When I lived in Delhi, it was burdened with so many futures - fast roads, malls, flyovers - that one felt almost obliged to be hopeful. Now that hope has diminished, you can feel the city going into a frenzy to reinvent itself. I miss living there.

With the approaching winter the air quality in many Indian cities, especially in Delhi, becomes a public health hazard. Something so fundamental as breathing easy can no longer be taken for granted. It's a wake-up call worthy of a civic revolution.

I've performed in China, France, New Delhi, and Indianapolis, and everybody just allows themselves to go at it and have a good time. I think that's what I'm doing through music. It's not about 'I'm from here and you're from there.' It's about unity.

I have lived my whole life in Delhi. I used to live in Rohini and then I moved to Munirka. I have seen north and south Delhi very closely. That's why my songs and raps have a Dilli waali feel to it. Delhi made me who I am today and I am proud of it.

If you are known to do something well, people want to see you do that. But what you choose to do is up to you. After 'Delhi Belly,' I got some 40 scripts - some on the same lines as 'Delhi Belly.' So, I guess people only get stereotyped if they want to.

I left Delhi in 1989 and remember very little of how life used to be then. Increasingly, in my recent visits to Delhi, I've started to realize that the city has become intellectually very lively. It makes me want to discover the city over and over again.

When I was doing my bachelors from Delhi University, India experienced its first major external financing and currency crisis in 1990-91. This inspired me to pursue graduate work in economics and was the foundation for my interest in international finance.

I was a rebel. I went to Carmel Convent in Delhi where I was a complete rebel. I thought I was 12 going on 18. I wanted to go out with friends older to me, stay out late - my parents were horrified. It was then that we began having our first disagreements.

One of the peculiarities of Delhi is that the term 'reform' is associated only with passing of laws in Parliament. In fact, the most important reforms are those needed, without new laws, at various level of the government, in work practices and procedures.

MPs are members in Delhi Development Authority. They can improve land allotment in schools, colleges, hospitals. MPs head the district-wise committee on monitoring how government bodies function. So, incrementally, MPs on their own can improve the situation.

Effortlessness is a great phenomenon. Once you know it, many millions of things become possible to you. Through effort the market; through effortlessness the God. Through effort you can never reach to nirvana - you can reach lo New Delhi, but not to nirvana.

In Bombay, we have a fine concert hall. I think it is high time we built venues in Delhi and Calcutta, not only for western music, but also Indian music. It doesn't matter which party is in power; don't you think the capital of India should have a concert hall?

Why does 80 per cent of East Delhi live in unauthorised colonies. No one wants to live in unauthorised colonies due to issues of sanitary and hygiene... people stay in unauthorised colonies because they have no other choice, and that really needs to be changed.

Safety and security in East Delhi is a very big concern, and this is an across-class concern. It isn't an issue that one segment faces and another does not... But because Delhi Police comes under the central government, there are virtually no steps being taken.

When you move from a different country, it takes a while to make friends. I found myself being lonely a lot at first. In New Delhi, I had all my family. But Portland is one of those cities you can immerse yourself in and feel comfortable. People are so friendly.

I've always had strong ties with Delhi, and I do stay in touch with my friends and periodically visit the capital. I started my schooling at St. Columbus High School before I went to Mayo College. Delhi, for me, is a historical city with all its beautiful monuments.

If given a chance, I would really want to explore the monuments in Delhi, like Qutub Minar and the forts. I have been there as a child, but now I want to go back and understand the history and significance behind them. We take all of these things for granted in life.

During the late 1980s, I was in Delhi finishing my college and modeling. After reading an article that my mother wrote for a fashion glossy, Mahesh Bhatt sahab expressed the desire meet her. That's when he saw my pictures and asked whether I would want to work in Hindi films.

I was once in Delhi and one guy looked at me and shouted, 'kutiya, kutiya, kutiya' - it is a dialogue from my film 'Kasoor.' The guy couldn't recall anything else apart from this. It was funny but interesting - it shows the kind of impact my character has made on the audience.

In Delhi, I became a serious stage actor. Then, luckily, the FTII acting course began, and I studied there, spent some time working on my craft. In 2008, I moved to Mumbai, and then in one and a half years of so-called struggle, I got my first film, 'Love Sex aur Dhokha' (LSD).

I had some crazy friends, girlfriends too. We had our share of parties and drunken escapades as well. Once when in college I ran out of money and had to sleep at a bus stop. It was fun, as all of us on Delhi's Hindu College campus were happy children of the Beatles' generation.

Along with some of my college friends, I would often bunk classes and drive to Murthal, which is about 50 km from New Delhi, just to have some piping hot parathas. There was this small roadside dhaba where they would serve absolutely delicious aloo parathas with dollops of butter.

Here's what my CV usually does not say: I was trained as a teacher. My first job lasted less than 60 days. I was an assistant professor at a good college at Delhi University, but I found it very political, very suffocating. At the age of 23, you're not very tolerant of those things.

I am a 10th class pass in Hindi. From 7th grade to 12th grade, I was in Delhi; before that, I was abroad. I came in not knowing a word of Hindi in 7th grade and learned Hindi and passed the exam in 10th. I think I was north of 50 percent, so I feel very proud of that accomplishment.

In Delhi, where I grew up, commerce is brusque. You don't ask each other how your day has been. You might not even smile. I'm not saying this is ideal - it's how it is. You're tied together by a transaction. The customer doesn't tremble before complaining about how cold his food is.

