Quotes of All Topics . Occasions . Authors
A lot of artists are good cooks as I'm too, but coming from a culture that was very concerned with food, I was very interested in that from the start. If you're interested in food, you're interested in lots of different aspects of culture. And it's like being interested in the music from a certain area, or writing, or whatever-food is part of that, too.
It is quite clear that beauty does depend on one's culture and upbringing for certain kinds of beauty, pictures, literature, poetry and so on...But mathematical beauty is of a rather different kind. I should say perhaps it is of a completely different kind and transcends these personal factors. It is the same in all countries and at all periods of time.
People can get a bit like, "Oh my God, your life is different than mine." But no, it's not. Everyone's got the same problems. We all get jobs, and we lose them. We have a good time, and we don't have a good time. It's changed in that some people have a certain expectation of what they might find when they meet me, which sucks, because I'm not that thing.
I love watching all sorts of different types of movies, but that doesn't mean they're necessarily movies I want to be making. I'm not sitting around saying, "Man, I'd really love to direct a western." That's just not something I'm probably going to do. But, I'm just looking to work on things that both feel professionally exciting and personally relevant.
The handkerchief dabbed at my forehead. 'Ouch! You'll have a fine-looking bruise tomorrow.' 'Then you'll be able to distinguish me from Rose.' The handkerchief paused. 'I could tell you apart from the beginning. You're quite different to each other, you know.' Perhaps he could tell, in the obvious ways. The odd one was Rose; the other odd one was Briony.
I'm considered to some degree a successful director working in Hollywood, making films my way but using studio financing. But with almost every single one, I get praised up the wazoo by people who never would have financed the films. It's: "Gee, this movie is so new and different - what do you want to do next?" "This." "Oh, that's too new and different."
I think people should be allowed to do what they want to do. I think that it doesn't make sense for a certain class to be able to get married and be treated differently when others are not. But I don't equate polygamy with same-sex marriages - and I know you don't either. Polygamy is a different story because it has different class differentiations in it.
I hide my documents in many different places on my computer, because I often write things that I would never want anybody to read, at least unedited, and I'm paranoid that someone might figure out what the password to my computer is and maliciously read my Word documents. So a lot of the time I lose things I've written and/or completely forget about them.
What often happens with these Islamist regimes, there are differing philosophies in terms of how fast to go in getting to where everybody wants to end up, which is Sharia. That is the ultimate objective for all of these places. But they have different strategies on the speed with which they’re going to get there, and the strategies involve foreign policy.
If five years from now we solve the access problem, but what we're hearing is all encrypted, I'll probably, if I'm still here, be talking about that in a very different way: the objective is the same. The objective is for us to get those conversations whether they're by an alligator clip or ones and zeros. Whoever they are, whatever they are, I need them.
Holocaust is very much a part of present discussion all over the place. There are little plaques everywhere you go around in different neighborhoods. "This person here was prosecuted." "This person was sent to this concentration camp." "A family of Jews lived here. They took over his business." Little, very discrete, very dignified plaques are everywhere.
I've been exploring a lot of different avenues with a number of very different and very, very exciting filmmakers and writers. That's been the trip. I like to find something very, very different from the last thing I did, which might be similar to something I've done before, but as long as it's different from the last thing I did, it keeps me entertained.
Life experience. I can talk it up, vow to broaden my horizons, but I’m still limited to the experiences with my life. How can a person understand an experience that lies completely outside her own? She can see it, feel it, imagine what it would be like to live it, but it’s no different from seeing a movie on a screen and saying, “Thank God that’s not me”.
Even with an assignment, I take over, I find a freedom and make the idea my own, and that's where you get the sense that the essays become something very different than the original subject. Assignments are great, though - they test your mettle, your spirit and resilience. All of sudden you drop in, you don't know anything, you're vulnerable and available.
Like our finances, humankind is living with a growing ecological deficit but the solution is different. The deficit will worsen with dangerous consequences unless we address population growth sooner rather than later. Efficiency improvements, increased use of renewable resources and less waste in themselves are no longer sufficient to put us back into credit
If anything, when you're up in space and you're inside a space ship, which is your home, and without which you would not survive, you know that Earth is your home. This is the only place you can return. In fact we're very meticulous. Part of our job is to maintain the spaceship. If we apply the same kind of model to Earth maybe we'd have a different outlook.
