Quotes of All Topics . Occasions . Authors
When someone refuses to listen to you or others, there is one source or entity that he will listen to: Call it God, the universe, a higher power, karmic law, whatever. At any rate, if he feels that the universe is trying to tell him something, then he may listen. He won't listen to you or anyone else, but the universe, that's a different story.
We all have this misunderstanding about heartbreak, which is we think we should avoid it. But what I think is that heartache is a clue toward the work we're supposed to be doing in the world. What breaks each person's heart is different - be it racial injustice, war, or animals. And when you figure out what it is that breaks yours, go toward it.
When recording, whatever you first think about, you come out with something totally different at the end of it. Whatever plans you have you throw away, because it's always going to end up sounding pretty different from what you initially thought of. I probably only had about five or six songs when I started, and it just sort of flowed from that.
I write about misuses of evidence in plenty of different spheres: scaremongering journalists, obvious quacks and naturopaths, and flaws in the way that evidence is used in mainstream academia, medicine and in (government) policy. One of the things I always found interesting is the same tricks are used to distort medicine in all of those domains.
Every time, my syncopation is different, because I can never play the same fill twice. I just can't, never have been able to. Even as a Beatle, they'd say, 'Oh, double-track that.' I don't know how you do that, because when I'm in a fill I'm sort of this blackout, just this pure me coming out and I can't pure me the same, twice. So, that's that.
Gareth [Edwards] was very much about including everyone in what we were making, so he would cut together different scenes to show us what we were making. And the crew, cast, everyone would go into a theater there at Pinewood Studios and watch 10 minutes of what we were making. It was always so exciting. It looked amazing, and the music was huge.
Unlike proportionality, progression provides no principle which tells us what the relative burden of different persons ought to be the argument based on the presumed justice of progression provides no limitation, as has often been admitted by its supporters, before all incomes above a certain figure are confiscated, and those below left untaxed.
I was raised fundamentalist Christian, and now I'm not that. It was not an act of rebellion or anything. For me, it was about being in a line of work where I was meeting so many different people and feeling like they all had legitimate points of view that I needed to consider and occasionally these were at odds with ideas that I was raised with.
Looking back at my younger self, that I'm not so different than I am now. I was always a seeker. I wanted very ambitiously to be a writer and what happened between now and then is that I continually threw myself in the way of those things that would help me become that, of doing and finding and learning from things that altered me along the way.
None of us went to university, none of us went to college, none of us played in a different band before, none of us done anything. We were the last great band to come out of nowhere, on an indie label. We've sold 50 million records. That's still the benchmark. Until someone does what we've done, I'll always consider myself the last big songwriter
The fact that the government had to put up hundreds of billions of dollars to Citibank in guarantees was a public declaration that Citibank was a mess. Making Citibank go through financial restructuring would not have conveyed any more different information. So it's very hard to see why it would have had that kind of a panic if it were done well.
The hardest thing is being with other people — it's like they're on a different wavelength, but only you know it. They talk about their lives and what's wrong with them, and you kind of, like, just let them go. It's a whole different language, and you've got to remember that you can only respond in their mother tongue. It's really hard to relate.
In my life there were a lot of situations where I could have been killed or some officer might have been killed chasing me, a lot of things could be different. Now, you know that's experience you can't buy. And it's there in my rearview mirror and I can refer to it in my writing. I have the experience to talk about things some people only imagine.
It's interesting to feel the pressure of having to be outgoing, because I think in general, as a human being, I'm pessimistic and introverted. But, it's cool, because it's a whole different side of me, and I impress myself. Even at times when I think that there's no possible way that I can be engaging, I'll suddenly pull it out and impress myself.
I've spent a lot of time in tiny venues in the way that I got my record deal and got my name out there just performing live. I was literally performing my songs in all kinds of different ways with different guitarists, and I didn't have an album up online or anything. It's been a lot of work; it definitely hasn't been a sudden explosion into fame.
Every time you make a choice you are turning the central part of you, the part of you that chooses, into something a little different from what it was before. And taking your life as a whole, with all your innumerable choices, all your life long you are slowly turning this central thing either into a heavenly creature or into a hellish creature...
Tragedy dramatizes human life as potentiality and fulfillment. Its virtual future, or Destiny, is therefore quite different from that created in comedy. Comic Destiny is Fortune - what the world will bring, and the man will take or miss, encounter or escape; tragic Destiny is what the man brings, and the world will demand of him. That is his Fate.
