Quotes of All Topics . Occasions . Authors
I don't inflict horrors on readers. In my research, I've uncovered truly terrible documentations of cruelty and torture, but I leave that offstage. I always pull back and let the reader imagine the details. We all know to one degree or another the horrors of war.
Now, it's my belief that Python is a lot easier than to teach to students programming and teach them C or C++ or Java at the same time because all the details of the languages are so much harder. Other scripting languages really don't work very well there either.
The details of the personal expenses that executives put on the company tab often are not known because loopholes in federal disclosure rules let publicly traded companies generally avoid disclosing the perks they give executives along with pay and stock options.
I would go so far as to say that a painting is narrative, because I have the moment where I approach it and see it for the first time, and then I spend time with it, discover details and things I haven't seen, and then I have the moment when I decide to leave it.
We've played producers almost our entire lives in everything else we've created. But when working on a feature and even dealing with something like Warner Bros. or another production company, or other details that you can worry about - we definitely learned a lot.
The English prison system is altogether mediaeval and outworn. In some of its details, the system has improved since they began to send the Suffragettes to Holloway. I may say that we, by our public denunciation of the system, have forced these slight improvements.
I write narrative nonfiction, creating lively scenes through action and the use of quotes from firsthand accounts, all based on rigorous research. If I say a character leaned against a fence on a windy day, than I have at least two sources to back up these details.
I can't imagine how American readers will react to a novel, but if the story is appealing it doesn't matter much if you don't catch all the detail. I'm not too familiar with the geography of nineteenth century London, for instance, but I still enjoy reading Dickens.
A great deal of creativity is about pattern recognition, and what you need to discern patterns is tons of data. Your mind collects that data by taking note of random details and anomalies easily seen every day: quirks and changes that, eventually, add up to insights.
I feel like having details from their day and having a plot and action and things to do is much more revealing than having a character sitting and thinking to themselves. When I'm writing, I want people to actually have a goal, something that's dragging them forward.
Back when I was a professional model-maker at Industrial Light & Magic, my specialty was hard-edged construction - spaceships, miniature sets, and architectural stuff. These objects were sometimes just 12 inches across yet needed enough detail to fill a movie screen.
I am drawn, as a reader, to detail-drenched stories about human lives affected as much by the internal as by the external, the kind of fiction that Jane Smiley nicely describes as 'first and foremost about how individuals fit, or don't fit, into their social worlds.'
A mountain is composed of tiny grains of earth. The ocean is made up of tiny drops of water. Even so, life is but an endless series of little details, actions, speeches, and thoughts. And the consequences whether good or bad of even the least of them are far-reaching.
But the participants [in war] never forgot the details of their experience, and like the Wandering Jew, they were condemned to remain their own history books, each containing a story they could not pass on to others and from which no one would learn anything of value.
It was my first day at work - and beginning my training on the job, I was given the job of writing cheques and entering their details. The branch was surrounded by hordes of people... soon, they had to close the gates to manage the crowds, and they started pushing in.
It may be that poetry makes life's nebulous events tangible to me and restores their detail; or conversely, that poetry brings forth the intangible quality of incidents which are all too concrete and circumstantial. Or each on specific occasions, or both all the time.
I'd never really wanted to have a really 'private' life before. But when somebody starts delving into it and printing details through the tabloids for shagging people you shouldn't have shagged, then that probably made me shy away a bit more from giving too much away.
Most of my songs have names of people I've met or are dear to me. There are people who have privacy issues and about people knowing about their private life. But for me, I like to include few special names and few details about them to make the song very special to me.
The air of the English is down-to-earth. They care about details; there's a tradition, but there's also a counter-culture: the younger generation versus the older generation and so on. But then that's well blended into a happy balance and crystallised into common sense.
He [Donald Trump] can do almost anything as long as they feel like he`s kind of effectively with him, that he kind of channels their emotions in some sense. A lot of the people that I`ve interviewed, at least, are not going to be really hung up on the details of policy.
When I look at my career, the bulk of it has been television, and I love working in television. But there's a speed at which you do it. You're doing seven to ten pages a day on a series, and it's hard to feel like you're doing the detail-oriented work that I like to do.
She may hide it, but Clinton is a policy nerd. Ask about microfinance, and she'll talk your ear off. Mention early childhood interventions, and she will gush about obscure details of a home visitation experiment in Elmira, N.Y., that dramatically improved child outcomes.
I find significance in all kinds of small details when I run; I'm hyper aware of my surroundings, the sensations in my body, and the thoughts running through my mind. Everything is clearer, heightened. I might be more addicted to this clarity than I am to running itself.
I have clients from 19 to 80 years old, and the way I work means that they can take the same dress and shorten, lengthen it, remove the sleeve, adjust details - and make it their own. They get a piece that is right for them. It's a clever way of shopping in this economy.
The universal human laws - need, love for the beloved, fear, hunger, periodic exaltation, the kindness that rises up naturally in the absence of hunger/fear/pain - are constant, predictable, reliable, universal, and are merely ornamented with the details of local culture.
I realized going back and writing and explaining in details the difficulties I had lived actually became emotional again. It's like therapy but sometimes therapy can be painful. But it's part of life and part of the autobiography so I'll have to finish it sooner or later.
