Quotes of All Topics . Occasions . Authors
Sometimes people come up and say, "You have this line in this song and it meant a lot to me." You don't always remember that line as the one. You're putting part of your human being on the page so people are going to have different responses - the other humans are going to connect with different parts.
People don't realize that, you know, we have - "we" meaning people in show business have the same problems as everybody else. Money don't change that. Fame don't change that. Sometimes that brings on more problems. You know, it's just a - different kind of problems. As they say, money ain't everything.
The body is a fortuitous concourse of atoms. There is no death for the body, only an exchange of atoms. Their changing places and taking different forms is what we call 'death.' It's a process which restores the energy level in nature that has gone down. In reality, nothing is born and nothing is dead.
Information helps you to see that you're not alone. That there's somebody in Mississippi and somebody in Tokyo who have wept, who've all longed and lost, who've all been happy. So the library helps you to see, not only that you are not alone, but that you're not really any different from everyone else.
Punk rock and skateboarding took the 'school' out of living your life, and I related to learning as I went, doing a lot of different things that I liked, when I liked. Consequently, I'm mediocre at all of the above, but still stoked on being a lifetime student of music, skating, painting, writing, etc.
If you want God to do something new in you, you cannot keep doing the same old thing. You have to do something different. And if you do, God will create new capacities within you. There will be new gifts and new revelations. But you've got to pray the price. You'll get out of this what you put into it.
Launching a start-up, you need to get a lot done quickly. Every day is different. Everyone pitches in with everything. It's easy for the founding team to say, 'We're flexible. We all help out with everything!' But when it comes to making decisions - that flexibility can spell inefficiency and disaster.
When a person listens to a good song, and they can look out at the world and their lives and see the dark and the light, the negative and the positive, all the different elements, all come together in one holistic poem, that is a very healing and very reductive thing, and that's what my music is about.
It says anybody can make it, because we're all on a level playing field. But we're not on a level playing field. That 's precisely the point, and that's what the rich don't want to look at. They don't want to recognize that they're not producing wealth at all. They're hoarding wealth. That's different.
Well, one is inspired by the whole of life, one's own and somebody else's. You know how sometimes you hear great music, and music is completely untranslatable into words, into any words. A certain tension that is born when one listens to music could aid you in expressing something absolutely different.
When I'm writing my album, it's totally my world. Even though it's myself and another producer creating the project, Conceptually it's more under my power and on my own terms. At the same time, it's a different type of pressure because I'm ultimately speaking, I'm solely responsible for the end result.
I didn't expect NBC would be at all thrilled about me, because the year before the West Wing I had rejected a pilot at the last minute and got them very upset. I ended up not coming to the casting - in fact it happened four different times because I just wasn't convinced that I wanted to do television.
I like learning stuff. The more information you can get about a person or a subject, the more you can pour into a potential project. I made a decision to do different things. I want to do things that have a better chance of being thought of as original. I do everything I can to disrupt my comfort zone.
All movements begin and end, and all have been inspired by others that have come before them. They evolve and then deconstruct again. There are very few designers whose aesthetic I'm drawn to on a personal level. However, that's different from the ways in which I might dress the characters in my films.
I will never get tired of looking at works by Pablo Picasso. I will never get tired of looking at work by Francis Bacon or Henry Moore or Francisco Goya. You cannot tire of the work these people have made because you can look it over and over again - the same thing - and always see something different.
I sometimes call this our "spacesuit self" because we come into an environment that is difficult and challenging, where we're told to be different. We're told to jump over hoops to be loved and appreciated, so we have to develop spacesuit strategies to get approval and create ways to avoid being judged.
The broader the chess player you are, the easier it is to be competitive, and the same seems to be true of mathematics - if you can find links between different branches of mathematics, it can help you resolve problems. In both mathematics and chess, you study existing theory and use that to go forward.
For me, there's a lot of intrinsic mystery and power in folk music, but a lot of people don't perceive that music from around the world as something that fits into their lives or their psyche in any way. So I tried to present it in a different way to give it more of a chance to sink into people's heads.
What is applicable is to understand that first of all China has undergone a huge revolution in the last years. Anyone who saw China as I did in 1971 - and for that matter even in 1979, because not much had changed between 1971 and 1979 - and sees China today, knows one is in a different economic system.
My brain is a big cluster of stuff. It moves quickly and loses focus quickly, so I need many projects to keep me stimulated - it's a luxury to be able to do lots of different things: style, write, present, DJ or just consult. It can't be any other way; I think I would shrivel up and fall asleep forever.
I guess, in a way, I grew up mixed race: half white, half black. That question's always been on my mind: 'What are you? Are you this or that? Are you a white dude or are you a black dude?' In a strange way, music and comedy is kind of the same thing. I'm both. They're just different modes of expression.
Racism comes in many different forms. Sometimes it's subtle, and sometimes it's overt. Sometimes it's violent, and sometimes it's harmless, but it's definitely here. It's something that I think we're all guilty of, and we just have to make sure that we deal with our own personal racism in the right way.
If you're a novelist, you have sort of themes that run throughout novels. You start a novel and you finish a novel. With record-making in the singer-songwriter world or whatever it is that I do, it's a little different because there is no specific arc that is necessarily, like it's not a concept record.
To any situation the reaction may be different. That's why it's useless - in a way - to memorize patterns, because the possibilities in life are endless, and you cannot be prepared for every single thing. Therefore it's better to be able to move in a natural way, and not even physically but intuitively.
There are a few other things that I built when I was at Harvard that were kind of smaller versions of Facebook. One such program was this program called Match. People could enter the different courses that they were taking, and see what other courses would be correlated with the courses they are taking.