The understanding that we reach a point where we stop becoming something and start ending as something. That comes at different times in different points in different people's lives, and obviously there are lots of people who experience the presence of death much more keenly and much earlier than I did. But we all come to grips with it eventually.
One might think of investment managers as astronomers and CEOs as astronauts. The two roles are radically different with distinct personality traits. Like astronomers, investment managers tend to be introverted, skeptical, and very analytical. CEOs, like astronauts, are the exact opposite, typically being extroverts, optimists, and, well, leaders.
I don't think there's any difference in the two Donald Trumps. Maybe I didn't make this clear. I don't think Trump's different in Washington than he is there. The difference is you don't have anybody tweeting. The Trump in Washington compared to the Trump in Middle east trip, what's the difference? The Trump in Washington is filtered by the media.
History has different yardsticks for the cruelty of the Northerners and the cruelty of the Southerners in the Civil War. A slave-owner who through cunning and violence shackles a slave in chains, and a slave who through cunning or violence breaks the chains – let not the contemptible eunuchs tell us that they are equals before a court of morality!
We don't know for a fact that Donald Trump did. We only think we know because it's been reported by how many unconfirmed, anonymous sources? Two scoops of ice cream, Trump's so selfish, guests only get one. The contrast is stark. Trump on this trip and the Trump in Washington. My contention is that Trump is Trump. What's different is the reporting.
Shooting on the iPhone has become more of a directors' tool to lower inhibition of first-time actors and nonprofessionals. While it's helped me become more mobile, no pun intended - running around, finding tight areas and different ways of moving the camera - to me it's more about using this device to catch candid moments. That's the biggest thing.
The never-ending competition between writers hasn't changed between 1868 and 2000. I used to belong to writers' workshops with other professionals, but that becomes impossible after a while. Everyone's on a different step of the career ladder. Jealousy doesn't have to erupt into murder and burying someone in Wells Cathedral, but it is always there.
In 1977, I climbed a fairly difficult mountain for the first time, which was Mount McKinley, in Alaska. I climbed the so-called 'American Direct Route,' which was a route straight up to the top. I really enjoyed it. Through such experiences, I learned that mountaineering wasn't just about height. I found that different routes have different charms.
The early church was strikingly different from the culture around it in this way - the pagan society was stingy with its money and promiscuous with its body. A pagan gave nobody their money and practically gave everybody their body. And the Christians came along and gave practically nobody their body and they gave practically everybody their money.
I love so many different types of music - hard rock, bebop, jazz fusion, R&B. And I've loved meeting and painting so many amazing artists like Lionel Richie, Ronnie Wood, Sia, Steven Tyler, Swizz Beatz, Taylor Swift, James Moody, The Fifth Dimension, Chick Corea, Herbie Hancock and Michael Jackson. It makes me smile thinking about each one of them.
One of the guiding beliefs of our consuming age is that we are all free and independent individuals. That we can choose to do pretty much what we want, and if we can't, then it's bad. But at the same time, co-existing alongside this, there is a completely different, parallel universe where we all seem meekly to do what those in power tell us to do.
Well, Peter Rowan and I had plans to form a band when he left Bill Monroe. I always thought it was going to be a bluegrass band, but I guess when Peter left Bill Monroe he had had enough of bluegrass. He had written some songs and of course the Beatles were a big influence back then. So, we decided to something different and it ended up being that.
When I first started making films 30 years ago, people would comment that I was a woman. But strangely, when I was in television, no one ever mentioned that I was a woman. Maybe it was because television and film were different. There were more women working in television than men. There was no split in terms of work - everyone was considered equal
When you're writing - when I'm writing anyway - I'm writing out of different kinds of preoccupations and obsessions, different forms of drivenness, and so you're really hostage those while writing. I am, anyway. And it's only when you finally take the finished thing out of the furnace that you see what it was that went into the making of the thing.
What The Source becomes, in a physical sense, is almost like this particle accelerator. There's all these different, discrete voices and ideas. If you just saw two of them together perhaps it might seem completely diverse and like, "Why do you have these two people together?" But as it grows and as it speeds up, it kind of creates a larger dialogue.
Civility, which is a disposition to accommodate and oblige others, is essentially the same in every country; but good breeding, asit is called, which is the manner of exerting that disposition, is different in almost every country, and merely local; and every man of sense imitates and conforms to that local good breeding of the place which he is at.