This uses a lens system, which I have used for years in various different ways, but I've never used it in the context of an interview. This is the very first time that I've done that. It's a lens called The Revolution, so it allowed me to interview Elsa [Dorfman] and actually operate the camera. Well one of the cameras, because there were four cameras there.
My family knew I was gay when I was 15, long before I got famous. But it's a very different thing coming out to your family and coming out to the universe. That's a big step. Maybe without me, there wouldn't be Adam Lambert. Without Bowie, there wouldn't be me. Without Quentin Crisp, there wouldn't have been Bowie. So everything is part of a big daisy chain.
I loved something I made up, something that's just as dead as Melly is. I made a pretty suit of clothes and fell in love with it. And when Ashley came riding along, so handsome, so different, I put that suit on him and made him wear it whether it fitted him or not. And I wouldn't see what he really was. I kept on loving the pretty clothes—and not him at all.
You can make the argument that there's no such thing as the past. Nobody lived in the past. They lived in the present. It is their present, not our present, and they don't know how it's going to come out. They weren't just like we are because they lived in that very different time. You can't understand them if you don't understand how they perceived reality.
In [the soul] one part naturally rules, and the other is subject, and the virtue of the ruler we maintain to be different from that of the subject; the one being the virtue of the rational, and the other of the irrational part. Now, it is obvious that the same principle applies generally, and therefore almost all things rule and are ruled according to nature.
He that can swim needs not despair to fly; to swim is to fly in a grosser fluid, and to fly is to swim in a subtler. We are only to proportion our power of resistance to the different density of matter through which we are to pass. You will be necessarily upborne by the air if you can renew any impulse upon it faster than the air can recede from the pressure.
So what I am always looking for is, I'm always looking for something that that person has told me that nobody else has told me. It is normally not an opinion, and it is normally not a philosophy. It's almost always a story. Because we all share similar philosophies, we all share similar opinions on a lot of different issues, but all of our stories are our own.
The thing about new things is you feel new when you buy them, you feel as though you are somebody different because you own something different. We are our possessions, you know. There are people who get addicted to buying new stuff. Things. Piles and piles of things. But the new things become old things so quickly. We need new things to replace the old things.
I know it's different today than when I was growing up, and that's fine. But I have never been somebody, even when I was earning $19,000 a year, I never ran around whining and moaning about what things cost. What they cost was what they cost. And if I couldn't afford it, then I had to find a way to afford it or forget about it for now. It's just the way it was.
We all have a world of things inside ourselves and each one of us has his own private world. How can we understand each other if the words I use have the sense and the value that I expect them to have, but whoever is listening to me inevitably thinks that those same words have a different sense and value, because of the private world he has inside himself, too.
I think a lot of women feel so obligated right now to do so many different things that they don't really stop and think what do they want and it's okay not be anything. It's okay not to have a big career. It's okay not to have children. It's much better to figure out what you really want. What really makes you happy instead of what everybody else wanted for you.
To me, leadership is about first defining purpose. Why does a company exist and what problem does it solve for customers? How is it different than everyone else, and what difference do they plan to make in the world? Companies (and people) should be measured based on the impact they make in the world. If the purpose and solution are solid, the money will follow.
The story you envision as you start out is always a great story; when the facts turn out to be different from, or more complex than, what you expected, your first reaction is always disappointment. That's when you must fight the urge to bend the story to your preconceived notions. First, it's dishonest. And second, in the end, the truth is always the best story.
One of the things I'm adamant about as a bandleader is not micromanaging. I'm an advocate for the concept of allowing everyone to be fully vested in what they're doing, so everyone contributes whatever they're inspired to contribute. Our music is not about me; I contribute one part, one experience, and drummer Terreon Gully brings something completely different.
It's always a blast playing the new stuff. But I feel like songs, in a way, are never finished. You get to a point where you're comfortable enough to put a stamp on it and send it out there, but even after recording it, when you're playing it live, you hear different harmonies, you hear different notes, you hear different tempos or peaks and valleys in the song.
Men feel challenged when a woman is in danger, so those types of stories interest women and they interest men on a level that the crimes against men tend to draw a different visceral reaction. Again, not saying it's right, but they tend to draw a different visceral reaction, which is that the man was out in the world doing men stuff and something happened to him.
For years, Taiwan has been dominated politically by a single party, the Kuomintang. People now want the place to be more democratic. They want to place more emphasis on human rights and transparency in terms of government decision-making. This is different from the way the government conducted business in the days when this was pretty much an authoritarian place.
