If one is interested in the relations between fields which, according to customary academic divisions, belong to different departments, then he will not be welcomed as a builder of bridges, as he might have expected, but will rather be regarded by both sides as an outsider and troublesome intruder.

Sometimes I sensed that the books I read in rapid succession had set up some sort of murmur among themselves, transforming my head into an orchestra pit where different musical instruments sounded out, and I would realize that I could endure this life because of these musicales going on in my head.

What I quickly discovered is that our so-called new South Africa has as much material for a story-teller as the old one. The landscape hasn't really changed. Who is in power now is different to who was in power then, but the squatter camps grow like cancer, the rich get richer, the poor get poorer.

My sense is that beautiful women are living in a different world than I am, and that it's a world with benefits but also drawbacks - like, you're on a ticking clock, because the day you stop being supermodel-beautiful is the day that everything the world has to offer you is no longer being offered.

Storytelling in general is a communal act. Throughout human history, people would gather around, whether by the fire or at a tavern, and tell stories. One person would chime in, then another, maybe someone would repeat a story they heard already but with a different spin. It's a collective process.

I approach writing a poem in a much different state than when I am writing prose. It's almost as if I were working in a different language when I'm writing poetry. The words - what they are and what they can become - the possibilities of the words are vastly expanded for me when I'm writing a poem.

Every one and every single time is different, and I didn't have C-sections, which I don't know if that's lucky or unlucky, but I was able to feel every contraction. You forget what it feels like. God's got a great way of making women forget what it's like because we would never go through it again.

It's been an obsession of various genres, disciplines, and aspects and elements of movie-making. It's always been something that I've really aspired to, so doing something new and different, reinventing myself and working with new people is just the passport to the amazing world that is the movies.

The alternate domination of one faction over another, sharpened by the spirit of revenge natural to party dissension, which in different ages and countries has perpetrated the most horrid enormities, is itself a frightful despotism. But this leads at length to a more formal and permanent despotism.

Gary Johnson and I have a good platform of having been fiscally conservative and we`re socially inclusive. And that`s different from both the other parties. The voters have a right to see that choice to be fiscally conservative and socially liberal. That doesn`t describe either of the other parties.

I interviewed Kim Kardashian recently and had a conversation with her mother. A lot of people have various thoughts about Kim Kardashian, her mother and her sisters, but it is an incredibly well thought through concept and branding. Each of the daughters appeals to a different segment of the market.

While taking sign language in high school, one of our assignments was to go out and participate in the deaf community, so I really got to know a lot of the group from that. I felt like they needed a little bit more of a voice because people treat them different just because they're hearing impaired.

My interests drew me in different directions. On the one hand I was powerfully attracted by science, with its truths based on facts; on the other hand I was fascinated by everything to do with comparative religion. [...] In science I missed the factor of meaning; and in religion, that of empiricism.

As far as the lack of hits goes, I think perhaps it's because I've played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.

If you don't uphold your legal responsibility to enforce the First Amendment, to provide speakers with platforms and audiences with safe, the ability to listen to speakers of all different kinds, agnostic ideology, if you don't do that as a university, you are not performing your essential function.

I was never a nightclub manager or a hostess. I want to make that very clear. I was an executive at my club. I was a director of VIP operations, that's much different than a manager, that's much different than a waitress, it's different than, you know, a host - I was like an executive-level position

The Crown. Place it upon your head and you assume a different post-tranquil yet radiating assurance. Never show doubt, never lose your dignity beneath the crown, or it will not fit. It will seem to be destined for one more worthy. Do not wait for a coronation; the greatest emporers crown themselves.

If you're going to listen, you have to be willing to be changed by what you've heard. My life has gone through so many changes. I'm sixty-two years old right now, and I'm as busy changing now as I was when I was a teenager, or in my twenties. Every day is different. Every day brings new information.

When I admire a writer, it's for the recognizable palette - Hemingway's minimalism, the dialogue, those isolated bar scenes. But with each story or novel, he shows me something different within the framework he's built - like noticing that there's a chair in the corner I didn't see in another story.

I am not a creationist as the term is usually understood. I believe that the earth is billions of years old and the universe even older. I do believe that God is the creator, but that's a completely different thing. I've written in defense of evolution and made arguments that are based on evolution.

Honestly, the All In women's locker room was such an inspirational group of women. What I love about all the women involved - Chelsea, Britt, Madison, Jordynne Grace, Brandi Rhodes, Tenille Dashwood, Penelope Ford, Mandy Leon - is we all bring something so different to the table for a common vision.

We're living in a time when the sheer amount of language has exponentially increased. As writers, if we wish to be contemporary, I think we need to acknowledge that the very nature of the materials that we're working with - the landscape of language - is very different than it was a few decades ago.

We had had mass immigration from the late 1800s all the way through the early 1900s to the 1920s, and we had to pause the immigration in order to for the new arrivals to assimilate, to become Americans, to learn English, for one thing. The one thing - or not the one; there are many different things.

One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.

If you asked somebody, 'what do you wish for in life?' they wouldn't say 'happiness.' I would have answered 'excitement, knowledge,' God knows - I mean, many, many different things, but certainly not 'happiness'. It seemed like a foreign concept to wish for something that specific and that singular.

The right to a quality education is, I believe, the perfect path to bridge the gap between different cultures and to reconcile various civilizations. Without such a right, the values of liberty, justice and equality will have no meaning. Ignorance is by far the biggest danger and threat to humankind.

