Theres nothing wrong with making the best of ones declining years, but what does annoy me is the fatalism. Now that were seriously in range of finding therapies that actually work against ageing, this apathy, of course, becomes an enormous part of the problem.

I don't like to wonder about it-I just like to do it. That's what I mean about the image stuff and all that. There's far too much emphasis being placed on that kind of stuff... the whole emphasis on what does it mean? Everybody has their own particular vision.

At least believe this many humans, who are interested obviously in this topic. Many of them visited me after lectures and meetings, in hope that I can give concrete answers to their questions. For it was clear: If that does not know it, who is to then know it?

...the cross saves completely, or not at all. Our faith does not divide the work of salvation between itself and the cross. It is the acknowledgment that the cross alone saves, and that it saves alone. Faith adds nothing to the cross, nor to its healing virtue.

I don't use my money to gain political influence for my private interests, which is what many rich people do, and what, in a sense, market fundamentalism does, because it is in the interests of people who have a lot of money to have as little taxes as possible.

You have the core hip-hop, which would just be beats and breaks, more something like what you hear with DJ Premier. Then you get into the more highly produced hip-hop, which is something like what DJ Khaled does. But at some point, it starts to get kind of pop.

He will therefore have to use what knowledge he can achieve, not to shape the results as the craftsman shapes his handiwork, but rather to cultivate a growth by providing the appropriate environment, in the manner in which the gardener does this for his plants.

He kills people. Now I'm no expert, but doesn't that make you a bad person?" Jamie glared at Nick. "You've killed a lot more people than he has. What does that make you?" "Not a person," Nick murmured, not sounding particularly interested. "Surely you remember.

Discretion, like the hole in a doughnut, does not exist except as an area left open by a surrounding belt of restriction. It is therefore a relative concept. It always makes sense to ask, "Discretion under which standards?" or "Discretion as to which authority?

I call that mind free which protects itself against the usurpations of society, and which does not cower to human opinion: Which refuses to be the slave or tool of the many or of the few, and guards its empire over itself as nobler than the empire of the world.

The theory that the man who raises corn does a more important piece of work than the woman who makes it into bread is absurd. The inference is that the men alone render useful service. But neither man nor woman eats these things until the woman has prepared it.

For the most part, having more money and more fame make your life harder. It just does. I've seen it happen with people. You know, it's so hard to stay normal. It's so hard to stay happy. It's hard to remember why you were doing what you did in the first place.

The very first thing an executive must have is a fine memory. Of course it does not follow that a man with a fine memory is necessarily a fine executive. But if he has the memory he has the first qualification, and if he has not the memory nothing else matters.

The mind is so tricky. It will say, "No one cares. Is it true? Well, someone does. Let's see: So-and-so doesn't care. Well, maybe they do. Well, there is someone who doesn't care." It just shifts and shifts and shifts, so it can keep all of its concepts intact.

You know, the hard thing about audiences not liking what a character does is that they sometimes take it out on the actor personally. That's something that you know when you become an actor or actress, but it's always hard to deal with when it actually happens.

Language is as old as consciousness, language is practical, real consciousness that exists for other men as well, and only therefore does it also exist for me; language, like consciousness, only arises from the need, the necessity, of intercourse with other men.

The trouble begins when we start to be so impressed by the strategies of our systematized thought that we forget that it does relate to an obverse, that it is hewn from negation, that it is but very small security against the void of negation which surrounds it.

It is only the story...that saves our progeny from blundering like blind beggars into the spikes of the cactus fence.The story is our escort;without it,we are blind.Does the blind man own his escort?No,neither do we the story;rather,it is the story that owns us.

Make Him your friend and protector and your felicity is secured both here and hereafter. And with respect to particular duties to Him, it is your happiness that you are well assured that he best serves his Maker, who does most good to his country and to mankind.

Whatever happens, my audience mustn't know whether I am spoofing or being serious; and likewise I mustn't know either. I am in a constant interrogation; when does the deep and philosophically valid Dali begin, and where does the looney and preposterous Dali end?

And that's what I don't like about magic, Captain. 'cos it's *magic*. You can't ask questions, it's magic. It doesn't explain anything, it's magic. You don't know where it comes from, it's magic! That's what I don't like about magic, it does everything by magic!

I've accepted the fact that Limp Bizkit is my band, one that I'm a part of, a band that I've built from the beginning. It does me no good to be in somebody else's band playing their music, like Marilyn Manson or Korn. Being in Limp Bizkit allows me to be myself.

In the book, D'Artagnan doesn't actually become an official Musketeer until quite near the end, and we make quite a big thing about that. I won't give too much away, but when he finally does make it, they're not going to make it easy for him. That never changes.

Victor: What does it feel like to be in love? Creature: It feels like everything is boiling over and spilling out of me; it feels like my lungs are on fire, and my heart is a hammer, and I feel like I can do anything...I feel like I can do anything in the world.

Being a funny person does an awful lot of things to you. You feel that you mustn't get serious with people. They don't expect it from you, and they don't want to see it. You're not entitled to be serious, you're a clown, and they only want you to make them laugh.

