Quotes of All Topics . Occasions . Authors
I think a lot of the most interesting work in art and in films are often kind of polarized opinions and affect people in very different ways, which may be less successful commercially, but they elicit a dialogue that's quite interesting.
We want the people, in their private lives, to be completely free, and in today's world, having access to information and the right of free dialogue and the right to think freely is the right of all peoples, including the people of Iran.
I was Paul Schrader's assistant for six months before I went to film school, and he's very much about knowing what's going to happen on every page before you even start writing dialogue - the entire plot and character arcs are mapped out.
With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
And, moreover, it is art in its most general and comprehensive form that is here discussed, for the dialogue embraces everything connected with it, from its greatest object, the state, to its least, the embellishment of sensuous existence.
When I see something that's sensitive, I go, 'You've got to put that out there.' You need to keep the dialogue going and shine a light on the bad guys. If you sweep it under the carpet, people forget about it. People stop talking about it.
Scripture is the thing I like to share with people more than anything. My prayer reality is quite kooky. I have this very unique dialogue with the Lord. I utilize my own sort of street vocabulary - nothing slang that would be unacceptable.
I think that the dialogue between police officers and the black community has to get better, but not better in a way where, 'Oh, let's talk about it when something horrible happens.' The dialogue has to be going on consistently, every day.
I'm totally an anxious mess all the time. There's a constant dialogue going on in my brain, and it's just reminding me of all the failures that I have had, and all of the things I need to do, and all of the things I'm not doing good enough.
On every Bright Eyes record, there's some kind of sound collage that begins it. Some of them have dialogue, some don't. I like it because it can kind of slow down the attention span a bit. It's a way to draw you in to the rest of the record.
I landed a job with Roger Corman. The job was to write the English dialogue for a Russian science fiction picture. I didn't speak any Russian. He didn't care whether I could understand what they were saying; he wanted me to make up dialogue.
If you hit a Talib with your shoe, then there would be no difference between you and the Talib. You must not treat others with cruelty and that much harshly, you must fight others but through peace and through dialogue and through education.
I remember one day, Ekta Kapoor came to the set and scolded me that you don't know how to act, why did we cast you'? She asked me to stay on the set till I learnt the technique of correct dialogue delivery. At that time I felt very humiliated.
Most of the dialogue in 'Speed' is mine, and a bunch of the characters. That was actually pretty much a good experience. I have quibbles. I also have the only poster left with my name still on it. Getting arbitrated off the credits was un-fun.
China pays a great deal of attention to the Korean nuclear issue. We stand for achieving denuclearization of the peninsula in a peaceful way through dialogue and consultation to maintain peace and stability of the peninsula and Northeast Asia.
People feel uncomfortable talking about racial issues out of fear that if they express things, they will be characterized in a way that's not fair. I think that there is still a need for a dialogue about things racial that we've not engaged in.
In my own life, when I was most inspired by a teacher, it always involved a real dialogue, a looseness and a real caring and compassion. It was not without rigor, not without discipline, not without standards, but all that was done out of love.
When I had a full-time job, I would write dialogue and sketch characters on my commute and during meetings. Now, I forsake showers and regular meals and stay at my desk for hours, taking breaks to drink tea and eat something sweet, usually cake.
Toni Collette has been a huge influence. She was my absolute number one idol, and then I got 'United States of Tara.' I was pinching myself. I couldn't believe the first day I was on set, and I got pages of dialogue of real stuff to do with her.
It's fun being able to suit up and go and kick butt and not have to worry about memorizing dialogue. It's a whole different way of acting because you're not depending on the words at all, you're really depending on everything else that you have.
I go to the lab and in order to interact with my postdoctoral students and try to see if I can shape them to not copy but to ask questions and to think. We have to have a little dialogue because you don't pretend to be the fountain of all wisdom.
Lots of people can write a good first page but to sustain it, that's my litmus test. If I flip to the middle of the book and there's a piece of dialogue that's just outstanding, or a description, then I'll flip back to the first page and start it.
I like dialogue in novels. I wanted to avoid laying history on with a trowel - appearing to be lecturing, as opposed to the characters lecturing their children or students. Dialogue can humanise the story and make it go down somewhat more smoothly.
I only knew one thing about policemen: they were inhuman beasts. The problem was how to turn them into likable, sympathetic human beings. The answer was simple. Give them head colds. And first names. And keep their dialogue homey and conversational.
I'm always looking, as an actor, for activities. I think it's far more interesting to watch what people do than what they say. You always want to watch behavior, because the dialogue as written by our illustrious leaders is great. Eminently playable.
Because I would be around so many people in the fashion industry, there's this kind of dialogue. People would always say, 'Oh your daughter is so beautiful. Is she a model?' And it was so strange for me to hear because I felt so not beautiful inside.
