Quotes of All Topics . Occasions . Authors
I've always worked closely with the designers and whoever's making the costumes. Comfort is the last thing you want on your mind when you're competing. In an ideal situation, you'll have something where you'll put it on and you're fine and you don't have to worry about it at all.
I talk to fashion designers and say I want some money to save the rainforest, and they say, 'Oh, I agree with you completely Vivienne. Yes, climate change, it's definitely happening,' but they don't feel that they can do anything about it; they don't even think 'Well let's stop it!'
I have a showroom where we experiment with twelve cakes. We develop sketches and ideas for cakes for the next season. We work with the top fashion designers to see what type of lace they are using or work with the top florist for us to be able to make various sugar roses or flowers.
So many designers only sketch and leave pattern-making to others. Pattern-making is important so you know the structure. Then if someone tells me, 'I can't make a pattern from that sketch,' I can tell them, 'I will make it' and then they are quiet. If I can't make it, I don't design it.
I mean, we make a 15-minute show that's incredibly silly, even though all of our scenic designers, puppet builders. animators, everybody that works on the show take their work very seriously. So somebody saying that we'd even be in contention for a very respectable award is really nice.
I just love working with actors, and I love working with writers, working with designers. I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter. And the rooms I tend to be in are pretty democratic, and the best idea wins.
Sometimes fashion designers will be like, 'This is what's hot right now, and you will be cool if you wear this,' but sometimes it's too expensive or doesn't look good on me or isn't who I am, and I don't need to just think that what you're saying is what's cool if I have my own identity.
We're making clothes - we aren't saving the world. I'm not saying that designers aren't artists, but at the end of the day, we make clothes. Hopefully we make beautiful clothes with a message, but in the end it's for people to wear. I think that the hype of fashion has come down a level.
I earned my Ph.D. in philosophy, and one of my specializations was the logic and mathematics of game theory. I've also got a degree in drama, so I know about stories, characterizations, plot arcs, and the like. Lots of game designers can do one or the other: I've got the skills for both.
There's so many great designers. I'm a little bit of a vintage junkie when it comes to going out. I like to get unique pieces that you won't see everyone wearing, but at the same time I don't like to break the bank. I like to find great vintage pieces that you can hold on to for a long time.
I love heels, and as a size 36, I've accumulated a wall of amazing high heels from catwalk shows over the years where designers had to make especially small shoes. Tom Ford's golden versions are my favourite. I do, however, also live in my flat Saint Laurent Chelsea boots or Givenchy sneakers.
Nothing will turn you into more of a 'Star Wars' fan than being on a 'Star Wars' set. When you see how lovingly that world is rendered by the set designers, costume designers, props department, art department, they genuinely build an actual world. That is not an exaggeration. They build a world.
There are so many designers that I love, and I'm so lucky that I get to work with so many of them and sometimes spend time with them. As an actress, you get to go to these events and wear their things - it's fun, but it is what it is. I don't put a lot of time into it, but I respect what they do.
I am a chameleon when it comes the way I dress. I am constantly changing it up, and I really can't commit to one thing because dressing for the day or for an event is really a mood thing. I like variety, and I don't mean just designers, I mean mixing the high-end garments and the cheaper clothing.
There are two kinds of designers: ones who are very happy locked in their office surrounded by their coterie. The last thing they need to do is to go to a trunk show; they'd go running for the hills. I not only enjoy it, I think, how do you design things that are applicable to life - unless you live it?
The Big Music Project gives young people access to producers, managers, set designers, artists and a load of other industry insiders who are at top of their game. It can be difficult to know where to start and this project gives young people who are passionate about music, knowledge and hands on experience.
Digital technology can be a great resource, but it can also be a pernicious one, so it's how we, as a society, really study the cognitive impact of that and use evidence-based research to go after the technology designers to do a better job of dealing with the problems of memory and attention we are seeing.
Some museum boards think that choosing an architect can be reduced to a science, but it comes down to a matter of taste, pure and simple. A shortlist of prospective designers speaks volumes about the likely outcome. If the candidates' styles are too divergent, the search committee doesn't know what it wants.
Working in a store and being a shop assistant, if you don't know what to do and you like fashion, I think it's a great way of getting into the business because you do windows, cleaning, and everything. That was my school for two years, working in a shop, and that's how I met people in magazines and designers.
