We would not - from here - counsel anyone to be guided by influences from without. ... If these come as in inspirational writings from within, and not as guidance from others - that is different ... the inspirational may develop the soul of the individual, while the automatic may rarely reach beyond the force that is guiding or directing.

I tell my students, it's not difficult to identify with somebody like yourself, somebody next door who looks like you. What's more difficult is to identify with someone you don't see, who's very far away, who's a different color, who eats a different kind of food. When you begin to do that then literature is really performing its wonders.

If a new president personalizes a rather different concept of America and a different sense of America's mission in the world than has been the case with president George W. Bush, then that almost automatically will help to improve America's global image. But the tangibles involving the war and the economy are not going to be easy to fix.

My plan is if you come to the shows in the first run of dates the versions you'll hear live are quite close to the record. But because I can set this up identically afterwards in a hotel room I can actually work when I'm on the move. The aim is that all the pieces will have had substantial remixes and different parts added and subtracted.

There was this point about, you know, the basic point there as well - this statute treats some parts of the country different from others, and what's the justification for that? Well, you know, I had eight million things to say about that, but he put it in such a sharp, excruciating way that it was just very hard to handle it effectively.

There were a lot of apocalypses that didn't make it into this assemblage because they didn't suit the world. And defining that world and figuring out what its wobbly borders were was a long-term and exhaustive process. I had all of these different ways of categorizing the apocalypses I had made. I had a period of time where I cut them up.

Little white lies are part of everyday life. If you're in court being charged with a felony, you're probably going to be tempted to lie. Or if your girlfriend asks you if the sweater she is wearing makes her look fat; you're going to lie because you love that person. There are different reasons and justifications to lie; it's human nature.

Reason and Knowledge have always played a secondary, subordinate, auxiliary role in the life of peoples, and this will always be the case. A people is shaped and driven forward by an entirely different kind of force, one which commands and coerces them and the origin of which is obscure and inexplicable despite the reality of its presence.

How many things would be different in everyone’s surroundings if we hadn’t lived? How a good word many have encouraged some fellow and did something to him that he did it differently and better than he would otherwise. And through him somebody else was saved. How much we contribute to each other, how powerful we each are-and don’t know it.

Since the election [of Donald Trump], I've been thinking about a lot of theory. Lots of [Michel] Foucault and [Karl] Marx, thinking about different systems, thinking about power. Trying to figure out what I can take and learn from history as a tool for getting through whatever is happening right now, which feels very significant and major.

We with Michael Jackson were in the studio recording some work on "Man in the Mirror" or the duet. I can't remember which it was. We did the duet in three languages: English, French and Spanish. So, I spent like a week with him in the studio doing the three songs in different languages. It was just an awesome experience recording with him.

Leaders is the new organisation do not lack motivational tools, but the tools are different from those of traditional corporate bureaucrats. The new rewards are based not on status but on contribution, and they consist not of regular promotion and automatic pay rises, but of excitement about the mission and a share of the glory of success.

People are getting careers from YouTube and uploading videos. And they're totally different - you can't necessarily be funny on a video, and then all of a sudden you're live in a theater. You don't have the tools yet. It's a lot more involved to go from being funny on a little iPhone screen to being live in front of people and being funny.

I didn't want to do a costume drama. It's a great thing to do, but I've done them, and I didn't want to do the same thing again. Of course, costume dramas can be from all different eras, but at the time, I just felt very sure that I didn't want to be boxed in as an English actress. I wanted to be an actress, rather than an English actress.

When mayors get together they probably have better conversations and have better notes to share about running different cities, and just do what suits. Basically, like when you combine all the religions and take the best bits, you should be able to combine all the cities and take the best bits, the information, the tried and tested things.

My book 'The Exciting Adventures of Boo' was first published when I was fifteen. It is a children's book with ten different stories. In each story, the main character Boo learns a lesson - one of the ten most important lessons I learned as a kid. I also donated all the money from my books I personally sold to my local ASPCA Animal Shelter.

When culture is created in boardrooms with a panel of six or seven strategists for the masses to follow, to me that is no different than an aristocracy. It's not created from the people in the middle of the streets, so to speak. It is created from a petri dish for the sake of making money, and it is undermining the longevity of the culture.