When the basic status of a theory is clear, and all that needs to be cleared are details, you can collaborate. But if the main structure of a hypothesis isn't established, and you want to change the paradigm - like it was the case in the 1960s - it's better to work alone.
Not enough books focus on how a culture responds to radically new ideas or discovery. Especially in the biography genre, they tend to focus on all the sordid details in the life of the person who made the discovery. I find this path to be voyeuristic but not enlightening.
General scepticism is the live mental attitude of refusing to conclude. It is a permanent torpor of the will, renewing itself in detail towards each successive thesis that offers, and you can no more kill it off by logic than you can kill off obstinacy or practical joking.
Here's the general theory: To clarify, add detail. Imagine that. To clarify, add detail. And clutter and overload are not an attribute of information, they are failures of design. If the information is in chaos, don't start throwing out information, instead fix the design.
It's a lot harder to find fault with the mundane details of daily existence when you really, really know on a cellular level that you're going to go, and that this moment, right now, is life. Life isn't what happens to you in 20 years. This moment, right now, is your life.
The bureaucracy is a circle from which one cannot escape. Its hierarchy is a hierarchy of knowledge. The top entrusts the understanding of detail to the lower levels, whilst the lower levels credit the top with understanding of the general, and so all are mutually deceived.
When I write, the story is always uppermost in my mind, and I feel that everything must be sacrificed to it. All elegant passages, all the curious details, all the so-called beautiful writing - if they are not truly relevant to what I am trying to say, then they have to go.
Margaret liked this smile; it was the first thing she had admired in this new friend of her father's; and the opposition of character, shown in all these details of appearance she had just been noticing, seemed to explain the attraction they evidently felt towards each other.
I think that some of the best Crowes stuff we did had that spontaneous vibe. Thats something thats always interested me in music. Im not really the kind of person to get too bogged down in the details. I think that takes away from the emotion and the vibe of what youre doing.
I remember when I was first time in Serie A, we were down the bottom, no one was speaking about Cagliari. And we were safe, one day before the final match. With Parma, we went down, but we were positive right to the end. There are the little details, but you have to continue.
With every episodic, there's a learning curve where writers try to find the voice of the characters by way of the actors. Many details are found along the way. On 'Caprica,' although the franchise already existed, we were creating an entirely new world full of new characters.
No jot, iota, or tittle of the temple rites is otherwise than uplifting and sanctifying. In every detail the endowment ceremony contributes to covenants of morality of life, consecration of person to high ideals, devotion to truth, patriotism to nation, and allegiance to God.
Unidentified flying objects are a very serious subject which we must study fully. We appeal to all viewers to send us details of strange flying craft seen over territories of the Soviet Union. This is a serious challenge to science and we need the help of all Soviet citizens.
We have to allow ourselves the freedom to make mistakes, including cultural mistakes, in our first drafts. I believe it's okay to get cultural details wrong in your first draft. It's okay if stereotypes emerge. It just means that your experience is limited, that you're human.
And no, I'm not a walking C++ dictionary. I do not keep every technical detail in my head at all times. If I did that, I would be a much poorer programmer. I do keep the main points straight in my head most of the time, and I do know where to find the details when I need them.
Laymen learn to read photographs the way they do headlines, skipping over them quickly to get the gist of what is being said. Photographers, on the other hand, study them with the care and attention to detail one might give to a difficult scientific paper or a complicated poem.
Things live and die, and then someone processes them into edible portions. This is a complete telling of the story, 'Food.' The basic plot hasn't changed for centuries. I shouldn't need to know any more details, any more history, in order to decide if my food tastes good or not.
The thing about the basics is they don't really change - it's the details and the proportions that change. The shirt may be cut slimmer or looser, the suit might be darker or lighter, the sneakers might not have laces, but you're still talking about shirts and suits and sneakers.
The surest way to arouse and hold the attention of the reader is by being specific, definitive, and concrete. The greatest writers - Homer, Dante, Shakespeare - are effective largely because they deal in particulars and report the details that matter. Their words call up pictures.
The cost of oblivius daydreaming was always this moment of return, the realigment with what had been before and now seemed a little worse. Her reverie, once rich in plausible details, had become a passing silliness before the hard mass of the actual. It was difficult to come back.
So many people want to live their lives and their dreams through their own Facebook page or their Twitter page. They want to show every detail of their life to everyone in the world. That scares me because I don't have any Facebook page or Twitter I don't like it, I don't want it.
Adventure games are all about details - if you happen to take this one object and use it with this other object, in a really weird place, at a weird time. If you happen to write a really funny dialogue line for that, even if it didn't solve the puzzle, people will appreciate that.
When I meet people, I relay things I see and feel. And in a reading when I interact with a person, I'll pick up on sensations and feelings and piece them together to make a coherent thought. My goal is to always get specific information and relay details that people will connect to.
It is an ancient belief, going back to classical antiquity, that specialization of any kind is illiberal in a freeman. A man willing to bury himself in the details of some small endeavor has been considered lost to these larger considerations which must occupy the mind of the ruler.