Quotes of All Topics . Occasions . Authors
If one tries to think about history, it seems to me - it's like looking at a range of mountains. And the first time you see them, they look one way. But then time changes, the pattern of light shifts. Maybe you've moved slightly, your perspective has changed. The mountains are the same, but they look very different.
A lot of the politics that is going on left and right at the moment is more about a protest, which we should respond to. It's not often about a policy. And that's why what you get is this strange coalition of different views of what the future should be, coming together in alliance to protest against the status quo.
I was really fortunate from the time I arrived in Hollywood to work with some of the greatest directors from the beginning. I worked with Robert Altman, John Boorman, and of course Steven Spielberg, Michael Cimino, Brian De Palma ... I couldn't pick one of them; they were all different, but they are all so talented.
To be individual, my friends, to be different from others, is the only way to become distinguished from the common herd. Let us be glad, therefore, that we differ from one another in form and in disposition. Variety is the spice of life, and we are various enough to enjoy one another's society; so let us be content.
One thing about hanging out with a bunch of clean drug addicts, everyone is just super similar to you. So that has been awesome. I've made a lot of friends who are coming from an extremely similar place, even if they seem externally very different. I know I am an outsider in a number of ways, but I don't feel weird.
Coming to LA and working with brands connected with celebrity was a very different experience. I thought it was interesting to work with someone like Justin Timberlake and to work with the phenomenon of celebrity in the U.S., and also to take on the challenge of taking a celebrity brand and adding credibility to it.
I was drafted by the New Orleans Saints, and quite frankly, I got worn out playing football. I got tired of it. With wrestling, there were so many variables that could go with it, so many directions you could go. Every night, it was different. Every night. It was a different town 7 nights a week and twice on Sunday.
Hope is what you get when you suddenly realize that a different worldview is possible, a worldview in which the rich, the powerful, and the unscrupulous do not after all have the last word. The same worldview shift that is demanded by the resurrection of Jesus is the shift that will enable us to transform the world.
Goethe said, "The author whom a lexicon can keep up with is worth nothing"; Somerset Maugham says that the finest compliment he ever received was a letter in which one of his readers said: "I read your novel without having to look up a single word in the dictionary." These writers, plainly, lived in different worlds.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
Music is pretty intimate stuff and I can only work with very few people: Gonzalez being one, Mocky being another and, on a completely different level, Broken Social Scene. With Broken Social Scene it's not one-on-one, it's a one-on-12. It's very healthy, very comfortable, like a big pot luck supper among old friends.
If the helplessness and isolation of labour, who have nothing to sell but their labour, can be totally removed by connecting labour with capital through a universal credit system, we'll then have other kinds of actors on the economic scene different from what the existing capitalist world would allow us to bring out.
When I first started working, I was very aware of the fact that I'd been to university and studied Russian and French and not acting. So when I started working, I'd started working quite young, I felt like it was important to treat myself kind of like an apprentice and do as many different types of things as I could.
It's sad when you can't make everyone happy, though. It's impossible but, at the same time, you still hope. You think, 'Maybe I can do it,' but you know you can't. But gosh, if I had to rely on giving people what they wanted, I would have had to write 40 billion different books and even then, I wouldn't get it right.
The Sixties are most generously described as a time when people took part - when they stepped out of themselves and acted in public, as people who didn't know what would happen next, but who were sure that acts of true risk and fear would produce something different from what they had been raised to take for granted.
There was a time when I was knocking on doors and concerned with being recognized in dominant culture. I've found a space where the terrain is different, where I'm embraced by people like me, and where I'm building new ways of doing things, as opposed to trying to insert myself in a place that might not be welcoming.
I saw young women in the street dressing in a way that I thought was influencing the designers. Fashion was being influenced by all sorts of different people, and culture and also across the street. So I saw more as a trickle up, than a trickle down influence. When I came to Vogue, that's what I wanted it to reflect.