To be a Pole does not mean just to speak Polish or to feel close to other Poles, but to value the Polish nation above all else ... A Pole must accept everything Polish, both good and bad, and must accept every period of the nation's history, both strong and weak.

Can I ask why you’re throwing knives at cheese?’ ‘Caleb came by to discuss something,’ Tobias says, leaning his head against the wall as he looks at me. ‘And knife-throwing just came up somehow.’ ‘As it so often does,’ I say, a small smile inching across my face.

Change does not come on thoughts alone; because we have a revolutionary ideology and give speeches on it. It comes because you can change the material conditions of people, and get people to assist in the change, be the mainstay in the change in their conditions.

The purpose of the painter is simply to reproduce in other minds the impression which a scene has made upon him. A work of art does not appeal to the intellect. It does not appeal to the moral sense. Its aim is to instruct, not to edify, but to awaken an emotion.

I felt I should also contrast Visconti's treatment of the novella - usually damned by Mann fans (who typically respect Britten's more "faithful" adaptation). The Visconti film does many quite wonderful things, although there are good reasons for the condemnation.

By looking at a person's features, clothing, and speech, even Confucius would not be able to say what sort of a person he is. But by testing him in a position and seeing what he he does, even someone with so-so judgment would be able to know if he is wise or not.

It does the things we're also most concerned about. It tries very hard to stay alive. It's motivated to reproduce. It gets hungry and goes to look for food. It gets frightened. Compared to other things in the universe, we and the albatrosses are almost identical.

He had a voice that was the truth, raw and unfiltered. You can't get any realer, any more tortured or any more alive. No one can do what George Jones does, and that's why 50 years later, he still stands out as one of the greatest singers in any genre of all time.

A writer/director is a tough thing to gauge when someone hasn't directed a movie before. You just don't know. Sometimes it will be a great script that's written beautifully, and then the director who has also written it does not have the facility to translate it.

Of course, I would like to know what [Sony and Microsoft] do with their machines, but there is no game that I feel the need to go see. So far, from what I’ve seen on the show this year, there does not seem to be any games that I would like to have created myself.

Having a kid, it makes you slow down; when you're walking with a toddler to pick up a leaf it can take a half hour. You've never spent that time looking at a leaf before, having that kind of interaction. So I think it does make you change the way you look things.

God has created too few unmixed evils to warrant the belief that death is one of them. In all things else in nature, goodness so abounds that we are authorized to infer that it does not stop even at the grave. It is only that her footprints have become invisible.

tiny: but there is the word, this word phil wrayson taught me once: weltschmerz. it's the depression you feel when the world as it is does not line up with the world as you think it should be. i live in a big goddamned weltzschermz ocean, you know? and so do you.

It is better for the intellectual not to talk all the time. To begin with, it would exhaust him, and, above all, it would keep him from thinking. He must create if he can, first and foremost, especially if his creation does not side-step the problems of his time.

Western civilisation, the élitists all understood, is built upon discrimination: a culture that does not rest on discrimination, that penalises people who discriminate, or rewards the undiscriminating, is worth very little and has only callow, childish pleasures.

A Christian who does not protect Creation, who does not let it grow, is a Christian who does not care about the work of God, that work that was born from the love of God for us. And this is the first response to the first creation: protect creation, make it grow.

In systems thinking, increases in understanding are believed to be obtainable by expanding the systems to be understood, not by reducing them to their elements. Understanding proceeds from the whole to its parts, not from the parts to the whole as knowledge does.

What's happening right now, this month, I check in and go, 'Hey. You are at the top of a wave right now. Look around and enjoy it because it's not going to stay,' ... The wave goes away. It does not dictate how good I am or my worth. It's just the way it happens.

To be sure, the story of Hurricane Katrina does have a moral for anyone not deliberately blind. The races are different. Blacks and whites are different. When blacks are left entirely to their own devices, Western Civilization-any kind of civilization-disappears.

The calculated killing of a human being by the state involves, by its very nature, an absolute denial of the executed person's humanity. The most vile murder does not, in my view, release the state from constitutional restraint on the destruction of human dignity.

In America everybody is of the opinion that he has no social superiors, since all men are equal, but he does not admit that he has no social inferiors, for, from the time of Jefferson onward, the doctrine that all men are equal applies only upwards, not downwards.

If you know why someone is doing what they're doing, why they're behaving the way they are, then that's your job to reveal that, and often that's situational. The storytelling does that, and then some of it's your job as an actor to make that subtext come to life.

The dripping... well, if it happens, it happens; it does not take anything from the work. The dripping just proves that you were not trying to control the work, but the work was developing by itself and if it drips, its a natural part in the evolution of the work.

There are certain advantages in being cursed by all and sundry ... especially, it dispenses you with having to be nice to anybody ... there's nothing more emollient, stultifying, emasculating than wanting to be liked ... "not nice!" ... that does it, you're free!.

When you say, 'I enjoy doing this or that', it is really a misperception. It makes it appear that the joy comes from what you do, but that is not the case. Joy does not come from what you do, it flows into what you do and thus into this world from deep within you.

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