Quotes of All Topics . Occasions . Authors
I think every directing team works differently in the same manner that every director works differently. Everybody has a different personality and a different way of working, and that somehow evolves in the process.
I was 16 and standing on Tottenham Court Road when this woman came over and asked me if I was an actress. She wanted me to audition for an online drama she was directing. I had time to kill, so I thought, 'Why not?'
While the FBI carries out investigative work, the responsibility for supervising, directing and ultimately determining the resolution of investigations is solely the province of the Justice Department's prosecutors.
I have this dream of directing. But as a child, I wanted to become a wrestler. Like, in childhood, we used to watch WWF; I was inspired by all of that. One of my favourite wrestlers was Rock, who has become an actor.
I worked with many directors in my life, but Tim Miller is definitely my favorite. He not only has a beautiful sense of directing actors, but he also shares a great love and passion for the comic book world, as I do.
I did go to a film school in Sarajevo. I studied film and theatre directing. There was a war raging in the country while I was studying, and we did not have neither electricity nor cinemas for three and a half years.
I did a video with Mick Jagger down in Rio de Janeiro. But I played a video director, and that's the closest I've gotten to directing, except Bob Dylan came and had a few meetings with me about doing a video for him.
I think, basically, I am an actor. Sometimes I'm an actor who's writing and sometimes an actor who's directing, but I think if I'm forced to fill out a form for my tax return, 'actor' is the first thing I write down.
In the beginning, I was very stubborn and always wanted to be just an actor. I was told by a lot of people to try my hand at writing or directing, but I always thought, 'I am an actor, and this is what I want to do.'
Directing non-actors is difficult. Directing actors in a foreign language is even more difficult. Directing non-actors in a language that you yourself don't understand is the craziest thing you can possibly think of.
I'm a bigger fan of my directing than in acting. Acting is just harder. You know, not harder, per se, because directing is the hardest thing I've ever had to do. But it's harder to enjoy my work as an actor, you know.
I haven't modelled since I was 12 - that was a one-time thing, and I did it as a kid to make a little money to save up for university. Acting is my first love as well as writing and eventually producing and directing.
Well you know, Woody doesn't rehearse, as opposed to my own method of directing where I really work with actors around a round table for weeks, examining the values of the material, so his technique is very different.
The thing about acting that's unlike any other art form is that it's collaborative; directing and acting are a collaboration, and your acting won't succeed if the lighting design doesn't succeed or sets don't succeed.
There is no doubt that directing television has helped hone my directing skills. What television teaches you is to be efficient and to think on your feet. You have to adhere to strict deadlines and budget constraints.
I never studied directing and I never really thought about doing it, and then I just found myself in that situation and tried it. I like to be observing everything else, and I get self-conscious in front of the camera.
There's nobody who loves being around actors working more than David Mamet, especially actors bringing his tremendous dialogue to life. I've never seen a movie director who was happier to be directing a movie than Dave.
I mean, the shoe - there is a music to it, there is attitude, there is sound, it's a movement. Clothes - it's a different story. There are a million things I'd rather do before designing clothes: directing, landscaping.
In my mid-20s, I was directing episodes of 'Alfred Hitchcock' and 'Peter Gunn.' I was pretty much on course and - as I sometimes joke - was prepared to devote my life to become the second best film director in my family.
I think for women especially, writing and creating your own role, producing, directing - having some control over what you do is really important. We can pave the way for other women to send what messages they want sent.
For me, doing all the TV stuff and having the experience directing, knowing what you want to make is 90% of it. The rest of it is just guiding everybody on that one path. But, figuring out the path is the difficult part.
I have been trying to retire to the back of the camera for quite a few years, and in 1970, when I first started directing, I said, 'If I could pull this off, I can some day move to the back of the camera and stay there.'
A soul singer is always singing to their crowd. They're always singing about their woes to you. And I really appreciate that when a singer is making you feel... when they're directing it at me. When they're including me.
I took all my TV experience and what I learned about - by writing and directing and bringing a movie to Sundance - about the realities of the independent film market: 'Transparent' is the marriage of those two situations.
We are putting the customer at the center of everything we do and are directing our resources towards those innovations and investments that will strengthen our ability to deliver a better McDonald's experience over time.
