Quotes of All Topics . Occasions . Authors
The designer must understand that form does not follow function nor does form follow a production process. For every use and for every production process there are innumerable equally attractive solutions.
I'll go to an event wearing some designer gown and tens of thousands of dollars in jewels that were lent to me for the night, and I'll walk around and meet people who I always thought were such a big deal.
I collaborated with fellow cat lover and designer Geren Ford to create a sweater that we hope any cat parent would wear to show their kitty pride and that all animal lovers can wear in support of the ASPCA.
I'll be so excited to take my daughter to her first fashion show, but I think, for her, it's best to wait until she's old enough to appreciate it. Or, at least, until she can pronounce the designer's names!
I was always extremely creative. I was very artistic and never strong with numbers or science. I wanted to be an artist or a fashion designer. I wanted to be something that allowed for a lot of imagination.
I never expected to make the videos a full-time job. I thought I would continue to work as a freelance Web designer and just do the videos for fun. But the audience built so quickly that it became full-time.
A catwalk show is just how it's done; it's just what you do - it's central to the presentation of a collection. It will be a very brave designer who gives up the catwalk entirely in favour of a digital show.
For me I'm a luxury brand trying to prove to people and the industry that it's not about being a TV celebrity in any which way, it's about being a designer and having a business and being successful at that.
I would tell any aspiring designer to take the time to experience everything they can to really get a feel for what direction they want to go in. And most importantly, let your passion and your gut lead you.
As a designer, you are not only a designer, you are also a celebrity, an entertainer, and a spokesperson that speaks on behalf of the company. So you need to realize that you have to embrace all those sides.
It's quite a pure relationship, designer and muse. I think a beautiful dress on the wrong woman could mean nothing. It has to be the right woman and the right clothes. That's why you need that personal touch.
In L.A., retro culture is just part of the thing you do. When we were kids, we didn't have allowances, and it was not cool to wear designer clothes. So it meant that we were into 1920s dresses when we were 13.
I am not the kind of designer who is racing to the finish line, so while collaborations are important for our growth, each and every one has to be strategic and well-timed with what we have going on internally.
I got a New York designer to build my dream store here, which is a little bit of Florence in New York. It's like the Duomo on Madison. I got inspired by Santa Maria Novella and all the Renaissance architecture.
The atmosphere of a shoot is so intimate, while a show is more of a celebration of that designer and their work and the models coming together to walk in the clothing and present the frocks in their unique way.
I think of myself more as a designer than a serial entrepreneur. As a designer, the easiest way to see that something happens is to start a company and then be the boss, and then people have to do what you say.
Now that I'm on Broadway, it's like NASA engineering with the costumes. I was very grateful for the slightly more high-tech ones in my show, 'Venus in Fur'; our costume designer Anita Yavich is kind of a genius.
Lekha Washington is a very successful, award-winning product designer, and her company has made some fantastic products in the past few years. Comments from some men calling her 'failure' makes me laugh, really.
Each individual garment has its own customizations based on a collaboration between us and the designer. We say what we think our woman wants, and they say, 'This is what we think we can do with our production.'
We sell in Moda Operandi, which, if you don't know what it is, it's a beautiful luxury site that does pre-trunk shows for designer collections. We got them to change their algorithm online to go up to a size 24.
Willem de Kooning as an artist is insane, Sonia Rykiel is amazing for her colour sensibility, and Ettore Sottsass was an architect and product designer who sometimes created clothes to go with his other designs.
I worked as an interior designer. I worked as a furniture salesman. I worked as a financial adviser. I worked as a painter and decorator - that wasn't for very long. I was a baker for about four-and-a-half years.
I've spent some time working with a non-Italian designer; I've been helping him organize fashion shows, the advertising, also helping with the creative part. But the great part about this work is that I am no one!
I like every individual editor, designer, marketing and publicity person I deal with, but I don't like what publishers, corporately, are doing to the ecology of the book world. It's damaging, and it should change.
We were both very much the same. We were both very impulsive. We both loved life. We both loved shopping. We both had a love of clothes, obviously, because he was the designer that I kind of wore forever and ever.
I'm sort of like Jean-Paul Goude, the graphic designer who used to style Grace Jones and shoot all her visuals, just meaning that I use all mediums in one - music, fashion, and art. I'm hitting it from all angles.