With the work that I do as a director, I've got dialogue, camera movement, and character blocking to help create a tone to the piece. In photography, those elements are somewhat void so that tone becomes a bit more subtle but still equally important.
Truman Capote famously claimed to have nearly absolute recall of dialogue and used his prodigious memory as an excuse never to take notes or use a tape recorder, but I suspect his memory claims were just a useful cover to invent dialogue whole cloth.
Hillary Clinton is got to make the case for herself that nobody else can make, and for voters to see somebody who looks more three-dimensional, that's not simply a caricature that had been sort of a part of the American dialogue for the last 25 years.
Working on 'Jekyll' required a lot of concentration and energy. The script is written in a very filmic way most of the time; unusually for television there are a lot of descriptive pages, tiny little fragmented scenes with no dialogue but huge energy.
The instinct to impersonate produces the actor; the desire to provide pleasure by impersonations produces the playwright; the desire to provide this pleasure with adequate characterization and dialogue memorable in itself produces dramatic literature.
Continuous present is all we have, and stream of consciousness - which in a novel is arguably just as artificial as the stilted dialogue that you get in most conventional novels. They're all stratagems to try to get closer to the texture of lived life.
I've always written a little bit. I mean, I've written screenplays, and I've doctored my dialogue for years, and I've written speeches - I was a speechwriter on 'The West Wing,' so I like that kind of thing. But I never really thought I'd write a book.
The World Economic Forum Annual Meeting is the perfect place for a dialogue that brings together industry, civil society, U.N. agencies, and countries around a shared response to the challenge of protecting children against vaccine-preventable illness.
Everybody can make a choice to be more positive. It's about who you hang around and what you choose to watch on TV. What environment you put yourself in. It's easy to get a negative internal dialogue. You have to be aware of what's playing in your mind.
I listen to music two ways: As a person, you have an instinctive, personal, emotional response. But as a music supervisor, you have a secondary response, which is, 'Will this sit well under dialogue?' 'Can people die to this?' 'Can people kiss to this?'
Once you see the entertainment world from both sides, you really get a greater understanding of how it all operates. As an actor going into screenwriting, I was able to understand what type of dialogue feels natural and what an actor could actually say.
Nearly everything faith-related that I have done at Harvard has been followed by free food, from going to services at Harvard's Episcopal Chaplaincy to attending a day of interfaith discussion and dialogue hosted by the university chaplains in the fall.
I feel like a lot of the portrayals of, in particular, younger minority ethnic characters on television, a lot of their dialogue, a lot of their characteristics, a lot of their personality in a writer's eyes, is kind of propelled through their ethnicity.
When people ask me about my dialogue, I say, 'Don't you hear people talking?' That's all I do. I hear a certain type of individual, I decide this is what he should be, whatever it is, and then I hear him. Well, I don't hear anybody that I can't make talk.
So I think it's important to communicate with the people in terms of what the real facts are on these proposals and try to have a discussion and a dialogue that gives people information. I think they're hungry for that rather than just political rhetoric.
Pakistan has assured that it would not allow its territory to be used against India for any acts of terror. India must also reciprocate and address our concerns which are very genuine. Dialogue is the only way forward. Absence of dialogue leads to tension.
I want the Congress to become an instrument for dialogue among the Indian people - all of us, from all corners of our great country, all religions, all ethnicities, all ages, genders and people - and for our dialogue to always be led by love and affection.
The more of my readers I encounter who say, often apologetically, that they are actually listeners, the more I write for the ear rather than the eye. Small things like identifying speakers in dialogue rather than relying on paragraphing to mark the shifts.
My understanding of films was just as much as any young girl who watches Bollywood films. I had no idea about the whole process of filmmaking, about dialogue writing, scripts, screenplay etc. I had probably gone to two or three film shoots in my childhood.
I think that the more comfortable and the more you rehearse - granted, I don't like to take the air out of a tire; there is a fine line - but I think the freer you are with your dialogue, for example, the more open you are to a good idea walking up to you.
Technology can be used to make people's lives easier, to reduce inequality, to facilitate inclusion, or to solve intractable global problems, but without dialogue and governance, it can be used against humanity - the choice on how we use technology is ours.
I wanted to create this dialogue between music and visual art and vice versa. No matter what part of the spectrum they fill, whether it's visual, music, or whatever, artists are interested in other art forms. Your brain is already kind of firing in that way.
My background is sociology. Combined with my graphic approach, if I could do some film projects, I think I'd be very good at making documentaries eventually, but people don't think of me for that, of course. But dialogue is something I know I can be good at.
The best part is, I can speak Hindi fluently. Earlier, I would cringe at the idea of delivering even a one-line dialogue in the language, but now, I can mouth a five-page monologue without blinking. My diction has improved, which has enhanced my performance.