Quotes of All Topics . Occasions . Authors
You can't say British Columbia's carbon tax is exactly the same as increasing hydroelectricity rates in another province. They're very different mechanisms, but we shouldn't deny that both of them can have an impact, and that's why we're talking about this broadly.
Being a good Hans Haacke student, part of his influence on me is that there's no difference between a gallery show and a film - or even an ad and a T-shirt-in terms of cultural legitimacy. They're just different contexts in which to have some sort of communication.
If it had been any different, if I had been born just one minute later, or been in the wrong pace at the right time or vice versa, the life that I've lived and come to love would not exist. And that is a situation that I would not want to consider in the slightest.
Producing is making films without having to work sometimes. It's still making films, but it's a different job. When you're the director, you kinda do all the work. I'm actually going tonight to check the prints of my movie even though the premiere's tomorrow night.
I was very interested in highlighting group behaviour and I wanted to show that I think this is very fundamental about being a human being... that we are herd animals actually. So, I was looking for different situations that take place in different kinds of groups.
When I mention somebody, that doesn't necessarily mean that I identify with him, personally or poetically. I'm extremely happy when I encounter poets who are different than I am. The ones who have their own distinct poetics provide me with the greatest experiences.
There's pride on Bourbon Street for the musicians that work there. They take it very seriously. I've never worked there or played in band there, but it's a part of the city. They play for the tourists and represent a whole different side of the culture of our city.
I was never a fanatical movie person. There are many popular films I absolutely love like anyone else. Having said that, I don't have time to go to the movies very much. I work a lot of different things, I'm always busy. But I'm always happy to see a popular movie.
In general, the philological movement opened up countless sources relevant to linguistic issues, treating them in quite a different spirit from traditional grammar; for instance, the study of inscriptions and their language. But not yet in the spirit of linguistics.
I never set out to write a book to change women's lives, to change history. It's like, 'Who, me?' Yes, me. I did it. And I'm not that different from other women. Maybe my power and glory was that I could speak my truth as a woman and it was the truth of every woman.
a public persona that might be different from what we truly feel inside... everyone wonders if they are good enough, smart enough, pretty enough, no matter how old they are. It is an archetypical moral dilemma - Do you act like yourself and risk becoming an outcast?
I was actually away in Africa doing 'Generation Kill' while everyone was auditioning for Twilight. They all had, like, five different auditions: I was so lucky that I came back from Africa just in time and the actor who was playing Emmett fell through, lucky for me!
The second album was like being on a completely different planet compared to when we were making the first album. ... Even though it was the same musicians, the same artist, the same studio, the same producer, - it felt like a completely different piece of a puzzle.
If we confuse the gospel with response to the gospel, we will drift from what keeps the gospel on the ground, what makes it clear and personal, and the next thing you know, we will be doing a bunch of different things that actually obscure the gospel, not reveal it.
It's going very different for citizens of Chicago to know that they have an advocate in the mayor's office - getting rid of the 'us versus them,' the lack of investment in our neighborhoods, the feeling that the only thing that matters is if you're a campaign donor.
I always imagined I would have a life very different from the one that was imagined for me, but I understood from a very early time that I would have to revolt in order to make that life. Now I am convinced that in any creativity there exists this element of revolt.
With chamber music you can get people who work on the music for months, rehearsing it every day for a couple of hours, and if they get it in a different way than you do, which is entirely possible, it's not as a result of anything other than their good musicianship.
As you climb of the organizational ladder, you have to redefine your role in the value chain from player to captain to coach to manager, and for some, to owner. These are different roles and you won't be able to succeed as a manager when you're acting like a player.
Different people in different parts of the world can be thinking the same thoughts at the same time. It's an obsession of mine: that different people in different places are thinking the same thing but for different reasons. I try to make films which connect people.
Trail conflicts can and do occur among different user groups, among different users within the same user group, and as a result of factors not related to users' trail activities at all. In fact, no actual contact among trail users need occur for conflict to be felt.
When you're 11 or 12 years old, you can get so swept up in a book that you start to believe that the fantasy is reality. I think when you have a giant crush when you're in fifth grade, it becomes your whole world. It's like being underwater; everything is different.
I usually say I might have a talent or I'm lacking a talent, because everyday, I must tell you, I thank whatever is up there or out there that I'm alive and that I get to do what I'm doing, and I think that sends off a lot of good vibrations in different directions.
The new Web is a very different thing. It's a tool for bringing together the small contributions of millions of people and making them matter. Silicon Valley consultants call it Web 2.0, as if it were a new version of some old software. But it's really a revolution.
People may recognize me as some sort of superhero, but it's different. Spider-Man and all these other superheroes, they get superpowers and do what they want to save the city. If we need to save Hong Kong, we can't rely on superpowers, we can just rely on the people.
I work like a labourer on a farm or in a vineyard. Things come to me slowly. My vocabulary of forms, for instance, has not been the discovery of a day. It took shape in spite of myself... That is why I am always working on a hundred different things at the same time.
