find that it is good or it's pretty terrible. There are other times when I don't have any ideas and I'll go into a room and close the door and I sit and sweat it out for a day or a month and eventually I come up with [something].

I profoundly admire Aldous Huxley, both for his philosophy and uncompromising sincerity. But I disagree with his advocacy of 'the chemical opening of doors into the Other World', and with his belief that drugs can procure 'what Catholic theologians call a gratuitous grace'. Chemically induced hallucinations, delusions and raptures may be frightening or wonderfully gratifying; in either case they are in the nature of confidence tricks played on one's own nervous system.

Materialism has come to the rescue of India in a certain sense by throwing open the doors of life to everyone, by destroying the exclusive privileges of caste, by opening up to discussion the inestimable treasures which were hidden away in the hands of a very few who have even lost the use of them. Half has been stolen and lost; and the other half which remains is in the hands of men who, like dogs in the manger, do not eat themselves and will not allow others to do so.

There are many doors to goodness. (Saying) 'glory to God,' 'praise be to God,' 'there is no deity but God,' enjoining good, forbidding evil, removing harm from the road, listening to the deaf (until you understand them), leading the blind, guiding one to the object of his need, hurrying with the strength of one's legs to one in sorrow who is asking for help, and supporting the weak with the strength of one's arms - all of these are (forms of) charity prescribed for you.

Sometimes I get drunk and I get into arguments with taxi drivers. And I get out the cab and I slam the door. That's not the way to win an argument with a taxi driver. The way to win is you get out of the cab and you leave the door open. And then he has to step out and come around and close that door. And while he's doing that, I'm on the other side opening the other doors-and we just go around and around and around, and I got my own Benny Hill situation going on in life.

Luneta and her parents started and whirled around, to see Terence standing just inside Luneta's door. "Deuce it, Terence!" Luneta's father expostulated. "You'll kill someone that way someday! How did you get inside without any of us hearing you?" "I came in the door, of course," Terence replied, stepping forward. He held two swords in scabbards, which he tossed onto Luneta's bed as he approaced. "For anyone else, the hinges would have squeaked," Luneta's father muttered.

To lovers of the wild, these mountains are not a hundred miles away. Their spiritual power and the goodness of the sky make them near, as a circle of friends. ... You cannot feel yourself out of doors; plain, sky, and mountains ray beauty which you feel. You bathe in these spirit-beams, turning round and round, as if warming at a camp-fire. Presently you lose consciousness of your own separate existence: you blend with the landscape, and become part and parcel of nature.

I had not lived there a week before my feet wore a path from my door to the pond-side; and though it is five or six years since I trod it, it is still quite distinct. It is true, I fear that others may have fallen into it, and so helped to keep it open. The surface of the earth is soft and impressible by the feet of men; and so with the paths which the mind travels. How worn and dusty, then, must be the highways of the world, how deep the ruts of tradition and conformity!

A basic is an introduction. A fundamental is a foundation. A fundamental is a premise, idea, or fact that an entire system arises from and is based on. A fundamental determines the shape of what arises from it, much as a foundation of a house dictates its layout. A basic is how you introduce people you are teaching to the system. It is a beginning concept, often simplified to assist learning. If a fundamental is the foundation, a basic is the front door to enter the system.

The world is too dangerous for anything but truth and too small for anything but love. We can never really love anybody with whom we never laugh. Love is in the giver, not the gift. He told me that once he forgot himself and opened up like a door with a loose latch and everything fell out and he tried for days to put it all back in the proper order, but he finally gave up and left if there in a pile and loved everything equally. thanks to a subscriber! -William Sloan Coffin.

Once one realizes that magick works, and that it works based on scientific factors, the next step is to hone one's skill to reach repetitive success. What makes magick so interesting is that because we are individuals, the combination that unlocks the door to success will vary from person to person, yet the main thrust of the work operates on a specific set of scientific formulas that our scientists are only now beginning to fathom. The mystery, then, lies within each of us.

Come on,” he droned, “I’ve been ordered to take you down to the bridge. Here I am, brain the size of a planet and they ask me to take you down to the bridge. Call that job satisfaction? ’Cos I don’t.” He turned and walked back to the hated door. “Er, excuse me,” said Ford following after him, “which government owns this ship?” Marvin ignored him. “You watch this door,” he muttered, “it’s about to open again. I can tell by the intolerable air of smugness it suddenly generates.

What meaning has such meditation? There is no meaning; there is no utility. But in that meditation there is a movement of great ecstasy which is not to be confounded with pleasure. It is this ecstasy which gives to the eye, to the brain and to the heart, the quality of innocency. Without seeing life as something totally new, it is a routine, a boredom, a meaningless affair. So meditation is of the greatest importance. It opens the door to the incalculable, to the measureless.