You can only go so far in analyzing each and every one person's opinion because they are often quite different. You just have to trust your instincts and hope that if someone doesn't like your idea, you can prove them wrong in the final process. In the end, you can please some of the people some of the time, but that's about all you can do.

Many people, they flee not the war itself, but the consequences of the war, because they want to live, they want to have the basic needs for their livelihood, they don't have it. They have to flee these circumstances, not necessarily the security situation itself. So, you have different reasons for the people or the refugees to leave Syria.

I've loved Kevin McDonald's movies for a while and it was an amazing experience because he really wanted to do something different. It was by far one of the hardest things I've ever done, to wake up every single day and know that you're going to be freezing cold and wet, every single day, 10 times a day, and there's no getting away from it.

When we multi-task, we are motivated by a desire to be more productive and more efficient. We're often doing things that are automatic, that require very little cognitive processing... Continuous partial attention describes how many of us use our attention today... to pay partial attention - continuously. It is different from multi-tasking.

Everyone has to find what is right for them, and it is different for everyone. Eating for me is how you proclaim your beliefs three times a day. That is why all religions have rules about eating. Three times a day, I remind myself that I value life and do not want to cause pain to or kill other living beings. That is why I eat the way I do.

You don't necessarily have to do anything once you acknowledge your privilege. You don't have to apologize for it. You need to understand the extent of your privilege, the consequences of your privilege, and remain aware that people who are different from you move through and experience the world in ways you might never know anything about.

Despite the war, and bombings, and all the big things that happen to us, the stuff of our lives is small and always will be. During a war it is different, but even then, it is perfectly possible to write novels during a major war, which are about those thing which endure. It is what makes us human and the thing which is going to keep going.

As its best, SF is the medium in which our miserable certainty that tomorrow will be different from today in ways we cant predict, can be transmuted to a sense of excitement and anticipation, occasionally evolving into awe. Poised between intransigent scepticism and uncritical credulity, it is par excellence the literature of the open mind.

I am not a sample size, and I am okay with that. I'm good with who I am. I like to accentuate the positive. My waist is something I love to show off. I'm also happy that more and more women are embracing who they are, because everybody's different. You don't have to be a size 0 to be pretty. You just have to be comfortable with who you are.

From my earliest youth I've been riddled with angst about the homogeneity of the world and have tried to do things to break it: attacking abercrombie & fitch in the mall with a plunger, posting strange statues made of garbage around my town, different kinds of interventions, parades and experiments. I've always cared a lot about difference.

The sheer diversity of literature in the Bible is one of the secrets of its continuing popularity through the centuries. There is something for all moods and many different cultures. Its message is not buried in religious jargon only accessible to either believers or scholars, but reflects the issues that people struggle with in daily life.

When we look at women, we have to look at the significance of their work in a different way from the way we look at it with men. Women have more often worked within the home, working equally as hard, I would argue, but not always out there where they're counted, not always up there in the labor unions, certainly not in leadership positions.

When there is change, it must not alter the content of what propaganda is driving at, but in the end must always say the same thing. For instance, a slogan must be presented from different angles, but the end of all remarks must always and immutably be the slogan itself. Only in this way can the propaganda have a unified and complete effect.

Then maybe it's time to change that." Della sat back in her chair. "Change what?" Kylie asked. "Come out of the closet. You know, like...'I'm gay and here to stay.' You'd need a different slogan, but maybe, 'I'm a lizard and if you don't like it, I'll eat out your gizzard.'" Della chuckled. "Okay, it needs some work, but you get what I mean.

Mike and I were really interested in other epic 'Legends & Lore' properties, like 'Harry Potter' and 'Lord of the Rings,' but we knew that we wanted to take a different approach to that type of genre. Our love for Japanese Anime, Hong Kong action & Kung Fu cinema, yoga, and Eastern philosophies led us to the initial inspiration for 'Avatar.'

There were something like 50 good, arduous climbs around Nice, solid inclines of ten miles or more. The trick was not to climb every once in awhile, but to climb repeatedly. I would do three different climbs in one day, over the course of a six- or seven-hour ride. A 12 mile climb took about an hour, so that tells you what my days were like.

