I had worked in this New York theatre company for my first eight or nine years out of college, acting and directing there, and I'd begun to write a little bit.

I think the three Mexican directors that came before me did a very good job in Hollywood because they came in and started directing things like 'Harry Potter.'

I loved acting, and then acting led to writing, and writing led to directing, and directing lead to five movies, and I feel like the luckiest guy in the world.

I spent most of my 20s working as an actor. I started writing and directing because I was frustrated with the types of roles that were available to young women.

Directing was a natural thing for me. Actually, it was far less stressful directing than being the lead actor. I was able to have my input in all aspects of it.

You know, episodic TV directing is a very long and arduous job. You have very short schedules, short short shooting days, and you have to get lot of pages done.

For me, directing a film is like confining myself. I want to do something beyond direction. I can conceive stories, write screenplays, etc. That's better for me.

There's a series of children's books called A Series of Unfortunate Events, which is like an incredibly dark version of Roald Dahl. I hope to start directing it.

I think if more women had been directing when I was a child, I probably would have gone for directing first. But, as a child, all I wanted to do was make movies.

Great ambition, the desire of real superiority, of leading and directing, seems to be altogether peculiar to man, and speech is the great instrument of ambition.

'Evita' obviously would always be very special to me because it was the first major musical that I did on stage and created in the U.K. with Hal Prince directing.

I've always really respected directors. As much as I was interested in acting, whenever I watched a film, it was always the directing that really stood out to me.

I would love to keep directing commercials. I love it so much. I love working with brands and ad agencies and old white men who have been doing this for 60 years.

So I wanted to explore all points of view of that, not just the girl's but his point of view as well. Only by directing it could I explore all the points of view.

I think I'll always want to write and direct. I'm interested in producing and helping other people tell stories. But I'm still in love with writing and directing.

Directing is the last frontier for women in the movie business. We are studio heads, we are producers and we are writers, but we are not directors in any numbers.

On 'Taxi,' I had the great fortune of directing many wonderful episodes, none more classic than Reverend Jim's driving test. It was maybe the funniest show I did.

Showtime has given new, young filmmakers - black, white, across the board - an opportunity to make films, as well as actors who want to cross over into directing.

My hands are already full writing and directing, because that's a full time job. Actually, that's why I don't produce as well, as there's already enough producers.

Some friends of mine who are actors feel directing shuts them down and kills all their impulses, but the worst thing for me is if I feel a director hasn't noticed.

Directing remains very psychological, and it takes a lot of time and reflection. When you're an actor, it takes less time, and you can express yourself physically.

I don't like waiting around for work, and sometimes as an actor you're forced into that position, so that's sort of how I got into writing, producing and directing.

When I went to Sundance for 'Afternoon Delight,' I came back feeling like I wanted to take my experience that I learned from directing and bring that into a series.

This is one of the benefits, as well as one of the difficulties of directing a member of your family. You know where the buttons are. You can push them if you want.

If you're directing, it doesn't really matter any more if it's going straight to TV - what matters is whether you have the resources to make a story that moves you.

I prefer directing to acting. There is huge freedom that comes from being behind the camera. It brings a lot of responsibilities as well but is intensely rewarding.

Every mind which has given itself to self-expression in art is aware of a directing agency outside its conscious control which it has agreed to label 'inspiration'.

We often hear of a male director directing a great indie and immediately being offered the next huge comic book movie. Rarely, if ever, does this happen to a woman.

I had always loved John Ford's pictures. And I came to love him, too, but I was frightened to death working for him. He used the shock treatment while directing me.

I had taken a bit of a sabbatical because I was producing and directing films. But acting has always been my passion and it is something that I will continue to do.

It's a lot of work that goes into producing and directing and all those kinds of things. It doesn't just happen. It's a lotta work. It's a lot more work than acting.

I am definitely going to continue directing, but I am always going to try to explore new ways of making films. It really is possible to make films in different ways.

There's only a certain amount of times in my life where I'm going to get to experience every single person directing their energy and focus on you, screaming at you.

It doesn't matter what I'm doing - I wish it was something else. If I'm producing, I wish I was directing. If I'm directing, I wish I was doing almost anything else!

I hope always to be busy, even if only directing an orchestra in the pit. However, I should prefer to produce movies or be the directing head of a radio corporation.

I have no interest whatsoever in pursuing acting or becoming a mogul. I love writing and directing; I see those two jobs as the most critical in the making of a film.

I wrote my first play because I wanted to try directing something, and I couldn't afford the rights - it was an adaptation of a book called 'The Wave' by Morton Rhue.

When I'm directing or producing, I like to do different kinds of stories. But you have to know what you really like, and when you do, you have to front your position.

I had a certain career as an actor that I think was quite personal as well, and had a lot of integrity, but I wasn't writing my own things or directing my own movies.

As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.

I never went to school for directing. I studied theater with a director. I followed plays to see how a director would talk to the actors. I tried to make my own school.

Yet, analytical truth is not as mysterious, or as secret, so as to not allow us to see that people with a talent for directing consciences see truth rise spontaneously.

I stopped working a few years ago because I just lost a spark that I'd had before. I thought I'd just try writing, and maybe start directing, but I did it very quietly.

I always want to be telling stories in whatever fashion I can, and directing is really just understanding and learning a different element of that storytelling process.

I did all my directing when I wrote the screenplay. It was probably harder for a regular director. He probably had to read the script the night before shooting started.

Don't get me wrong, I really like being a judge on 'Strictly.' But my first love and passion is directing and choreography and I will be doing that until the day I die.

I majored in directing. However, I did spend some time at the Schomburg Center for Research in Black Culture in Harlem, so I am somewhat well-versed in African Studies.

Directing Mr. Mohanlal was a delight. He's completely there and wanting to know what you want him to do. He's very keen on making sure the director's vision is realised.

It's important for me as an actor to know the entire script before you start shooting, and especially if you're directing, you don't want to be struggling with anything.

Whatever the reason, we are not doing a good enough job getting to women early enough in their careers, supporting them, and enabling them to pursue careers in directing.

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