It's most useful to think about not jobs but tasks. And within any given job, there are lots of different tasks. If you're a radiologist maybe reading the images machines can be able to do that better, maybe making the broader diagnosis and communicating it to the patients.

But I had never drawn on a tablet before. I've been doing pencil and paper and film for almost 20 years. I wanted to try something different. I wanted to teach myself some digital stuff in advance of a bigger feature project that's coming up, and I took to it really quickly.

I think being an actor in general is acknowledging that we are constantly playing different roles, that we have all these different parts of ourselves and instead of pretending that you are just one thing, as an actor you get to admit that you've got all this stuff going on.

You can go overboard in how quickly you might expect new technologies to transform people's lives. But I very much believe the way software is used, the way information gets distributed, will be dramatically different within 10 years. There is fire to go with all this smoke.

The habit of breaking up one's colour to make it brilliant dates from further back than Impressionism - Couture advocates it in a little book called 'Causeries d'Atelier' written about 1860 - it is part of the technique of Impressionism but used for quite a different reason.

It's hard to generalize about that subject because the women I've worked with have all been so different. But if there's one consistency, it might be that you do have to handle yourself differently on a set. Women can be more emotional - at least they sometimes show it more.

I know I'm likeable, but living with me is different. Yes, I can be charming. That desire to please people and learning what to do to charm their socks off is something many of us do. But you get into a relationship, and the party's over at some point. They see the real you.

To regard the successful experiences which ensue from a belief as a criterion of its truth is one thing--and a thing that is sometimes bad and sometimes good--but to assume that truth itself consists in the process by which it is verified is a different thing and always bad.

I'm very lucky to have worked in the '70s. It's a different industry and distribution is in a state of flux. It's all different platforms, they're doing this video-on-demand thing and also playing the film theatrically. It's funny to me: In the States it's an arthouse movie.

I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.

When you're coming up with new material, it's not always gonna be good. The only way to learn is for it not to get a laugh, so you can adjust it and come back the next day to see if it's working right. Next time, you might get a different laugh. You're constantly rebuilding.

Every story I write is different. Some are hard. Some aren't. 'Chronicle' was tremendously easy. I have a hard time comparing my process on different things, but I will say this: The more you write, the better you get at it. That's one of the few things that's markedly true.

At least I know that one film-maker in my career has had the initiative to come to me and thought of me as being capable of doing interesting and complicated work, and so I have a new-found belief that other film-makers will see me in a different way, the way that Patty did.

The main reason I went to digital was because I got time-lapse, video, and still images all in one camera. Having a minimal amount of gear is really important for someone who wants to walk around. That allowed me to have this flexibility to document things in different ways.

The cameras were a little twitchy, and you'd get less footage and less set-ups every day. The interesting thing about it was that you just composed images in a completely different way because we had big 3D monitors on set, and you'd wear the glasses and see the image in 3D.

Certainly, a gallery has to sell your work, so they'll be very frightened of you doing anything too different, and that can be difficult, but they can also recognize the need to change. Usually, if you just go and do it, and other people like it, it will still get recognized.

And whenever I'm in a situation where I'm wearing the same as 600 other people and doing the same thing as 600 other people, looking back, I always found ways to make myself different, whether it be having a red lining inside of my jacket, having red shoes, it hasn't changed.

The stuffs you're good at and the stuffs you're bad at are just different parts of the same thing. Same goes for people you love and the people you don't. And the people who love you and the people who don't. The only thing that mattered was that you cared about a few people.

If you manifest your true self through nature and your normal surroundings, I find that the most eerie. Like when you see birds suddenly start flying in a different direction or when you see moths forming weird shapes, I think that's the weirdest way to let yourself be known.

After I saw my first poem published, I became interested in the immortalization of words and the fact that you could put something out there that you felt and that meant something to you, and that it could be interpreted by many different people to mean many different things.

My formula for greatness in a human being is amor fati: that one wants nothing to be different, not forward, not backward, not in all eternity. Not merely bear what is necessary, still less conceal it—all idealism is mendaciousness in the face of what is necessary—but love it

People put barriers up in your path, and one of those barriers is age. They tell you, "You're too old. You don't photograph so well anymore." I know I don't photograph so well anymore, so what can I do? I can do something different, where it doesn't matter as much how I look.

I grew up like every young kid I know, who wants to be a cop and wants to be a firefighter, so this lifestyle that I've chosen happens to offer that in small doses in front of the camera. I want to take advantage of that. Hopefully I can play many, many different occupations.

It is possible for a mathematician to be "too strong" for a given occasion. He forces through, where another might be driven to a different, and possible more fruitful, approach. (So a rock climber might force a dreadful crack, instead of finding a subtle and delicate route.)

There are a lot of wrong reasons to do a remake, but there are some good ones... I think it's human nature, in many ways, to retell our favorite stories. We do it in the theater, all the time. I've seen four different 'Hamlets,' and every one has given me something different.

