When you wear the costumes in a period drama, you already feel like a different person - the clothes make you stand differently, change your posture, the way you walk. You really have to have stamina - you have two hours in hair and makeup, and then another hour to remove all that.

One of the best ways to change is to act as if you are the person you want to become. When you behave as if you are a different person, you change on a very basic level - even your physiology changes. When actors and actresses perform, their body chemistry is altered by the roles they play.

I'm not always smiling when I'm on the golf course. Sometimes, hey, listen, people have regular jobs. You go to them when they're working, and you catch them not in the best moment either. So I understand how people could perceive me. But come get to know me, and I'm totally a different person.

For a long time, I had the idea that I would do a certain amount of work the best I could, and then I would reach a comfort zone, and I wouldn't be pushed to write more. I would become a different person. It's a surprise to me that this hasn't happened. Your body ages, but your mind is the same.

I do think that you can dress yourself out of a problem. The way that a haircut and a new pair of pants can make you feel is better than any therapist, because when you look in the mirror, you see a different person - you are a different person. It's superficial change that can lead to real change.

I got love for Damon Dash as I did before. I don't know if we can be around each other in that way because times have changed. He may be a totally different person. I know I'm a different person. But nothing can erase that era, those times, those memories, those fights to get 'Roc-A-fella' where it was.

I think I probably got a lot of my father's natural security or ego or whatever. I can be my own person and not have to live under his shadow. I definitely look up to him in many ways - I'd like to be more like him when it comes to business - but I think I'm such a different person, it's hard to even compare us.

I came out when I was 17. I was in the church; I was crying every Sunday for about a year. I came to terms with the fact with this is who I was - I wasn't going to be able to be a different person. At 17, you feel like a freak already, and so to have that fire and brimstone against your attraction is just screwed up!

Usually, at the end of a film it's like I've finally gotten to know this person completely, and then we're done. That actually happened on the set of 'Twilight,' and then it happened again on 'New Moon.' Each time my character Bella became a different person, and I got to know that person and take her to the next level.

It's not that I don't respect my parents' authority or appreciate all that they did for me, but when I was 18 I was able to move out, and I was out. I feel like a different person since then; I mean, it's obviously a big turning point in life. I feel like I've established myself, and I'm a smarter and more mature for it.

My methods produce lasting behavioral change without unpleasant consequences, because the change does not come from an effort of will. It comes from examining your deep-rooted beliefs of who you are and how the world functions. As you examine these beliefs and make changes in them, you literally become a different person.

I'm a product of the different - whether it be institutional racialism, whether it might be growing up in a low-income area, whether it might be, you know, coming from my mother, my father. I'm a totally different person from my mother and father, but once again I'm from them. We all have our different souls, but I'm from them.

On the ice, I feel like I can become a different person, and the darker dramatics, the Black Swan, is confident: she's free to do whatever she wants, and that attitude helps in my skating. The White Swan is, I feel, more what I'm actually like off the ice: I'm a lot quieter, and if someone tells me to do something, I'll just do it.

It's hard to actually take details from your personal life and apply them a scene because, as much as you can identify with a feeling, you just get muddled. As soon as you start bringing your own stuff in, it's like, 'No, that's not right.' You're playing a different person. You can relate, but you have to leave that stuff at the door.

If I had been straight, I would have been an entirely different person. I would never have turned toward writing with a burning desire to confess, to understand, to justify myself in the eyes of others... I wouldn't have been impelled to live in New York and choose the hard poverty of bohemia over the soft comfort of the business world.

You can change your body shape by permitting yourself to exercise and eat a healthy diet and so on - and we've heard miraculous stories of people who have lost hundreds of pounds, and they look like a completely different person - but that's not the norm for the average person, and a lot of times, people don't get that way in a healthy way.

I definitely do have a persona onstage. I definitely am a completely different person, but I'm still having a lot of fun and there's a lot of acting that goes into it. But I haven't been playing many shows when I'm working on acting as much because it's tiring, number one. And number two, it's hard for your mind to makeup what it wants to do.

Acting is fascinating to me. I love unlocking the mysteries with characters and finding out what would be the most intriguing aspect of that character to exist in. Figuring out a person and getting to be a different person every day, hey - that's pretty lucky. I don't have to wake up and be Amanda if I don't feel like it. You know, that's fun.

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