I saw Mercury Prize-winners Alt-J for the first time recently, touring their debut album 'An Awesome Wave,' and I'm still riding the high: they're the most musically dynamic and exciting band to have poured tune into my lug holes live since Bellowhead.

I think that, certainly, most of my operatic roles are in German. I think it happened because, of course, I was lucky in that I was invited to sing, first of all, my operatic debut in Berlin at the Deutsche Oper Berlin, which was West Berlin at the time.

Obviously if it's a larger bag, you can always debut it at a nice lunch or a good shopping date - maybe like a luncheon or a Dodger's game. Obviously for smaller bags, clutches and stuff, you can always wait for something in the evening like a big party.

My journey to Sridevi started when I was preparing for my debut film 'Shiva.' I used to walk from Nagarjuna's office in Chennai to a neighbouring street where Sridevi used to live, and I used to just stand and watch Sridevi's house from outside her gate.

There are quite some interesting roles. Just take my career for instance. I played a vivacious aerobics instructor in Porki.' In my Telugu debut Bava,' I played a lively girl from a village. In Udayan,' my Tamil debut, I played a soft spoken Brahmin girl.

It was only after I made my Duleep Trophy debut did I think I had a realistic chance to play for India. I scored a double hundred, and I realised that I had the potential to play for my country because I played the best bowlers in the country at that time.

In 'Burrraah,' I play a teacher whose aim is to reform a bunch of rowdy boys. My character is very interesting and I chose this film for a Punjabi debut because of its story, script, screenplay and director, Sagar Sharma. I love the way he narrates a story.

Covering Richard Nixon's triumphant run in 1968 turned out to be my last major assignment as a general correspondent for CBS News. In September of that year, '60 Minutes' made its debut and I began the best, the most fulfilling job a reporter could imagine.

There are so many people who make their debut every day in B-Town, and there is no competition among a particular section of actors. Everybody is talented, and all actors are trying to make their mark in the industry. No one is competing with another person.

And for it to make the statement the way that it did, for 'Controlled Chaos' to debut in the Top 10 of the iTunes rock chart... We debuted behind Queen and Chris Cornell, so it's not like we were just hidden away in the back of the instrumental metal category.

The Hell in a Cell match that always sticks in my mind is the original Michaels versus Undertaker match. It was really something. The bout itself was so good, while Kane's debut made it even more memorable. That takes the cake in terms of Hell in a Cell matches.

The record company started as an adjunct to that, to give young composers their first recorded performances; to give young musicians their first debut on a recording. These are all things that big record companies would never touch because there is no money in it!

Jeff Smith was the Julia Child of my generation. When his television show, 'The Frugal Gourmet,' made its debut on PBS in the 1980s, it conveyed such genuine enthusiasm for cooking that I was moved for the first time to slap down cold cash for a collection of recipes.

It's a dream come true to make my debut for England. It's something I always wanted to do as a young boy, and I'm sure there's thousands and thousands of kids who dream and wake up every morning thinking that's what they want to be. I feel very proud and very privileged.

After my debut didn't go very well with Holt, I needed to be in a healthier head space. I was happy to emerge from there. You will always have those negative thoughts as a writer, but you can't let them take over. If you let them take over, those are the real page killers.

I always knew that I wanted to be an actor. I made my debut on stage when I was 12, and I was sure that this is what made me happy. However, nobody takes a 12-year-old's career choice seriously. Everybody laughed it off. I also ran away from it, but acting eventually found me.

I have worked with a lot of people, all very different creatives, helping me hone my craft and discover myself as an artist and the record I want to make. It's such an amazing process seeing and hearing the tracks that people could eventually be listening to on my debut album!

Jordan Vogt-Roberts directed me in 'Kings of Summer,' which was his debut feature. I got to witness the passion and hunger that first-time directors bring to projects, and ever since, then I've been very intrigued when I've come across a project with a less experienced director.

I learned from master teachers at the University of Evansville, at Juilliard, at Shakespeare festivals all over the country, eventually landing at Shakespeare in the Park in N.Y.C. That show transferred, so I got to make my Broadway debut doing 'The Tempest' with Patrick Stewart.

I made my England debut when I was 17, against India. I was the first Asian to play for the England women's team, and I did have mixed feelings playing against the country my parents are from but I was born and bred in England and I've always known I wanted to play for my country.

California club pop chirper Dev's debut is as stark as it is sweet. This is owed partly to the casually giddy lightness of her talk-singing - familiar from her slizzered 2010 cameo on Far East Movement's smash 'Like a G6,' and around-the way-girl frisky like 1980s Latin freestyle.

My seven-year-old daughter knows old songs and how the neighborhoods got their names. There are little things: Businesses receive blessings from Hawaiian priests before opening, and everyone's kids have their debut luau. You can't really get through a day without doing something Hawaiian.