Costume designers don't care about trends. They appreciate, above so many other qualities, that tailoring is everything, which is a mantra for the way I dress. Ladies: The most important thing in clothing is to find a good, inexpensive tailor, because clothes at the stores are made for bodies that are anomalies.
There are divisions between a culinary chef and a dessert chef, also called a pastry chef. There are specializations within the pastry chef field. Some pastry chefs specialize in baking breads, while others are master cake designers. Each field requires an exceptional level of creativity and attention to detail.
I wanted to create Rouje to bring together my talented friends - photographers, stylists, graphic designers - in a project to create my universe and perfect dressing. I did not want to call the brand my name, because I have other projects, and this brand is the result of the work of several people and not just me.
I love the fact that H&M has created a new phenomenon in fashion through the pioneering concept of collaborating with high-end designers to create one-off limited-edition capsule collections. I am thrilled that my creations for H&M will be accessible to - and hopefully enjoyed by - so many people around the world.
Three times a year, there's Strategicon convention, and I go for the board games. It happens Presidents Day, Labor Day, and Memorial Day weekends. You go and take a look at the new board games and meet a couple of board game designers, and you can check out games you don't own from the library and then return them.
I honestly think that with our generation - Alex Wang, Prabal Gurung, Jason Wu, Christian Cota, Robert Geller - there's a different expectation of what our behavior should be. People expect designers to be good businesspeople and PR people, and I don't think partying is a part of that persona the way it used to be.
Ultimately, auto designers need to overcome market challenges with innovative design solutions. The automotive industry is at a turning point with environmental and economic conditions on one side and breakthrough technology on the other, so it will be fascinating to see how these design leaders envision the future.
We are being accused that some models are anorexic. But we as fashion designers cannot be blamed, because you know, when I talk to women around the world, rich and poor and young and old and intellectual and not, what they want to be is skinny. You ask them, 'What is your dream?' It's to be skinny. That's all they want.
Most designers and creative agencies, no matter their industry niche, will do some nonprofit or cause-related work at some stage of their career. This work helps us create a sense of purpose that is bigger than us. It connects us to our community, helps us leave a legacy and be part of something bigger than our own work.
I think there's a sort of agony with all intelligent and very creative designers that it's only fashion, that in the end it's only the decorative arts. I had a feeling towards the end that Saint Laurent and Berge were very keen to attain that immortality that a lot of designers long for. You know, those endless exhibitions.
I really don't think about making fashion statements. Just like any other woman or girl, I like to dress up. I think I'm fortunate enough to be dressed by some of India's best designers and to have the opportunity to wear their wonderful creations. But I have never made a conscious effort to try and be a fashion icon or something.
The designers usually don't like to say until we're on the runway. Like when I did Prada last year, I couldn't mention doing Prada or even Tweet or take a picture and put it on Twitter saying I was backstage at the Prada show. And Dolce was the same thing. They like to keep a little surprise, I guess, a little secret for everybody.
I truly believe that we're about to enter a second golden age of design. The first one was in the '50s and '60s, when designers like Raymond Loewy, Charles Eames, George Nelson and Dieter Rams were shepherds of the brands they were working with. They had influence over the products and how companies communicated and promoted themselves.
The fashion industry is often charged with having kept its blinders on as one Seventh Avenue company after another lost employees to AIDS. Consumers, it was feared, would shun the racks of designers whose names were associated with the disease. And to stand up against AIDS would, in many minds, confirm the business's stereotypical image.
At least since the Industrial Revolution, the world of design has been dominated by the rigors of manufacturing and mass production. Assembly lines have dictated a world made of parts, framing the imagination of designers and architects who have been trained to think about their objects as assemblies of discrete parts with distinct functions.
From the Berlin tenement reform law of 1897 to H. P. Berlage's plan for Amsterdam South of 1917, designers and theorists in Germany and Holland moved toward the development of a perimeter residential block that would preserve the plastic continuity of the street while opening up the resultant courtyard for use as an enclosed semi-public space.
I'm like a conductor. I come up with ideas, and I get all these people to make great music together. I have a team of really talented assistant designers. I have architects in my office. People I trained from the beginning in menswear, womenswear, and home. I have a great team who know what I want and feel and translate that into beautiful results.