As a young man I couldn't travel, nobody could travel, they wouldn't give us a passport. For many years I was trying to go abroad. And then one day I read in the newspaper about a new competition for composers, and the first prize was a trip to the West. I decided I must get the first prize, so I wrote three pieces in three different styles.

There isn't a grand plan at work in the progression of the books with respect to the line. I do want the books to be different from each other, certainly, but I'm more aware of that on the level of theme or structure. I can tell when I'm writing the last of a particular type of poem because the writing is too easy and I start to feel queasy.

The networks are different so they have a different approach. Obviously, with The Shield - that was on FX so they had a little bit more leeway as far as the dialogue was concerned and even the content and what they showed the viewers, which is a great thing. But we will push it to the limit as far as FOX will let us go; that's for damn sure.

Remember the first time you went to a show and saw your favorite band. You wore their shirt, and sang every word. You didn't know anything about scene politics, haircuts, or what was cool. All you knew was that this music made you feel different from anyone you shared a locker with. Someone finally understood you. This is what music is about.

What I like about the Carpenter take on The Thing is the fact that it just has so much suspense. It seemed like a different story, with the horror elements. Those films that really speak to the primal fear that we, as human beings, have about the unknown have always intrigued me. That's the really scary thing, not the slasher, macabre movies.

Music videos are so incredibly relevant, but I don't think they're relevant on broadcast television anymore. I think they're much more about the power of the Internet. The stakes in advertising is a very different game. There's a lot of money involved and a lot of pressure. I miss the freedom and the rock-'n'-roll spirit of doing music videos

The early Rockefellers made their wealth from being in certain businesses and remained personally very wealthy. Tata's were different in the sense the future generations were not so wealthy. They were involved in the business but most of the family wealth was put into trust and most of the family did not in fact did not enjoy enormous wealth.

If the resources of different nations are treated as exclusive properties of these nations as wholes, if international economic relations, instead of being relations between individuals, become increasingly relations between whole nations organized as trading bodies, they inevitably become the source of friction and envy between whole nations.

I've studied theater since high school. Of course, it's a different story altogether being on Broadway, but it's still theater, and you have to be in front of a live audience, and that's very exciting. It's something I've definitely wanted to do, but I got involved in movies and television, and then it became a luxury to get back on the stage.

The job market of the future will consist of those jobs that robots cannot perform. Our blue-collar work is pattern recognition, making sense of what you see. Gardeners will still have jobs because every garden is different. The same goes for construction workers. The losers are white-collar workers, low-level accountants, brokers, and agents.

The key to me is being different not for the sake of being different, but being the most authentic version of what you do. And definitely it takes a willingness to be different, because there was resistance for me early on, and I feel like that's usually the case when there's a certain paradigm or trend happening, and you step outside of that.

I'm in awe of how grounded Ms. Tyson is and how her performances can be different but the same. She can switch up the delivery, but it's still with the right intention. Her words are effortless in terms of their meaning and how she inhabits them. She's been doing Trip to Bountiful for four months, and it still feels real. She's pretty amazing.

I feel like I don't see myself as all that different from other humans as a woman, but I'm surprised by how frequently I'm asked to see myself differently. So that's one kind of terror to have to face. Am I a unicorn? What's sticking out of my head that I'm not seeing? I'm simply female, and that puts me alongside all of my human counterparts.

It can be difficult to mediate a compromise between what I have in my head and what the musician has in mind, which is often 180° different when it comes to the finished product, so it requires that element of trust from somewhere. The point I make to them is "You've seen what I do, so just trust me and we will come up with something exciting."

If you do really good storytelling, things that people also might anticipate and that they might have seen before - there's a reason we go back to stories that we love - so, even if there is a familiarity, if you can do it a different way and hopefully do it well enough, you actually feel the satisfaction of that anticipation given back to you.

That one [in "2012"] was different because it was all CG, getting washed away by water. In "Independence Day," everything was still done in models, built in a certain scale out of plaster, and packing tons and tons of little explosives and charges in there. We had a second one in case it didn't work the first time, but it worked the first time.

There are times when you need to step back and realize that movie studios today are not necessarily the same things that they were many years ago. Many movie studios are international conglomerates now. They own everything from theme parks to toy companies to T-shirt companies to video companies. There's a lot of different wheels to be greased.

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