In a studio situation, I'm able to dig deep and come up with stuff that all the guys think fits the vibe of the song. And I think that's partly due to the fact that I grew up listening to just about everything under the sun. I'm very open to music, and I like to do things in a traditional and musical way.

If you walk into any bookstore, you can look at the newsstands and see which magazines are nationally-distributed, and you recognize certain names. Same with television. With the blogsphere, however, you actually have to dig, and know how to use multiple tools to figure out whom you should be speaking to.

The economy is terrible it's been terrible for years now, and the reason it's bad is not because of a debt-ceiling vote. The reason it's bad is because we have people who believe that by making government bigger by keeping people on unemployment checks and on welfare we're going to dig us out of this mess.

When I was a kid, I really wanted a metal detector for Christmas, convinced I was going to find buried treasure and could retire at 12. Santa Claus brought me one, but sadly, that treasure was never realized. It's amazing how many bottle caps you have to dig up. But to be honest, that dream is still alive.

Our scribblings are usually not lyrics but whirrings, without colour or resonance, like the tone of an engine-wheel. I believe that the cause lies in the fact that when people write, they forget for the most part to dig deeply into themselves and to feel the whole import and truth of what they are writing.

Confidence comes in going on personal journeys in a public arena and feeling as though you have a right to do that. You have to give yourself permission to discover what you need to discover and not worry about how pretty the journey is. If you're aware of the pretty, you're not going to dig into the mess.

You have to dig deep to make great music, and it gets harder and harder. It's a difficult, painful process to reach deep in there and pull out the real gems. And you have to have that little bit of anxiety of, 'Can I really do this? Am I good enough?' You need that in the recipe to really get down in there.

My family, although they're very large on both my parents' sides, they don't know much about their family tree. Occasionally, they try to dig, but they can't get very far, and it's baffling. In Dublin, it seems that so many public records were wiped out; it's proven to be very difficult, so I know very little.

Part of our job is to dig deep and rediscover the joy that we had when we were first starting out. Also, when you gain responsibility, if you are the host of a TV show and you have responsibilities as a producer and a writer and so forth, you then have to deal with the mechanics of it, which is not always fun.

Yeah, I think that a play is a huge commitment, and I think that what it requires of you is a lot, so it really makes you dig in and find things, and it just makes you sharp, 'cause it's live. Really, to me, it separates the men from the boys. I always say it's like the frontlines of acting, when you're on stage.

When you admit that you are married, people try to get skeletons out of your closet. They dig into your personal lives and link you with strangers, which could be detrimental. They also want to know details about your marriage, children, and so on. I wanted to keep it private because I only want my work to speak.

Twitch is a platform. Switch it on, and you'll find thousands of channels of pure gameplay rolling around with people talking in the background. Dig a little deeper, and you'll also find people talking on camera, with sets built like an actual talk show, and schedules of events posted at the bottom of the web page.

When I turned 50, I asked some of my girlfriends, all actresses of the same age, 'What are we going to do now?' I wanted to go live somewhere for a while, learn archaeology, or take part in healing the world on some level. I wanted to dig deep and say, 'Who am I now? What do I have to offer? What do I have to learn?'

The last 200 years, we've had an incredible amount of automation. We have tractors that do the work that horses and people used to do on farms. We don't dig ditches by hand anymore. We don't pound tools out of wrought iron. We don't do bookkeeping with books! But this has not, in net, reduced the amount of employment.

I don't feel guilty about the music I love. If you feel guilty about something you dig, then you should stop feeling guilty about it. One of my favorite albums to this day is the 10th anniversary ensemble cast of 'Les Miserables,' the ultimate cast recording, and it is still something I love listening to top to bottom.

I don't want to let my guard down and feel too comfortable. If you become complacent, you start feeling entitled. I'm ready to go dig ditches if I have to. Whatever I gotta do to provide for my family. Whatever I gotta do to make sure that I do the best possible job at whatever wonderful opportunities I've been handed.

From a good lie in the middle of a fairway bunker, I'll make the same swing as I do from an average fairway lie. I'll dig my feet in slightly and keep my lower body stable so I won't slip, but I don't change my club selection or setup. It's only when the ball is sitting down in the sand that I'll make some modifications.

If I could write directly on a typewriter or a computer, I would do it. But keyboards have always intimidated me. I've never been able to think clearly with my fingers in that position. A pen is a much more primitive instrument. You feel that the words are coming out of your body and then you dig the words into the page.

According to my mother, there pretty much wasn't anything I wouldn't eat as a child. Not just try, but eat. I was even inclined to dig into stuff about which she expressed open disgust - lobster and other shellfish, and cheap Chinese food with pepper so hot it made your gums feel like a medieval dentist had been at them.