It's great for me to hear those different reactions because when I travel with a movie like this [World of Tommorow], it's very similar. You'll hear a line in one city get a big laugh, and then in another city, the same line kind of gets a gasp, and that's wonderful.
The idea that we can operate in different times is very important for me. And it manifests in daily life or when you meditate. In a way, it's a very scientific thing that you experience for yourself, how time passes, how your body can react to time in different ways.
Most of my early records were not cohesive at all, just collections of demos recorded in different years. 'Odelay' was the first time I actually got to go in the studio and record a piece of music in a continuous linear fashion, although that was written over a year.
I'm not certain that I draw from any one culture more than others. Many myths and legends of many different cultures are really the same story when you get to the heart of it. They are often cultural cautionary tales about how we should behave and how we should live.
During this Christmas season, when the world seems to be in turmoil, wars are breaking out in different places, crime is rampant, and many things are happening that are great sins in the sight of God. But in that crib is the person who grew up to save us. And He did.
As I said, this [repercussions] may take different forms : direct and indirect. Direct when people want to retaliate, or governments. Indirect when you're going to have instability and the spread of terrorism all over the region that will influence the west directly.
We live in a world in which it's harder to talk about the American in the singular, so we're a multi. We have several different people who represent the United States, so in that sense whiteness, the salience, the importance of whiteness is kind of tamping down some.
If I took over the 'Glamour' offices for a day, I would put Joe Pesci on the cover. I would say 'We've got to change all these magazines a little bit. We have to bring out a different version of what is, like, cool. You know, what's winning. Joe Pesci, Burt Reynolds.
When I was young, we always went to our posh cousins at Christmas. My dad made sure we had new shoes and clean clothes - he was really proud - and that's why I felt different from everyone living around me. We had the first television on the estate, the first fridge.
Action is a great restorer and builder of confidence. Inaction is not only the result, but the cause, of fear. Perhaps the action you take will be successful; perhaps different action or adjustments will have to follow. But any action is better than no action at all.
The model of getting the consumer to come to you is old, and the new model is how can you get to the consumer on their terms, in ways they want to engage in. How people are choosing to interface with content is very different. You’ve got to marry different platforms.
I met this group of stunt people and it was like, I had found family instantly. We're all a variety of different personalities, but whatever that mutual joy or appreciation of the work is, I'd not felt it like that before. It was, 'Yeah, I'd like to do this forever.'
That's what I love about poetry. The more abstract, the better. The stuff where you're not sure what the poet's talking about. You may have an idea, but you can't be sure. Not a hundred percent. Each word, specifically chosen, could have a million different meanings.
We do not step out of the world when we pray; we merely see the world in a different setting. The self is not the hub but the spoke of the revolving wheel. It is precisely the function of prayer to shift the center of living from self-consciousness to self-surrender.
Generally the things you get offered are never things you want to do. It's a continual fight for the good parts. As you climb the ladder and get to different benchmarks, enter new stratospheres, you're just competing against all the other people in that stratosphere.
I want to say that of course I want my writing to be read and discussed by as many people as possible, but this is different than wanting personal, "celebrity"-like attention. I'm very introverted and sensitive and dislike being talked about, positively or negatively.
I'm used to something where you have to create an entire world, and I do like that process. I like getting the audience to believe that outside of the frame of your television set, there's a whole real world that exists, that is different from your day-to-day reality.
Stravinskys music, hard, cold, unsentimental, enormously brilliant and virtuous, was now the favorite of my postadolescence. In a different way it achieved the hard, cold, postwar flawlessness which I myself wanted to attain-but in an entirely different style, medium.
I like working in series, so instead of just doing one separate body of work, what if I come up with a different rhythm, instead of every week, what if I make it every year? And so I'm still setting up a series, a repetition, but it's a completely different work flow.
When I finished Westlife, we had - Louie Walsh is still managing me - I was lucky to have options from different labels such as Sony and Universal. When we met Capitol and Nick Raphael, I just believed in them the most, and it looked like they believed in me the most.
In the US, there is basically one party - the business party. It has two factions, called Democrats and Republicans, which are somewhat different but carry out variations on the same policies. By and large, I am opposed to those policies. As is most of the population.
I haven't written a whole lot of nonfiction, but what I have written leads me to believe that it's an entirely different muscle. The ongoing paradox is that sometimes it's harder to get to the emotional truth of something when you only have the facts at your disposal.
Conspiracy theorists of the world, believers in the hidden hands of the Rothschilds and the Masons and the Illuminati, we skeptics owe you an apology. You were right. The players may be a little different, but your basic premise is correct: The world is a rigged game.
On the day they dropped the bomb Frank had a tablespoon and a Mason jar. What he was doing was spooning different kinds of bugs into the jar and making them fight....I can remember other bug fights we staged later on...They won't fight unless you keep shaking the jar.
Much of economics isn't difficult, or rather, the difficulty is in cooking up arguments to "prove" that commonsense conclusions are wrong. The fact is that many commonsense conclusions are quite correct, and it takes a lot of education to get you to believe different.