If, you know, all your life you're making films or whatever, and somehow along the way you lose meaning in whatever you're doing when you're making the films, they're just not the same as they used to be to you. That doesn't mean your life is over; it just means maybe go try to live a different life.

The paradox in China is that while some things change very rapidly, others don't. The appearance of its cities may be entirely different, but the inner workings behind these changes still persist: the regulation of society, the hierarchies of power, the relationship of the individual to the majority.

I love that moment in writing when language falls short. There is something more there. A larger body. Even by the failure of words I begin to detect its dimensions. As I work the prose, shift the verbs, look for new adjectives, a different rhythm, syntax, something new begins to come to the surface.

I've listened to music all my life. I've always felt that music tells more stories sometimes than films, with more possibilities. Every time you listen to them, songs bring different images and moods - depending on where you are in your life, you can listen to a song and it means something different.

I have many favorite actors that have influenced me all my life and that are still idols and models to me. It would be extremely hard for me to narrow it down to a few because each and every one of them influence me in a different way, on a different level, with diverse things, emotions, or thoughts.

The first time I had sushi, I hated it. And the second time was no different, and then, I just started loving it. I actually crave for sushi. It's one of the healthiest meals. My experiments with food began when I was working in New York as an architect, be it Korean or Ethiopian food or fusion food.

Well, the coffeehouse audiences never know what they're going to get, and all the comics are different, as opposed to when you go to a club, and they're pretty much all telling jokes with set-ups and punchlines. Coffeehouse audiences are the most forgiving: They really listen, which is the best part.

Provocative... I used to be defensive about it, but in the end, I realised it's exactly right. It's what we're trying to do - to provoke thought and discussion and, you know, shake people up to start thinking about things in a different way. I'm interested in messing with what they think is the norm.

Earthly families all look different. And while we do the best we can to create strong traditional families, membership in the family of God is not contingent upon any kind of status - marital status, parental status, financial status, social status, or even the kind of status we post on social media.

If I probably didn't have tattoos, or if I probably didn't bleach my hair, or if I probably didn't wear blue jeans and a T-shirt to fancy things, if I didn't do things that make me look like someone who's whacked out of their mind, it'd probably be different. But then again, that's how I wanna dress.

I've always noticed talking about lyrics is like talking about a duality. It's like a Gemini time every time I talk about one line. Because each line, of course, means different things to different people, millions of interpretations. With me, I always see two sides. I just see things split into two.

Every comedian has a moment in his life when he realizes he's a little bit different from everyone else. It's like being the only guy in a movie who sees the ghost. The ghost talks to you and you talk to him. Then you turn to your friend and say, "Hey. Do you see that ghost? And he says, What ghost?"

If I were doing somebody else's script or I adapted a book by Philip Roth, on set there could be a million different interpretations of the material and people could argue with me. Certainly on Synecdoche, New York we had discussions and arguments, but I felt like I had authority because I'm a writer.

You know, I suffer kind of from survivor's guilt. It's like you suffer from success because you feel like - why me? Why am I so special? What makes me so different from the next man and why am I able to achieve these things that this person can't? Prayer is the only thing that helps me get through it.

Where do you put a form? It will move all around, bellow out and shrink, and sometimes it winds up where it was in the first place. But at the end it feels different, and it had to make the voyage. I am a moralist and cannot accept what has not been paid for, or a form that has not been lived through.

Art and ideology often interact on each other; but the plain fact is that both spring from a common source. Both draw on human experience to explain mankind to itself; both attempt, in very different ways, to assemble coherence from seemingly unrelated phenomena; both stand guard for us against chaos.

It's easy to like someone from a distance. But when she stopped being this amazing unattainable thing or whatever, and started being, like, just a regular girl with a weird relationship with food and frequent crankiness wh's kind of bossy--then I had to basically start liking a while different person.

If we have an element of Americans here that reject western civilization, and that's a big element, that reject western civilization, then what have we? This is an effort on the left I think to break down the American civilization and the American culture and turn it into something entirely different.

What's different now is that while political leaders used to give talking points to talk radio, now talk-radio hosts are giving talking points to political leaders. It's all part of the suffocating spin cycle we're in. In media, politics and publishing, the conventional wisdom is to play to this base.

We're now moving toward a radically different economy. You absolutely can't have a distribution oligopoly. The new oligopolies - and I think there will be new oligopolies - will be oligopolies of trustworthiness. Microsoft, Amazon, Schwab, and other brands will dominate psychic space, not shelf space.

I've been collecting photographs since I don't know when, for a long time, for different reasons. You can find them on eBay and when we were browsing through the shops there were images that attracted me. These are all historical images because these days they're all digital. They don't exist anymore.

Since psyche and matter are contained in one and the same world, and moreover are in continuous contact with one another and ultimately rest on irrepresentable, transcendental factors, it is not only possible but fairly probable, even, that psyche and matter are two different aspects of the same thing.

Identity is becoming more dependent on what people are willing subscribe to and less dependent on objective criteria such as skin colour or where they're born. Ways of identifying blackness are no longer black or white. It's not a case of us or them, you can now be us and them; like them but different.

I find her [Frances Trollope] simply delightful, even in her prejudices and cantankerousness. It is a gift to an author to find a funny, wry, perceptive contemporary observer to whom the subject matter seems almost as different and alien, and requiring as much struggling to understand, as it did to me.

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