The negotiation of city space has been made more difficult with the idea that redevelopment is an improvement for some vague future - but it's never like that, is it? Once you get there, for economic reasons you have to generate the next project - so you're immediately starting to dig up something else, and so it goes on.

I've asked every grammar schoolteacher in the nation to have their students write on the meaning of the Statue of Liberty. Wouldn't it be wonderful if the winning kid got up to the microphone and, in front of the world, had to dig into a pocket to pull out a crumpled sheet of paper containing the words that would move us all?

I grew up listening to Switchfoot. I love Switchfoot; they're a great band. John Foreman is awesome. I really dig mainstream pop music, but I also have a heart for jazz and rock. Oh! Coldplay! I cannot miss Coldplay! I think 'Fix You' is one of the most brilliantly written songs ever. It's, like, my favorite song of all time.

To me, a critic is someone who gets paid for their opinion, and they're entitled to that opinion but I don't really put a lot of stock into their opinion. I'm going to cut the kind of records and the kind of songs that I like, and the kind of things that I enjoy doing. If critics dig it, that's fine, if they don't, that's fine.

It has been said, by engineers themselves, that given enough money, they can accomplish virtually anything: send men to the moon, dig a tunnel under the English Channel. There's no reason they couldn't likewise devise ways to protect infrastructure from the worst hurricanes, earthquakes and other calamities, natural and manmade.

People idealise their animals, and at the same time they patronisingly overlook a dog's natural life - biting fleas, burying bones, rolling in garbage, barking up an empty tree all night... But what do they do themselves? Bury stuff that will rot in secret and then dig it up and bury it again and rant and rave under empty trees!

I used to dig in the garden, and there isn't anything fantastic or ultradimensional about crab grass... unless you are a SF writer, in which case, pretty soon you're viewing crabgrass with suspicion. What are its real motives? And who sent it in the first place? The question I always found myself asking was, 'What is it, really?'

I'm always interested in how people, myself included, have ideas of themselves, of how they thought they would be, or of how they want to be seen. And the older you get, the world keeps telling you different things about yourself. And how people either adjust to those things and let go of adolescent notions. Or they dig in deeper.

Monorail tracks are prefabricated and can be erected relatively quickly: Simply dig a hole every 120 feet or so, plop down a column, and lift the track into place. Because the systems operate above traffic, collisions with errant motorists are never an issue. The trains are automated, saving millions in labor costs in the long run.

'Rocky' is a movie that just happens to be about boxing. It's really about characters and story lines and relationships and all those things, and the backdrop is boxing. You can go back and watch the final fight in 'Rocky' a thousand times. If you dig that movie, if you like the characters, you'll watch the whole movie over and over.

I first read Harper Lee's 'To Kill a Mockingbird' as a teen in school, like you did. I read the book alone, eating lunch at my locker, neatly scored oranges my mother divided into five lines with a circle at the top, so my fingers could dig more easily into the orange skin. To this day, the smell of oranges reminds me of 'Mockingbird.'

The earth is rocky and full of roots; it's clay, and it seems doomed and polluted, but you dig little holes for the ugly shriveled bulbs, throw in a handful of poppy seeds, and cover it all over, and you know you'll never see it again - it's death and clay and shrivel, and your hands are nicked from the rocks, your nails black with soil.

Most of the time I don't force records. I'm not one of these guys that put records out every nine, 10 months. I'm pretty long between records. I've only had a few in my career. I kind of wait until I feel I have really strong songs. I don't know if they're going to change the world or not, but I dig 'em, and if I dig 'em we make a record.

Have I ever pretended to be something? I think back in college I think I might have told a girl that I was a professional tennis player once. And then, of course, she had never heard of me so I had to dig deeper. 'I'm just sort of on the playing satellites. You know, I'm kind of working my way up. I'm not ranked in the top 100 or anything.'

We've turned film into such an industry that we pursue naturalism just by shaking the camera and cutting the film to ribbons to provoke a bogus sense of documentary. But we haven't done the homework. To push the depth that the Actor's Studio did or the Russian theatres did with their actors is to rehearse, to spend time, to dig, to excavate.

I just remember watching Federer the first year he won Wimbledon. He was struggling with his back problem. I remember it vividly. It looked like there was a chance he was not going to finish. He had that look in his eye. Then, somehow, he found the wherewithal to dig a little deeper, and suddenly he wins the thing, and he's a different player.

There are times when I need to dig up the diagram for a type of satellite dish, for instance, but I just can't seem to phrase this need correctly. As a result, I'm inundated by advertising for satellite television and people's online customer reviews of such services when, in fact, I was only trying to figure out what a certain component is called.

Some people dig jazz, some people dig classical music, some people dig rock. Everyone is so concerned about who they like. They always say, 'This guy is the best,' 'No, this guy is the best.' But I think everyone is great. I really don't have barriers to any type of music. I could listen to everything from metal to classical music to anything else.

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