Quotes of All Topics . Occasions . Authors
Earlier, my priority was only work. I worked like a dog before I got married. After marriage, once you have a baby, time management is difficult. Your responsibilities change, your priorities change. And you have to concentrate on them if you have to work out your life. Your career is just a part of your life. For me, my family is my life.
All my mind was centered on my studies, which, especially at the beginning, were difficult. In fact, I was insufficiently prepared to follow the physical science course at the Sorbonne, for, despite all my efforts, I had not succeeded in acquiring in Poland a preparation as complete as that of the French students following the same course.
In cricket, my superhero is Sachin Tendulkar. He has always been my hero and will continue to remain so. Apart from him and outside cricket, my mother has remained my inspiration. Whatever difficult time I had faced, she was always there for me. She has given me all the strength. She maintained her composure and supported me in tough times.
To me, form doesn't always follow function. Form has a life of its own, and at times, it may be the motivating force in design. When you're dealing with form as a sculptor, you feel that you are quite free in attempting to mould and shape things you want to do, but in architecture, it's much more difficult because it has to have a function.
Your personal life, your professional life, and your creative life are all intertwined. I went through a few very difficult years where I felt like a failure. But it was actually really important for me to go through that. Struggle, for me, is the most inspirational thing in the world at the end of the day - as long as you treat it that way.
It is hardly an exaggeration to say that oral teachers and sign teachers found it difficult to sit down in the same room without quarreling, and there was intolerance upon both sides. To say 'oral method' to a sign teacher was like waving a red flag in the face of a bull, and to say 'sign language' to an oralist aroused the deepest resentment.
Conducting is more difficult than playing a single instrument. You have to know the culture, to know the score, and to project what you want to hear. Some conductors are well prepared but cannot transmit their ideas to an orchestra, and others are good communicators but have nothing to transmit because they are not absorbed enough in the score.
Hopefully we can be a band who has a career like U2 or Aerosmith or somebody like that but that's very far and few between. We're happy to be where we are at now, so it's a gift, you gotta just keep pushing forward. For all of us it's very easy to be out here and do what we do, easy in the sense that it's a gift but it can be difficult at times.
To do business with a friend is difficult. The business itself is so stressful, so if you're havin' a bad day you can easily take it out on somebody, and then you takin' it out on somebody can easily turn into a blowup. It's weird, because you might really get to know a person by doin' business with them, then you probably decide you don't even wanna be around them, and that can really launch it off.
By delivering experience, novels can alter the stance we adopt toward news - not much, I'm sure, but they can make it a little more difficult for us to consign "other people" to our tidy boxes. Widening our imaginative life might - it's not hard to imagine - also develop our ability to contemplate counterfactuals and our capacity to speculate about how things might differ from how they're being represented.
I never feel there's anything I can't do with comics. There are certain things in comics that you can't do in any other medium: for instance, in Mister Wonderful, Marshall's narration overlaps the events as they're going on. That would be difficult in film; you could blot speech out with a voiceover, but it wouldn't have the same effect. That's always of interest, to see what new things you can do in comics form.
In fact, when the fires of empire get hidden, they still stay burning underneath the moss, seething away. This is true with a lot of the countries with really difficult, impenetrable nationalist movements - countries that once had a big empire, like Turkey, England, or even in Italy, with the fascists in the middle of the last century. People who had empires, unfortunately, want them back eventually, somehow, someway.
We have no functioning parliament in Egypt and months ago Mohammed Morsi assumed legislative functions. Now he's decided that there should be no opposition to the laws that he makes and that he is authorized to pass any national security measure. It is difficult to be more absolutist than that. And the constitutional convention - what a sad gathering; it threatens to send us back to the darkest period of the Middle Ages.
I will say from the outset, I think if you're great, you're great from the very beginning. And because I do think it is innate and I do think it is a gift you just have, and I don't think you can - you can hone the skills of a director, but sadly, I do think that you are born a great director. I think it's just in you and it's something that is deep in you. But, I find it can be difficult working with first-time directors, but it's also moving.
The thing I was up against in documentary films - was trying to get non-actors to convincingly play themselves in a way I'd come to know before the camera started rolling. And many non-actors can't do that convincingly, even if they just have to play themselves - they can't be naturalistic. And I would always want to recreate something I'd witnessed them do or say, and it just would be incredibly difficult because of the fact they weren't actors.
Sometimes the most difficult thing you can do as an editor is not make a single note - the idea that everything and everyone needs editing is, in reality, a fiction. I've gotten pieces where I thought, Well, I could do this or that, or change this word, but in the end, I leave it. Changing something is not necessarily equivalent to making the piece more true to itself, which is the point of editing: it's just changing it because you feel you can or should or must.
You don't get a lot of life milestones in show business. It's really difficult to make things, and a lot of times you don't know you're at the end of something. With Mr. Show, I was only a writer and we knew we were going into the movie, and we thought, "Okay, like Monty Python, we're going to make five movies." And we didn't know it was the end. So it ended up being a bummer and such a terrible ending for Mr. Show. We never got to feel like, "Wow, we did it! We did something."