The arresting officer, who I had literally known, all my life. You know what I mean? This guy lived four doors down the street me, in a town of less than four hundred people. *We've met.* Now, he takes me to jail, and he asks me if I have any aliases. And I was just being a smartass, and I said, "Yeah. They call me, "Tater Salad!" Seventeen years later, I'm handcuffed on a bench in New York with blood coming out of my nose, and this cop goes, "Are you Ron 'Tater Salad' White?"

When I moved to New York, I had nothing. And a friend of mine also had nothing. And he said, 'Hey, come with me to the Marriot Marquis. And if you go to the 30th floor, and you wait by this door, and you sneak in, you can get free food.' And I did that for three years. I was prepared if anyone said, 'Can we see your room key?' to be like, 'Do you know who I am? I'm Bob Marriot's nephew.' Um, so great, I'm glad to be here and have free food again. And I didn't have to sneak in!

We cannot control the way people interpret our ideas or thoughts, but we can control the words and tones we choose to convey them. Peace is built on understanding, and wars are built on misunderstandings. Never underestimate the power of a single word, and never recklessly throw around words. One wrong word, or misinterpreted word, can change the meaning of an entire sentence - and even start a war. And one right word, or one kind word, can grant you the heavens and open doors.

...you must say words, as long as there are any, until they find me, until they say me, strange pain, strange sin, you must go on, perhaps it's done already, perhaps they have said me already, perhaps they have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, it will be the silence, where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on

We have begun to slam doors, and to throw things. I throw my purse, an ashtray, a package of chocolate chips, which breaks on impact. We are picking up chocolate chips for days. Jon throws a glass of milk, the milk, not the glass: he knows his own strength, as I do not. He throws a box of Cheerios, unopened. The things I throw miss, although they are worse things. The things he throws hit, but are harmless. I begin to see how the line is crossed, between histrionics and murder.

When he at least reached the door the handle had cease to vibrate. Lowering himself suddenly to his knees he placed his head and the vagaries of his left eye (which was for ever trying to dash up and down the vertical surface of the door), he was able by dint of concentration to observe, within three inches of his keyholed eye, an eye which was not his, being not only of a different colour to his own iron marble, but being, which is more convincing, on the other side of the door.

But every point of view is a point of blindness: it incapacitates us for every other point of view. From a certain point of view, the room in which I write has no door. I turn around. Now I see the door, but the room has no window. I look up. From this point of view, the room has no floor. I look down; it has no ceiling. By avoiding particular points of view we are able to have an intuition of the whole. The ideal for a Christian is to become holy, a word which derives from “whole.

There were doors that looked like large keyholes, others that resembled the entrances to caves, there were golden doors, some were padded and some were studded with nails, some were paper-thin and others as thick as the doors of treasure houses; there was one that looked like a giant's mouth and another that had to be opened like a drawbridge, one that suggested a big ear and one that was made of gingerbread, one that was shaped like an oven door, and one that had to be unbuttoned.

Since ... 'the kingdom of heaven suffers violence and the violent take it by force' (Mt. 11:12), and it is impossible for the faithful to enter it by any other way, unless they come through the narrow gate of trials and tribulations, the divine oracle rightly commands us, saying: 'Strive to enter by the narrow door' (Lk. 13:24). Again He says, 'By your endurance you will gain your souls' (Lk. 21:19), and, 'Through many tribulations we must enter the kingdom of heaven' (Acts 14:22).

Some drivers have already got out of their cars, prepared to push the stranded vehicle to a spot where it will not hold up the traffic, they beat furiously on the closed windows, the man inside turns his head in their direction, first to one side then to the other, he is clearly shouting something, to judge by the movements of his mouth he appears to be repeating some words, no one word but three, as turns out to be the case when someone finally manages to open the door, I am blind.

Avoid connecting yourself with characters whose good and bad sides are unmixed and have not fermented together; they resemble vials of vinegar and oil; or palletts set with colors; they are either excellent at home and insufferable abroad, or intolerable within doors and excellent in public; they are unfit for friendship, merely because their stamina, their ingredients of character are too single, too much apart; let them be finely ground up with each other, and they are incomparable.

Since trade ignores national boundaries and the manufacturer insists on having the world as a market, the flag of his nation must follow him, and the doors of the nations which are closed against him must be battered down. Concessions obtained by financiers must be safeguarded by ministers of state, even if the sovereignty of unwilling nations be outraged in the process. Colonies must be obtained or planted, in order that no useful corner of the world may be overlooked or left unused.

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