We're so surrounded by so much of this marketing and just being told on a regular basis that you have to like this, you will go here, you want this. I found that to me that fit perfectly into what a theme park of dinosaur would be about.

A young imagination is bold, likes to make bigger leaps. It likes to, well, imagine that the dustbuster is a dinosaur; that the computer mouse is a hotrod; that the box is a cave; that the rawhide is a torch... or a baton... or something.

Between the Dinosaur Jr. albums and his recent solo albums, 'Several Shades of Why' and 'Heavy Blanket,' J Mascis is emerging as one of the last men from all that '80s indie madness, still writing songs that you want to listen to over and over.

I was extremely lucky as I was in one of the last generations of British students who went to university and had my fees paid, and I had a grant as well. I also earned money from my waitressing and designing and selling my own range of dinosaur cards.

I grew up watching Pixar movies. And my favourite - if you don't count 'The Good Dinosaur' - is the first Pixar movie my older brother showed me. That would be 'Monsters, Inc.' I also like Disney - 'The Lion King' is probably my all-time favourite movie.

Saving the world via medical research or going off to Gobi Desert to dust off dinosaur eggs is what I thought I might be doing when I was a kid, and I'd love to bring those interests to a show like 'E.R.' or 'The West Wing,' or a movie like 'Jurassic Park.'

I think the players, I put in the book for example that we should go back to wood rackets, probably they laughed at me, I'm a dinosaur, but I think that you see these great players, have even more variety and you see more strategy, there'd be more subtlety.

You've got to do a lot of research. That's the biggest thing: I try to gather as much information as I can to maximize myself. Because if you're just standing still, you're going to be a dinosaur and everyone else will go around you. That's like my biggest fear.

When I got to high school, they had a morning TV show you could become a part of, and I started making short films for that, most little satirical, laugh-y films about the dean of students being chased by a dinosaur or something like that. And I really just enjoyed it.

Technically, the green screen acting can be difficult because there's something worse than a tennis ball on the end of a stick; it's an Australian visual effects assistant running around a field with a cardboard dinosaur head on the end of a stick while wearing sandals.

I enjoy some physical stuff. But if I had a choice between playing a scene where it's raining, it's terribly cold, I'm wet and I'm being drowned and playing a scene with dinosaur eggs in a laboratory, I'd probably take the latter. It's warmer and generally more comfortable!

Now, to find dinosaurs, you hike around in horrible conditions looking for a dinosaur. It sounds really dumb, but that's what it is. It's horrible conditions, because wherever you have nice weather, plants grow, and you don't get any erosion, and you don't see any dinosaurs.

I'm pretty much a dinosaur in the studio. I like things hand-drawn, even today. The story artists use Cintiqs, but I'm the only person who hasn't completely converted to computers. I like the Cintiq, but there's something about the raw emotional power of using paper and pencil.

My father had owned a ranch when he was younger, in Montana, and he remembered riding his horse across the prairie and seeing some large bones sticking out of the ground. He was enough of a geologist, being a sand and gravel man, to have a pretty good notion that they were dinosaur bones.

Out of the blue, I received this offer and invitation to be a part of this movie, 'The Good Dinosaur.' I turned to my Pixar experts, my kids, and asked them what this could all be about. Of course, they flipped out, and it was pretty obvious from their reaction that I was going to do this.

Well I actually think. I think it's a dinosaur... Have you ever seen the photos of Loch Ness? If you haven't by the way Google it. They look like diplodocus but in the water. These sightings have been going on for thousands of years and the first written account of Nessie was 1500 years ago.

I had a blast writing the Ranger in 'The Great Dinosaur Rush' for the Moonstone collection. The story turned out to be twice as long as it was supposed to be, but I was having fun. I even showed the Ranger in his 'old prospector' disguise, and I had some nice exchanges between the Ranger and Tonto.

When you realize my best selling books are 'Owl Moon,' the 'How Do Dinosaur' books, and 'Devil's Arithmetic,' how can the public make sense of that! I have fans who think I only write picture books or only write SF and fantasy. I have fanatics of my poetry and are stunned to find out I write prose, too!

1925's 'The Lost World' is... really, everything a dinosaur movie should be. Like a dinosaur, this classic was once extinct too, existing as mere fragmentary footage and stills, but cinemaphile fossil-hunters have painstakingly excavated bits and pieces from obscure archives and assembled them into a nearly-complete animal.

What dinosaur traits are missing from an ostrich? The ostrich has a toothless beak, but there are mutations that cause teeth and claws to come back to their mouth and limbs. You need to replace the feathers with scales, but there are no feathers on their legs and feet, so you just need to make its whole body like its legs are.

Our main character is Klem Ristovych, the most senior detective in the MCPD. Klem's a dinosaur, the oldest cop working the Fuse, and nobody can believe she hasn't retired yet. Hell, she can hardly believe it herself. But what else is she going to do? Sit at home and watch soap operas all day? She'd throw herself out of an airlock first.

If you look at Gothic detailing right down to the bottom of a column or the capital of a column, it's a small version of the whole building; that's why, like dating the backbones of a dinosaur, a good historian can look at a detail of a Gothic building and tell you exactly what the rest of the building was, and infer the whole from the parts.

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