Mostly the natural landscapes work as a sounding board for my characters, so they can understand themselves, and it acts as a mirror in which we readers see ourselves. The natural world is the place into which all my characters have to situate themselves in order to be who they really are, and that makes my rural fiction feel different from a lot of urban fiction.
We did our best to do a Fox show, frankly, I don't think the difficulties we had at Fox would be exclusive to Fox. It's tough to be funny, because there's so many eyeballs and there's so much money at stake that I think everything is just kind of over-thought. And it's tough to be daring and do something different, either with regards to content or even structure.
For those who pass it without entering, the city is one thing; it is another for those who are trapped by it and never leave. There is the city where you arrive for the first time; and there is another city which you leave never to return. Each deserves a different name; perhaps I have already spoken of Irene under other names; perhaps I have spoken only of Irene.
Black Nativity certainly lends itself to reinterpretation. It was kind of designed to be infused with the creativity of whoever is putting it on, and every performance is a little bit different. So, this is definitely my version of Black Nativity. It has its own story, which is a family story. Langston Hughes' Black Nativity informs it, and is contained within it.
I used a fifties Les Paul custom on most of the stuff. I also used a Strat, a newer Strat. I had a million guitars in there but I used the Strat & the Les Paul in just about everything. There were a lot of different amp choices, I was working with a pro tools plug-in which is like an amplifier stimulator. The possibilities with something like that are just endless.
My travels through physics really are the same urges that make me travel through ecology. They are not really different, except that there is an added dimension of seeing ecological destruction and seeing the very life-support system that makes us survive on this planet being destroyed. That makes me do more than just inquire; it compels me to act and to intervene.
[Identity liberalism] says, on the one hand, you can never understand me because you are not exactly the kind of person I've defined myself to be. And on the other hand, you must recognize me and feel for me. Well, if you're so different that I'm not able to get into your head and I'm not able to experience or sympathize with what you experience, why should I care?
Most often, the reason something is "on your mind" is that you want it to be different than it currently is, and yet: you haven't clarified exactly what the intended outcomes is; you haven't decided what the very next physical action step is; and/or you haven't put reminders of the outcome and the action required in a system you trust. That's why it's on your mind.
There's moments that are very personal in The Divorce. There are moments that are sort of unwatchably vulgar or intimate or pathetic. I even had this conversation with my mom. My mom saw the pilot and she was like, "I just thought that some of it seemed nasty." I'm like, "Mom. You're from a whole different generation. And yeah. There's some nastiness that goes on."
There is a comfort with design that may be a detail, rather than a building; comfort with form that is time-released and never finished. How do you represent an instruction set that will play out in time? There may be slightly different kinds of documents for representing those forms, and different skills for advocating change outside of our fee-for-service habits.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
It was always fun auditioning for commercials, because that was the beginning of my career, and me figuring out how I was going to portray myself as an actress vs. a model, because models were very different back then in the early '70s. They didn't usually hire models for acting. But I acted first in commercials and then I did modeling, so it was a little different.
The neatest thing about research and science is we don't necessarily know what's going to come down the pike. We think we know what we're working on. Oftentimes, discoveries are made when you're trying to discover something else. You end up accidentally discovering a different thing. So, one of those things might happen that enable us to have more efficient rockets.
You can live a charmed life by causing others to live a charmed life. That is, be the source of 'charm' -- of charming moments and experiences -- in the life of another. Be everyone else's Lucky Charm! Make all who you touch today feel 'lucky' that you crossed their path. Do this for a week and watch things change. Do it for a month and you'll be a different person.
I have said this on many a previous occasion: that had the mix in Singapore been different, had it been 75% Indians, 15% Malays and the rest Chinese, it would not have worked. Because they believe in the politics of contention, of opposition. But because the culture was such that the populace sought a practical way out of their difficulties, therefore it has worked.
Something that has always attracted me to even taking on the occupation of actor is the idea that I could be lucky enough to portray different characterizations from different places in the world, whether it's speaking another language or taking on a dialect and building a history from where they were born. I was very attracted to that concept, in becoming an actor.
If you stepped out of bounds, or you stepped out of your tumbling path and didn't stick it. By the time you're done, you can count your own damn deductibles to know what your score is about to be. But this is completely different, it's so subjective. There are so many variables that don't make sense. You can't quantify someone's emotional connection to what you feel.