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It's always difficult when you're on a show that goes for more than a year or a couple of years.
Playing on a low surface is always difficult for anyone to play their strokes. You need to be more of a grafter.
I always tell my partners that our job is to fund all the companies we can that can be worth $10 billion or more. That's such a difficult constraint, we can't have any other constraints.
When teams are dropping off, it's difficult, especially as a striker. You always have two centre-halves behind you and maybe a sitting midfielder as well. It's a bit more difficult creating chances.
It's always a little more difficult after taking a few years off, which we did from 2004 through 2008. It's more difficult to get the machine in gear again, but when you become used to it, then it becomes easier.
What So Not used to be a lot more dance-y, and now it's becoming a lot more melodic. Flume has always had that melodic thing, but it's starting to become a bit heavier, so it's just difficult to navigate between the two.