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I've been writing a lot, I've a few projects I'm trying to finance, I do some acting, I do some directing... Apart from that, if I could get lower that a ten handicap on my golf game I'd be thrilled.
With directing, you always have three or four things constantly on the go. It's a tough industry and a tough time, particularly if you're doing things a little outside the box or independent features.
When I'm directing films, I mostly try to create an environment on set that mimics what's in my mind as to the tone and feel of things. I try to create a place where you feel that anything's possible.
I think, certainly, directing is a visual medium, but it's also about communication, and a lot of times, great directors are lacking in communication skills, which is rather shocking to discover that.
I think, in a lot of ways, directing is puppeteering. I guess I see a lot of analogies between what puppeteers and filmmakers do. There's something about creating life out of things that have no life.
I remember thinking, 'I can't act.' Pretending to be someone else is a terrifying thought. The thing was that, along with other people, I could create a whole world. I felt absolutely right directing.
Three-quarters of directors waste four hours on a shot that requires five minutes of actual directing. I prefer to have five minutes' work for the crew - and keep the three hours to myself for thought.
Theatre is something that keeps me very alert, and I am actively creating whether I am on stage or directing. In films, I feel I become more of an introvert, going deeper in the realism of a character.
When I was a kid, I would make kung fu movies with the kids in the neighborhood, and I would be the guy behind the camera directing everybody, but they were all very silly little shorts and comedy bits.
One thing that everybody told me about directing was, 'Never compromise'. And the whole job is a compromise. So it's very paradoxical. How do you not compromise when the whole thing is about compromise?
If being an attractive woman got you attention for directing, then the entire 'best director' category would be comprised of models. To me, that is just the most ludicrous connection that you could make.
I began directing episodes, which was a great light every couple of months. We never short-changed our audience, but it became something that you had to work at rather than something that was a pleasure.
Being a doctor has taught me a lot about directing. You're doing the same thing: You're reconstructing the manifold of behavior to the point where an audience says, yes, that's exactly like people I know.
I would trade places with Michael Bay when he was directing 'Transformers' because I'd get to meet Shia LaBeouf and Megan Fox, and also see what it's like to direct a huge action movie. That'd be awesome.
I'm starting at USC's film school for directing this month. I'll try to get a semester in at a time. I'll have to take time off for work throughout school, but it will be nice to get through a little bit.
Directing is something I've sort of always felt like I'd like to do at one point, and I thought the best way to start it is to write something myself or with someone and I'd go from there. My own material.
When I met Peter Weir, we did a movie called 'Master and Commander' together, and that's when I really started to understand the power of acting, the power of directing, finding the emotion in performance.
I think, with 'Pride,' I always knew that was something amazing because of the people who were in it and the story and the way it was written and who was directing. Anyone in that cast knew it was special.
Through the wholesale destruction of the representatives of a class that from the beginning of history had been the directing and creative force in civilization, a process began which was almost mechanical.
Film and television, one is generally faster. Television generally moves faster in terms of directing, schedules and getting things done. Film, you're on a pretty tight schedule, so the process is the dame.
Hugh Wilson made it so real and he took us and it was almost when he was directing it, the way he would do it was funnier than the way we did it. And I just developed a regard for him that was unbelievable.
If I dream that I'm directing, it's not a film, it's like a commercial for cotton candy, and I've got four feet of cotton candy all around me that I've got to break through, like a brick wall or a fortress.
I think that directing is the ultimate martyred task of filmmaking, that it has nobility to it. It takes three years to make a film, for the most part. I think it requires the attentiveness of a mother hen.
I don't rehearse films as much as opera or theatre. When I began directing films I thought a long rehearsal was a good idea. Experience showed me that the best performance was often left in a rehearsal room.
For me, acting is like a holiday. When you're directing, you have a strong sense of responsibility for others. It's exciting but exhausting, especially when you're like me: always wanting to break the rules.