I would like to continue being radical. As you get older, some of the world catches up and it's passed you. In the '60s you were on the crest of a wave because you were part of the wave. I don't want be a stick in the mud and do the same thing as I did last year, I want to do something different and see what happens.
The raccoons, foxes, beavers, chinchillas, minks, rabbits, and yes, sometimes even dogs and cats that are killed for fur are not very different from your beloved dog or cat. They all have eyes, ears and hearts. They all experience pain when they are physically maimed. They shake with fear when they experience terror.
I've never been uncomfortable with the host of modern gurus, and gurus of different motivations I should say, or different intentions. You know, we are moving into a time where it's extremely commercial, but then I keep reminding those that I speak to that consciousness has no products, it really has no commerciality.
Rob Zombie is such a filmmaker. He's so completely different from anyone else that I've ever worked with. He's so confident and laid back and so trusting that you could just show up and do whatever you want to do. He's really good about pulling an amazing cast together that he doesn't have to tell them to do anything.
There's a broad range of male rappers, so if they're going out on a limb and they sound different, it's okay, because we have 20 other rappers doing what the radio wants... as far as females, there aren't as many, so if you want to compete, you have to sound just like this, because that's the only thing hot right now.
I'm born and raised in Dusseldorf, and my parents emigrated to Germany sometime in the '70s, so I grew up completely different from any other German. I found my love in hip-hop music. Hip-hop was delivering everything that I needed: the message, the lifestyle - everything. I fell in love with it and I'm still hip-hop.
There are different gradations of personhood in different poems. Some of them seem far away from me and some up close, and the up-close ones generally don't say what I want them to say. And that's true of the persona in the poem who's lamenting this as a fact of a certain stage of life. But it's also true of me as me.
I wish I could do a lot of things different. I'm not going to tell you what they are, but if I had a list of all my films right now, I'd go, 'Okay, I'll cross that one out and cross that one out and cross that one out and cross that one out.' Really. But I've made over 40 films. How can I not have some losers in there?
I don't think we're totally responsible. But you know, all the bands said it, that we did. Even Courtney Love said that. Anyway, Courtney called her band Hole, get it? Slits? Hole? So it's pretty clear we were an influence on all of them, but I'm not really sure how far it goes. I was on a different planet at the time.
The reality which is pretending be reality right now, impersonating reality, is just a pretty flimsy structure. There is not a lot of substance to it. You can't find people who are actively involved of affected by it. What you see is a completely different world, what you see is the world of the homeless, and so forth.
I didn't picture myself as even a grandmaster, to say nothing of aspiring to the chess crown. This was not because I was timid - I wasn't - but because I simply lived in one world, and the grandmasters existed in a completely different one. People like that were not really even people, but like gods or mythical heroes.
You may find somebody refreshing until they drop the N-word on you and then you're no longer feeling refreshed, you're just feeling offended. And where we draw that line as a society is sort of akin to what the Supreme Court said on pornography, you know, you know it when you see it. And it's different for each person.
If you’re the girl that needs a boyfriend, and once she loses that boyfriend needs to replace it with a different boyfriend, it’s just this constant stream of boyfriends all the time. I don’t feel like I ever want to be that girl. I want to be the girl that when she falls in love, it’s a big deal and it’s a rare thing.
The word "God" is used in most cases as by no means a term of science or exact knowledge, but a term of poetry and eloquence, a term thrown out, so to speak, as a not fully grasped object of the speaker's consciousness -- a literary term, in short; and mankind mean different things by it as their consciousness differs.
For me, it's always difficult when a historical film claims to depict or represent a reality that none of us can know, that is always different. It's always the case. We never know what happened then. So my approach with the narrator is to question that, to leave that open, to underline the fact that this is uncertain.
The collapse of the Tower of Babel is perhaps the central urban myth. It is certainly the most disquieting. In Babylon, the great city that fascinated and horrified the Biblical writers, people of different races and languages, drawn together in pursuit of wealth, tried for the first time to live together - and failed.