I also learn a lot about everybody else's process. People create in different ways, so that has opened me up to different processes and experimenting. Laurie Keller is a character person, so she came to the project with these blades-of-grass characters that we were able to literally grow a story around.
You have a different relationship to your own personal material than you do to other people's. When you go to the bathroom, you're not horrified and shocked. But if you walked in and found someone one else had just been, you probably would be. Your own relationship to these things is slightly different.
Complementary currencies work in addition to existing money, rather than replacing existing, official money. There are whole different families of complementary currencies. One of them is local currencies. One is regional currencies. Another is functional currencies. Another is social-purpose currencies.
One of the reasons why I failed was because I figured out in the research process that I couldn't tell it as just, "This is what Frances Farmer's life was like." There are so many questions as to what her life was like because of the way her story has been seized upon and exploited by different factions.
There is so much to sailing a ship. There's about a thousand different lines on a brig ship, and knowing what each one of those does, it takes a long time, and that's why you have these cabin boys that start on the ship, and they learn throughout the years, and that's why it takes so long to captain one.
I like both movies and TV, for different reasons. Films are amazing. It's so historic and exciting. Television, for me, is great because I love to act, every day. I love to learn, and I love to be able to just do what I love. It's when I'm at my best. So, I love TV for that reason because it's every day.
Every congresswoman surely endures the same strains that drive some of her male colleagues to have affairs: lots of travel, families far away, heady work that makes a domestic routine seem distant and boring. But the stakes are much higher for women, because they are still judged by a different standard.
The editorial board, who endorses candidates, is totally separate from the news side of the business. We don't consult one another. They have one job to do, we have a totally different one to do. So whether the Washington Post editorial board endorses Donald Trump or Hillary Clinton is meaningless to me.
Using technology merely to lower operational costs amounts to standing on a whale fishing for minnows. It just allows you to do the old thing more efficiently, where in this moment of deep transformation, it is much more likely that you should be doing something entirely new in an entirely different way.
We have been negotiating a lot of different transactions to save money on contracts that were terrible, including airplane contracts that were out of control and late and terrible. Just absolutely catastrophic in terms of what was happening, and we've done some really good work. We're very proud of that.
[Cloning] can't make you immortal because clearly the clone is a different person. If I take twins and shoot one of them, it will be faint consolation to the dead one that the other one is still running around, even though they are genetically identical. So the road to immortality is not through cloning.
It's really wonderful to come to work and have each episode be different, in a way. They have similar structure sometimes with the villain, but we can go in any direction we want. If we want to do an episode set in the circus, we can do that. You know how precious that is. That doesn't come around a lot.
Losing Bogey was horrible, obviously. Because he was young. And because he gave me my life. I wouldn't have had a - I don't know what would have happened to me if I hadn't met him. I would have had a completely different kind of life. He changed me, he gave me everything. And he was an extraordinary man.
We do not experience things as they really are! We experience things only through a filter and that filter determines what information will enter our awareness and what will be rejected. If we change the filter (our belief system), then we automatically experience the world in a completely different way.
If the music in a groove fits with what you're playing, then play it; if not, then you can play it backwards. If that doesn't work, you try it at a different speed. If it really doesn't work you just break it. The whole ritual to put a record on a turntable just to listen to it, I don't do that too often.
Every single painting is different. I'm always trying to figure out what I'm interested in. Usually when I go through and I make the collages or the images for ideas that I want to paint, it's like an Ouija board. Each painting I do is trying to understand what the hell I'm looking at, or want to look at.
There were a lot of different things [in The Women's Room ]. I don't really want to summarize it in this way. It's about a woman's awakening, a woman who came of age in the '50s and is a teenager - actually, she's a little bit older - in the '60s and part of the women's movement and how she ends up there.
Everyone's "journey" is different. Obviously with mine, I've had some amazing breaks, but then you have to be ready to seize the moment when the timing and the luck line up. You can't be afraid. You have to be open. I feel like I've always been a leaper, and I've always leapt into things without thinking.
I'm ready for conventions. You know what's interesting, the sort of questions that Lost raises are of a different sort from this movie. In other words, Lost is about figuring out the world of the show, whereas this one seems to raise questions about the world that we know. But I'm happy to entertain both.
If it were possible to hold onto this sort of database and really be assured that only good guys get access to it, we might have a different discussion. Unfortunately, we don't know how to build systems that work that way. We don't know how to do this without creating a big target and a big vulnerability.
Another way in which our system is unfair. Why do Iowans get so much of a bigger voice every four years than everybody else? Ditto for New Hampshire. There are proposals and it could well happen that we could have a rotating calendar where different years different states went first. I would endorse that.
I was a late bloomer, but I had a career as a contemporary dancer before that, so I had some kind of connection to this world. But I was always a little more in love with the drama of dancing than the aesthetics, so I thought, 'Why don't you give it a chance if you think you can do it a little different?'
Loneliness is different than isolation and solitude. Loneliness is a subjective feeling where the connections we need are greater than the connections we have. In the gap, we experience loneliness. It's distinct from the objective state of isolation, which is determined by the number of people around you.
About the only question that we would say and this is a big one in our lives that we would say you don't just use pure reason to decide the answer to is anything that affects your happiness, because then gut and reason answer very different questions. So gut tells you "How do I feel about this right now?"
[Jack Nash] was very different than anything I'd played. In fact, there's a scene I have in a tent with Louis Ferreira, who just did an episode of Travelers. He was in the fourth episode of Travelers playing another team leader, and we really have it out, not unlike the way we did in the tent in Andromeda.