I've been doing second unit for years, which is sort of like directing mini movies. Now that I'm directing entire films, it's really just more of everything. There are a lot more questions that need answers.
I was on cruise control from '85 to '95, and it was my fault. There were a lot of self-inflicted wounds, when I was not doing any original material. I wasn't directing. I wasn't writing. That's not who I am.
I was very glad later when I was directing that I wasn't in the hands of a cinematographer and hoping that he would do it well. I would know what he was doing, and we could discuss how that scene would look.
Directing seems like a logical progression for me, although I would never put myself in a film of mine. How can you? Putting on make-up while you're trying to concentrate on setting up the next shot? No, no.
I think many actresses want to be famous and want to be the prettiest, and that wasn't my trek. I was thinking, 'I gotta get out of here... how do I get out of here?' I like acting, but I like directing more.
I think what makes a good actor's director is somebody who understands what I'm doing and is respectful of it, but who also has a vision and is directing me toward their vision in a way that feels productive.
I want to be remembered as an actor who put in some good work in the beginning of his career, even better work at the end of his career and slowly, successfully made the transition into writing and directing.
Playing Isabella in 'Measure for Measure' pushed me to my limits. Janet Suzman was directing, and she was very hard on me. I went through phases of not liking her at the time, but I loved her for it in the end.
What you're seeing with Occupy Wall Street and the others are people who are unhappy and they're directing their unhappiness now toward Wall Street and toward those they think are doing too well in our society.
After I did television, I just felt I didn't have any more to give to the medium. And so I went back to the theatre and started directing and producing, and found I enjoyed it as much, if not more, than acting.
I don't see myself ever retiring, unless it's for something that I like better, and so far I like directing a lot but I don't see the necessity to retire from anything unless there's a really great alternative.
There's a joy and a pain about directing where the dreams you have are becoming concrete but the attention to detail, the need for time is such that it's overwhelming at times, and the stream of responsibility.
My father was a director and producer, so when I was a little kid, he would take me to movies and show me what's good and what's not good and why, and often that would take me to a conversation about directing.
My first job in L.A. was actually playing an employee in a Best Buy commercial, but I played a bad employee at another store. I also worked at a commercial casting company running cameras and session directing.
Acting in something that I'm directing... I'm really enjoying it because, if for no other reason, that particular acting is like reading my mind on every single take. It's kind of efficient, for better or worse.
One of the many delights that I found in directing was that you plan so many things so meticulously so that they go smoothly. But you also have to leave time and space for spontaneous emotional moments to arise.
Oddly, in a sense, I still have more confidence as a director than my ability as a writer. Somehow, directing is just really easy. It's just about being really honest about how you feel about what you're seeing.
I like directing myself; I feel like it's one less person to give notes to. There's an efficiency in it. I'm also kind of a control freak. So I like the fact that it gives me more control in the overall picture.
Riskin went into directing and made a film with Cary Grant which applied to the letter all the ideas which had made his comedies famous. It had everything except that little something - and the film was a failure.
It's so funny when you're actually directing because things start popping that you don't expect to pop, and something that you think is going to pop, maybe doesn't quite have the impetus that you thought it might.
The cool thing about directing is, whatever cool thing works in the scene, it's still making the episode be a great story, and everyone's working toward that goal, so it doesn't much matter where it's coming from.
We want to make a 100 million dollar movie that we have created, in the way James Cameron or Chris Nolan does. It's so inspiring when high-quality auteurs are writing and directing those movies. That's pretty cool.
Writers are first directors. When directing our own scripts, we would have a better vision and clarity than directing the stories penned by others. I personally think that a writer's job is tough than a director's.
It took 17 years to get 'Rambling Rose' made from the time Calder Willingham wrote the script adapted from his novel. Ed Scherick, the producer, was interested in it. Martha Coolidge was interested in directing it.
What I know is that we no longer have free enterprise capitalism in health care; it's not a system any longer where people are able to innovate. It's not based on voluntary exchange. The government is directing it.