That's the best part of being a DJ. Everyone's looking at you and really, I'm a shy person; I like to stand in the back of a room, not talking to many people. But having a chance to play music, the stuff that I want to hear, and getting people going, it's just a different kind of vibe. It's like a different side of me.
I didn’t like it [computer] when I first began using it. Where it’s helped me a lot is in nonfiction which is a kind of different process. You’ve got research, you’ve got your notes, You can block out what you want to work on for the next 10 pages and put it in another file, and then you can kind of carve it into shape
Once something has outlived its usefulness in one area of life, its purpose for being in existence is no longer the same. The leaf that captures a stream of sunlight, and then transfers its energy to the tree, serves one purpose in the spring and summer, and another completely different one through the fall and winter.
I work with digital audio, which is like sculpting, a form of chiseling down metal or wood. And I take audio and move it back and forth between the analog and digital realms and work with it almost like a plastic art until it takes forms in different shapes. And I use those figurines that come out of that type of work.
Humans aren't as good as we should be in our capacity to empathize with feelings and thoughts of others, be they humans or other animals on Earth. So maybe part of our formal education should be training in empathy. Imagine how different the world would be if, in fact, that were 'reading, writing, arithmetic, empathy.'
LEGO is universal. So many people enjoy it, from all different walks of life, all different ages, all different cultures. When I was in Africa, I had LEGO bricks with me and I met some people who had never heard of LEGO, they had never seen it before and yet as soon as I gave them a few bricks, they immediately got it.
I say it was like this accidental research that I did for eight years. I had no idea I was researching the role of my career. But yeah, and there was this one casting director named Allison Jones, and for five years she would call me in every year for a different TV show and she just really was a big supporter of mine.
Film and stage are very different; I don't necessarily prefer one over the other. Every few years, I get a big itch to go back to the theater. To learn humility, to learn bravery and to remind yourself that the pistons that drive your craft are working on full power. And to remind yourself how badly paid actors can be.
I'm primarily a poet, so I'd have to say in my case I'd investigate the mystery in poetry in a different way than prose might investigate it, in a way that includes the power of the music of language and maybe more imaginatively in poetry, but I don't really know about better or worse. I guess it depends on the writer.
Trump appears to some as too simulated, too much a spectacle. But all authorized politics is spectacle. He just does it in a different style. It's not conservative, its post-liberal. Rather than make hypocritical gestures towards the just, the good and the true, it's about making hyperbolic gestures about their absence.
I don't like the word celebrity. If I become a good actress and be in movies where I'm expected to be a good actress, who is recognised, that's different to being what I consider to be a celebrity. My job is an actor and that's what I'm passionate about and adore. It's a privilege to be able to do this job for a living.
We don't all see the same way at all. Even if I'm sitting looking at you, there is always the memory of you as well. And a memory is now. So someone who's never met you before is seeing a different person. That's bound to be the case. We all see something different. I assume most people don't look very hard at anything.
I think if somebody is so set in their ways about what they feel about something - and you get this a lot in academia, of course, and also different sorts of journalism too - you're going to sweep under the carpet the facts that don't suit your thesis. And I think that happens quite a lot in the courtroom, for instance.
When I talk to different lawmakers, I'm trying to get them to reach across the aisle. There's legislation out there that would be helpful for women and families, but like with the Paycheck Fairness Act, legislation has been on the floor many times, and voted down many times. It's something we need to get passed already.
It wasn't just Willie and Waylon, there were a lot of influences there. The coolest thing about this, is after getting to listen back to all these mixes is realizing that this record is like a bag of Skittles; every time you pull something out, it's a different flavor. But they're all Skittles. They're all Cody Johnson.
The way Everest is guided is very different from the way other mountains are guided, and it flies in the face of values I hold dear: self-reliance, taking responsibility for what you do, making your own decisions, trusting your judgment - the kind of judgment that comes only through paying your dues, through experience.
The Stock Exchange is something very different. There is no economy and no production of goods and services. There are only fantasies in which people from one hour to the next decide that this or that company is worth so many billions, more or less. It doesn't have a thing to do with reality or with the Swedish economy.