Anyone who is suffering from shame and public humiliation needs to know one thing: You can survive it... You can insist on a different ending to your story. Have compassion for yourself. We all deserve compassion, and to live both online and off in a more compassionate world.

Apparently God makes us all different. Some of us are happy to respond to His individual touch on our lives by remaining individuals, and others of us are intimidated or frightened into trying to become like each other so that we have company, so that we don't feel so lonely.

English is my second language, but in Hong Kong, they don't know that I'm from China. They think I'm from Hollywood because all the films they see are from here. China and Hong Kong are very different places, but they're starting to merge. Still the culture is very different.

You will always be criticized and teased and bullied for things that make you different, but usually those things will be what set you apart. The things that set you apart from the pack, the things that you once thought were your weaknesses will someday become your strengths.

I like to do different things and, as my actrees career evolves, I will choose roles to do things that I haven't done before. There are a lot of different sides of me, and I'm in a unique position now, for the first time in my career, to decide what direction I want to go in.

I would say my haters motivate me, as cliché as that may sound, but they really do. They make me realise how much of a lack of knowledge there is about my condition and people that are different. Because of their ignorance, I want to keep pushing forward and educating people.

The modern world seems to have no notion of preserving different things side by side, of allowing its proper and proportionate place to each, of saving the whole varied heritage of culture. It has no notion except that of simplifying something by destroying nearly everything.

How women dressed every single day back in those days is seen as kind of incredible - it must have taken so much time. But there's something so romantic about that because it's so different to how we dress. That aesthetic is so appealing, it's not what we're used to nowadays.

Since the brain is unlike any other structure in the known universe, it seems reasonable to expect that our understanding of its functioning - if it can ever be achieved - will require approaches that are drastically different from the way we understand other physical systems.

I have never looked at foreign countries or gone there but with the purpose of getting to know the general human qualities that are spread all over the earth in very different forms, and then to find these qualities again in my own country and to recognize and to further them.

It is only with the rise of the Civil Rights Movement that you begin to see different examinations of not only Reconstruction but slavery itself, and there is a lesson to be drawn here about how the times influence the writing of history, something that we should never forget.

Colombia is so different to what I know, and every aspect of the country is different to England, and I loved it. I loved the culture and the food, and the coffee was amazing. The place that we were was stunning, and it really was quite an amazing experience to film out there.

There are estimated to be fewer that 50 prodigious savants worldwide. If we were brought together, it would be disappointing in the sense of us having different abilities. One thing that would make me feel united with them would be the sense of us having grown up in isolation.

Presumed consent preserves freedom of choice, but it is different from explicit consent because it shifts the default rule. Under this policy, all citizens would be presumed to be consenting donors, but they would have the opportunity to register their unwillingness to donate.

We need to learn to process things in a different way. I always think of everything in terms of energy. To me, problems represent living in a world of low energy. When you bring higher energy to the presence of lower energy, it dissolves it, it dissipates it, it can't survive.

I like to take walks and getting out and seeing things. These experiences are so irreplaceable and give you a whole different perspective on the greater context that you're in. If I didn't try to take advantage of that, I'd be missing out on a lot of really interesting things.

There is no society that protects freedom of religion more than secular democracies, because in societies where one religion rules, different viewpoints will be labelled as heresy and blasphemy. Why? Because the society is built on religion - not freedom for all points of view.

The entire Nintendo group will carry on the spirit of Mr. Yamauchi by honoring, in our approach to entertainment, the sense of value he has taught us - that there is merit in doing what is different - and at the same time, by changing Nintendo in accordance with changing times.

The word "collective" is not so often used because it has been basically used by socialists and communists and has a different history. The word "cooperative" means the workplace itself is organized cooperatively, rather than in the conventional capitalistic, hierarchical form.

What I'm trying to say is that for the average investor, what I would encourage them to do is to understand that there's inflation and growth. It can go higher and lower and to have four different portfolios essentially that make up your entire portfolio that gets you balanced.

That is a gift to have four weeks to rehearse something. But remember, when you're doing a play half of that time you're getting to know the play and the other actors and then finally in the third week you have it pretty much on its feet. So it's all relative in different ways.

I never thought of that one, that linguistics could be driving cultural things. There are some thoughts that that does happen in humans, that languages have different characteristics and that influences in some ways how different groups behave, and I suppose it might in whales.

We want to keep extending our brand into different places, into movies and soundtracks and our music will live on through licensing and our brand lives on through merchandise and new generations will get to wear our clothing and our T-shirts and stuff that's associated with us.

It's pretty clear that we will need measures to accelerate the conversion to new products. Governments can either make measures even worse for cigarettes or do something different on these new zero-risk products to show consumers they are different. I think they should do both.

Any object, whether animate or inanimate, will have a size. Airplanes, boats, or musical string instruments vary in size just like animals and plants, and in all cases, their size and their material construction are totally different matters even though they affect one another.

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