Yes, but more than being a designer, I'm more of a stylist, because I don't sew and I don't sketch, but I'm good at putting things together, choosing things that are chic and glossing over the aesthetics of things.
I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.
Designer labels, throughout the history of fashion, have maintained an air of exclusivity around themselves. Call it hype, criticize it if you will. But fashion has used this 'exclusive' tag to make itself coveted.
In the Everybody-Give-Me-A-Hug victim culture in which we live, the obese want a spot at the table along with those who face discrimination based on the way that God or Nature or our Intelligent Designer created us.
I'm sure every designer has a certain person in mind who they would ideally like to wear their clothes, but the problem is that a lot of the time that person doesn't actually exist, unless she is a 15-year-old model.
My favorite designer is Christian Lacroix, not just because his clothes are amazing and I love them, but because he's so nice. When I did his fashion show, he was the first one to arrive there and he helped everyone.
That's what my objective was, to reinvent myself from a console designer to starting a new business and embracing multi-platform, relearning the skills necessary to make successful games. It's been an amazing journey.
I think that a woman wears so many hats, we have so many aspects to us that we're not just one thing. We represent so much within us and that kind of comes across for me as a designer through mixing prints and colors.
My girlfriend is a fashion designer. She has her own company called Rachel Antonoff. She is doing a collaboration with Urban Outfitters right now, a shoe collaboration with Bass. She sells to Barneys, stuff like that.
Design, by definition, is an eco-friendly activity, as its aim is to create objects which are meaningful and durable. Trends always cost resources, but a true designer creates wares which will remain relevant forever.
I very much wanted to live in Paris when I was in the army, and I was quite determined to. I could have become a dress designer: Dior was willing to take me on as an assistant, but he did not have an immediate vacancy.
When I walk for a designer, I walk the ramp as Vijender Singh, the boxer. I believe that by doing so, boxing will at least, in some way, get promoted in our entertainment industry. Plus, if cricketers can, why can't I?
Since I was a child, everyone would ask me what I wanted to do when I grew up. Was I going to be a designer? It's as if there was a path drawn for me, and I could see, from where I was standing, exactly where it ended.
I drive around on my scooter in Milan alone - we don't have bodyguards or anything like that. I am a fashion designer, not a celebrity, and although I get stopped for autographs and the like, I don't think I am famous.
I like dressing in designer clothes, and it's hard to buy them if you are overweight. And I got tired of, like, going in the stores, and then it was like I couldn't fit in anything. And overall, I wanted to be healthy.
I was headed in the wrong direction. I didn't think I'd make it to 21. My Uncle Chuck saved my life. He was a graphic designer, and he gave me my first sketchbook. In the front, he wrote, 'Wear it like your underwear.'
For clothes, I like this little store on Fountain, Matrushka Construction. Beth Ann Whittaker and Laura Howe make amazing things. You can get a designer skirt with cool embroidery for 40 bucks instead of $400 or $4,000.
I feel designer wear is great and is created after a lot of thought and effort but it's essential that we are confident and comfortable with our fashion choices at all times whether it's on social media or in real life.
Sneakers are a new era. Anyone can feel new with a new pair of shoes. They make you feel contemporary. It's fun because I'm not a young designer, and it opens my brain. Hip-hop isn't just for the U.S. Everyone loves it.
While I was at community college, I studied industrial design because I thought maybe I'd be an automotive designer - I grew up in Detroit - and I also studied, geology because I was interested in science, a little bit.
As designers, we do so much with material and construction. It's really architectural; it comes close to building. A scent is so immaterial. It's really about emotion and sensation. Clothes are too, but it's not the same.
A good designer has a lot in common with a good researcher. Both hunt for excellence and perfection. And you have to really focus on the details, and you don't really know what the final result will be before you have it.
It is horrible to say, but I was stigmatized by being a bridal designer for a long time. I am amazed I have been able to move beyond it. I had really all but given up trying, but I did it because it was my lifelong dream.
So many times I've wanted to crack up, standing there stiff while seven women are crawling round my toes fixing hems and the designer's having a freak-out because the denim cuffs are crooked. I'm on the verge of hysteria.