I've always wanted to do non-comedies, I've always done dramas, comedies, music, and I always like to bop around and do different things. I'm looking for something a bit tougher, more muscle mass, something small, but the thing is, I get all the best comedy scripts, I don't get all the best drama scripts. So I'll just go with what's the best script.
So something I've felt I've learned with The Cosmopolitans shoot is using some agility and changing things quickly. That's something I found really useful on this shoot too. The gestation of The Cosmopolitans and this are slightly different from my other films. The script would be done and I'd be cutting it, but I wasn't always writing new material.
A lot of bands don't really like each other. I read an Interpol interview the other day, it was a really good interview because it was showing a different aspect of a band. They don't really like each other - they work together and they kinda exist together and that's how they like it. They're like, "we didn't get into this band looking for friends."
I love light in my work but I was never influenced by neon signage in itself, rather its effect on nature and architecture. You can't ignore what's around you, but at the same time, an artist who has a sophisticated form language knows how to pull in different elements, and readjust and redirect those. . . . So it becomes an engineering process, too.
[People] might have a different word for the yearning of the heart and the yearning of the spirit that is looking for what I call "God," it still is the same thing. It is the heart's yearning to know the origin of its mystery. It's a heart's yearning to know the power of the divine in each of our lives. It's a heart's yearning to be connected to that.
I think when you're an adult you start to like the very things that make you different. If you obsess about some defect, you make it obvious to everyone, and suddenly everyone is staring at just that defect. It's always like that. The more you hide something, the more it shows. But when you accept your defect, suddenly no one on earth sees it anymore.
It depends as there's many different types of chefs, some who cook for awards and others who cook to make their restaurant a great business. There are those who cook for a lifestyle, they'll have come through pubs and they like to have the connection to the farmers and the chickens and the natural produce. So for each chef it'll be slightly different.
To be a housewife is to be a member of a very peculiar occupation, one with characteristics like no other. The nature of the duties to be performed, the method of payment, the form of supervision, the tenure system, the market in which the workers find jobs, and the physical hazzards are all very different from the way things are in other occupations.
I'm confident enough to say I was better than my mates! But with the different competitions I did play with some good players, who didn't make it for whatever reason. I was lucky enough to be able to do what I love, and my mates have continued to play at a lower level and really enjoy it, I know that's exactly what I'd be doing if I wasn't here today.
I was a regular kind of academic music student. I was at Juilliard. I had to study all the contemporary music of the time, and changing that language very radically was just a sign or a signal that I was going to try to do something very different. I find that that's what I feel closest to. I found no real inner response in me in a non-tonal language.
So it sort of dawned on me that you have to build into your work the fact that it's going to be shown in different kinds of places and different kinds of light. And the fact that the surroundings and where you're going to be shown is always changing, so that should really not affect the meaning of the work. It should be part of what the work is about.
Something can be symbolic without being a mere stand-in or vessel, which just brings us away from the true mystery and dread, into some boring version of what we already know. So what you say is true, in that the bear is a kind of parallel to the speaker, or imagined as such, but also very different. So if it's a symbol it is - ahem - a polysemous one.
If you have money draining out of the public equity markets, that inevitably affects the private equity market. They cannot exist going in different directions because somehow that will rent the fabric of the universe. It's just not permitted that that happens. Obviously there can be anomalies for brief periods of time but it just can't happen forever.
'DWTS' came to America and I was ranked first in the U.S. When I got the call, I turned them down. That's why I missed the first season because I felt like I was still seriously competing and it would have been distracting. They called me again for the 2nd season and I said yes. I wanted to see what it was like to do something different and here we are.
For a long time, the humans are going to be better than the machines and so different parts of the job will be leveraged. In a way that's happened for centuries, and we've adapted. And it's made the people who had parts of their jobs automated more valuable and more productive to the extent that they are essential for the other components of their jobs.
As for my own business, even that kind of surveying which I could do with most satisfaction my employers do not want. They would prefer that I should do my work coarsely and not too well, ay, not well enough. When I observe that there are different ways of surveying, my employer commonly asks which will give him the most land, not which is most correct.
Things appear different from every different plane from which you look at them, and when a person standing on flat earth asks a person standing on top of a mountain, "Do you also believe something?" the person cannot tell much. The questioner must come to the top of the mountain and see. There can be no link of conversation between them until that time.