India - I've always felt at home there. Delhi and Mumbai and the Taj Mahal are all incredible - but it's the people I love. Indians are so interesting and accommodating and friendly. The best hotel I've stayed at there is the Rambagh Palace in Jaipur: its architecture is unbelievable.

This is going to make me sound ancient, but I remember Juhu Beach when there weren't any buildings on it. You'd go through countryside and arrive at this amazing beach. I remember driving from Delhi to the Qutab Minar through countryside. Mehrauli was a little village - that's all gone.

I quit my job in New India Insurance and was confronted by various options. I could either go to Pune to do a course in acting from Poona University or shift base to Bombay or Delhi and study at NSD. I opted for the latter because it is the best place to get a formal education in acting.

I came across humanity in Istanbul, and all I know about life comes from Istanbul, and definitely, I am writing about Istanbul. I also love the city because I live there, it has formed me, and it's me. Of course it is natural. If somebody lived all his life in Delhi, he will write about Delhi.

I was born in Faridabad but brought up in Delhi and Mumbai. My father had been living hand-to-mouth and literally slept on railway platforms when he came to Mumbai for the first time to become a film singer. My parents were both singers; they sang together and fell in love due to their singing.

I was born there and I moved away in 1990 when I was seven years old. After that my family moved away from there to Delhi and Mumbai. Now, only a handful of relatives live in Kashmir and we are constantly worried about them. It pains me to see that my birth-place is not a safe place to be in anymore.

I have grown up in Delhi in a way, and I keep coming here often. But, and I am sorry to say, I'll always be nervous when in Delhi. In my college days, I have had my bum pinched around so many times. So yes, in Mumbai, I can just walk around and do what I want to do, but in Delhi I'll always be scared.

I am originally a surd who was born in Delhi in 1982, just two years before the Sikh riots, so all my childhood pictures are in baby frocks with ponytails, as my parents wanted to hide the fact that I was a Sikh boy, given the riots. My dad worked for a travel agency, and we soon moved to Saudi Arabia.

There are many women who are getting the opportunity to play fantastic parts on the web like Huma Qureshi in 'Leila,' Shefali Shah in 'Delhi Crime' and so many others. It gives opportunity to those who are not getting the work that they desire to do because of their age. So web is doing a social service.

I grew fond of acting rather late. And that was because I was not getting any job. I had a few friends in Delhi who were associated with theater. They took me to see some plays in Delhi and Baroda. That led me to believe the I could also act. And it was after that I joined National School of Drama in 1993.

Full statehood in Delhi is a larger issue as compared to anti-corruption. For, only when the Delhi government gets its anti-corruption bureau back will it get the power of suspension and vigilance inquiries on corrupt officers of different departments of the government. That is how you can curb the corruption.

At the age of 16, I ran from my house, did odd jobs till l landed work on television and then in film industry. My first job was at an STD booth in Delhi. Then I came to Mumbai, where I distributed DVDs, and that is when I got my first TV show offer, 'Left Right Left.' I have never planned things in my career.

My dad was in the Indian Army. He died in a terrorist attack in Kashmir in 1994. After that, my mum and I settled in Noida. I went to Delhi Public School in Noida and then to Shri Ram College of Commerce in Delhi University. It was in college that I realised I wanted to be on the stage and in front of the camera.

Once, a man at the customs duty check at the Delhi Airport asked me a question in Hindi, and I told him that I didn't speak the language. He got angry and said, 'How could you not speak in Hindi? Hindi is our mother tongue.' I told him that it wasn't my mother tongue. He got furious, and made me wait for over 45 minutes.

I have a piece of land in Delhi, but I have never had enough money to support dual establishments. I always thought of owning a house in Delhi as well. When you go to London or Switzerland, you dream of having a house even there. But you cannot have everything. I have a plot in Delhi, so I think I should have a house here as well.

Back in 1993, I was studying in Delhi, and I had a girlfriend. I had never touched a girl before that in my entire life. One day, I decided to go out with her to a garden. We were sitting beside each other, and I just glanced around to see if anyone was looking at us, and I put my hand over hers. I thought love started in this way.

The first fashion show I ever attended was for Ritu Beri in 1997 or 1998. I think that was the first time Ritu had designed for one of my movies 'Yeh Raastein Hain Pyaar Ke.' She had done a show in Paris, and she had done the same show in Delhi. It was very eclectic, and I love the way she combines colours and makes them flamboyant.

The motive behind a Delhi Film Council is simple - with so many filmmakers coming to Delhi to shoot their films, casting Delhi's young lads in their movies and even keeping the city as the base of their story, they surely need more collaboration in future. When they'll have such a council in the city, they will be able to work better.

It's very important to not repeat yourself. After 'Delhi Belly,' I was offered 40 'Delhi Belly's and you can't do that! So 'Revolver Rani' is dark and gritty with action, 'Sooper Se Oopar' is a big commercial love story, 'Santa Banta' is a 'theth' Punjabi comedy, 'Golu Aur Pappu' is a kids' film and 'Amit Sahni Ki List' is an urban romcom.

I remember returning to Bangalore after a few months of travel and seeing it as a first-world city, like New York or San Francisco. This may be obvious to some people, but I grew up in Delhi, and I had no experience of how someone from a 'Tier 2' city may view a 'Tier 1' city. You really do emigrate between worlds when you come from those towns.

My husband lived in Lucknow. My father lived in Delhi, of course. So I shuttled between Delhi and Lucknow and...naturally, if my husband needed me on days when I was in Delhi, I ran back to Lucknow. But if it was my father who needed me, on the days when I was in Lucknow. And...yes, my husband got angry. And he quarreled. We quarreled. We quarreled a lot. It's true.

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