I love meeting 'the Odd Man Out' - like fans of 'Baywatch' who regret, as I do, that Tower 12 Productions didn't put nearly as much energy into writing and directing the show as they put into photographing and editing it.
The directing is something that is incredibly satisfying to me and challenging to me because it's asking me to draw on everything I've been able to absorb over all these years of acting and having all this set experience.
When I was approached by Warner Bros. and DC about the possibility of directing 'The Flash,' I was excited about the opportunity to enter this amazing world of characters that I loved growing up, and still do to this day.
'Newton' is a black comedy, a social satire. Amit Masurkar is directing the movie, and Drishyam films is producing. Rajkummar Rao is in the movie. I am playing a very important character. It is a very interesting project.
But when I felt like I had something to prove? Then I got up early every morning and worked all day long. I didn't know if I had any more talent than anyone else directing, but I knew I could work hard at it, and so I did.
Directing is: you're overwhelmed the whole time. Your mind never stops. If you care about it. You wake up in the morning and you begin thinking about it and then you go to sleep at night and you're still thinking about it.
The concept of making a movie in which the director dictates is kind of exotic - and absolutely not truthful. Directing means allowing a great deal of collaboration and listening and having the ability to change your mind.
When I see my movies on the editing table, I do think I could have done them a certain way. The satisfaction is never there even when I'm directing a film. You need to have the feeling that you could have done this better.
I think the biggest advice I would give to any actor who's directing and also acting at the same time is don't even watch your coverage. You do a scene, and then, you know what you did; it doesn't matter what you look like.
No matter what, once the doors are open for business, the entrepreneur has no choice but to be directing multiple attacks at once - raising money, writing software, prototyping, selling, collecting, training, and marketing.
I am very happy acting, and just have never gone at, or been bitten by the directing bug to the extent where I'm willing to put acting aside. If offered the opportunity, I think I could do a good job with the right material.
I'm trying to get in the habit of, you know, picking up a book and learning how to write my feelings down, not my feelings but my thoughts, about things, and hopefully I'll moving toward the writing and directing thing soon.
I use something that is a real staple in the directing world. It's called a dance floor. You lay it down so that it's so smooth you can roll around, and you can put furniture on top of it. It's seamless and you don't see it.
You can't wait for someone to discover you; you have to just get on and do it. Have confidence that directing is a very suitable job for a woman - with our gift for collaboration, listening, and reading the nuance of things.
I started as an actor, then became a theater director. I loved acting but didn't feel as confident as I needed to be, so I started directing theater; then I played in some movies, and then I felt the need to do my own stuff.
I mean, if you are directing actors to do one thing and then directing them to do something else entirely because the one thing you wanted them to do may not work, then you are just shattering their confidence in the project.
Movies alone have the hideous capacity to do everything for you. So in directing movies, you have to figure how to leave things out - because when you leave things out, you evoke the imaginative participation of the audience.
In terms of directing a feature, I'd want the story to be right - you know, it's a year of your life, and you have to be focused on one thing, so I want it to be a story that I really, really care about and will enjoy making.
It's extremely instructive to realize that you cannot do everything. You need to delegate, to find experts, to consult with them. A big part of the job of directing is knowing when to take something on and when you shouldn't.
As a director, your work is finished only when it's on the screen. But I will always be an actor who occasionally directs. And no, I have no interest in directing myself. I wouldn't be able to concentrate on both jobs at once.
When you're directing, you see your ideas. You see them created right in front of you on the monitor and the sound stage. You get that experience all over again when you get into the editing room and you start playing with it.
With VR, you are directing in a 360-degree environment. The biggest challenge is that the viewer can look anywhere. They might look at the the weakest moments, the very things you edit for TV. You don't control where they look.
I was directing as a kid in movies, and that was always my strongest interest. When I was under contract at Universal, I conned an editing room out of them and spent my money to rent a camera and shoot film and make some movies.
Definitely, as I get older and my taste buds change, I want to do different things. I'm not ready for directing yet, you know, maybe when I get my big boy voice; I don't have that yet, but right now definitely producing for sure.
I remember my first agent telling me - because they found me as an actor, but I was probably more interested in writing and maybe directing - they were like, 'Well, you can't do both things.' And I was like, 'I'm gonna show you.'