For my band's debut tour in 2011, we road-tripped across the country in a 15-passenger van. It was the first time I'd left Alabama. I drove through scenery I'd only ever seen in calendars: auburn leaves falling in Vermont, the sun setting over purple mountains in Arizona. It was incredible.

I don't know why I chose to make my debut with 'Dil Maange More.' The film had three leading ladies - Tulip Joshi, Ayesha Takia and me - opposite Shahid Kapoor. I was fresh to Bollywood at that time because I had just come back from England and had no clue about hero-heroine dynamics in India.

I think what people don't realize is the transition from NXT to the main roster is a big jump. It's getting a whole new audience familiar with a certain character. If you debut too many women at one time, it's hard for the audience to get to know, understand, and see the rise of that character.

A lot of things have changed since I made my debut in 2004. The way cricket is played has changed. The kind of players that are coming in the Indian team are drastically different than what we were used to. My role is quite the same. You only evolve with time, and that's what I am trying to do.

As an editor, I read Charlotte Rogan's amazing debut novel, 'The Lifeboat,' when it was still in manuscript. I read it in one night, and I really wanted my company to publish it, but we lost it to another house. It's such a wonderful combination of beautiful writing and suspenseful storytelling.

My college life was brief because I started working for my debut film when I was in eleventh standard. But I have no regrets, as I stayed in touch with my friends who keep briefing me about the drama in the college. The opportunity to get into showbiz was so exciting that I couldn't let it pass by.

My debut album, 'Forget the World,' is all about not listening to the negativity around you and to continue to do what you love, no matter what people think. I love what I do. Dance music is my passion, my life. There is no greater feeling than being one with my fans, partying to the music we love.

I remember my first time in the Champions League. I was 18, and it was Arsenal against Milan at The Emirates. The night before, I remember I put my music on my iPod. I was lying in bed, and I listened to the Champions League music. That was my Champions League debut, my first time. It was beautiful.

At Under-11/12, I was playing as a right-back. The manager then was Cyril Helstone, and he said to me, 'No, you're not a defender. You should be in midfield.' That was the big change in my career because from that moment until I made my debut in the first-team at Feyenoord, that was the position I played.

I'll tell you what I think in general about people who want to make their Broadway debut that are not trained stage actors. Don't they know, Broadway ain't for sissies? It is a tough gig. You are responsible, physically, mentally, emotionally, for eight shows a week, at the top of your game. It's not easy.

'Grease' was my Broadway debut. That was eye-opening. At the same time, it was very familiar. It was a Broadway show, but it's kind of the same as doing a show in Minnesota. It's the same type of rehearsal process. You are doing 8 shows a week, but I worked at a theatre in Minnesota that did 11 shows a week.

I am not expecting anyone to feel sorry for me, but when friends ask how it feels to be a debut novelist who has also been long listed for the Man Booker prize, I have to admit that my response has confused me. I am so overwhelmed, so delighted, so honoured and so surprised, I have come out in a violent cold.

When I debut on television with 'Meri Awaaz Hi Pehchaan Hai,' there were a lot of things that I experienced as an actor and felt that one could get into more nuances in terms of characterization. At the end of it, I wept non-stop for 15 minutes to get out of that character. It was that kind of emotional bond.

107 caps isn't bad for someone who isn't 'a top, top player', is it? I never expected to get that amount of caps. When I made my debut, I set myself the personal target of trying to get 50 caps and score 10 goals if I could. So to have 107 is something I am really proud of, particularly being among those names.

From meeting Robert Plant, John Bonham, and John Paul Jones, teaming up, rehearsing, playing selected gigs outside of Britain, coming back into Olympic Studios to record the first album, and then going to America, which we crack open like a nut with the debut record - all that happened, literally, within months.

When I was 20 years old, my mom flew me for my first Broadway audition for 'The Color Purple,' and I only found out about it because I knew that Fantasia was in it, and so I went online to ActorsEquity.com. I was not a part of the union, but I flew there for the audition, and the next week I made my Broadway debut!

A few of Ellison's short stories from the 1940s and 1950s were widely anthologized over the years. After a while, it became generally known that he was at work on another novel. Though he remained aware ever afterward of the authority 'Invisible Man' gave to him, no second novel followed his brilliant debut in 1952.

There's just nothing funnier or crazier than that - doing your Broadway debut as Spider-Man in 'Spider-Man' the musical. It was, like, the last thing I could have ever possibly imagined happening. I mean, I would tell people I was playing Spider-Man, and people would just break out laughing because it was so ridiculous!

From Vienna with Love' will build a bridge across the globe from Vienna to Sydney, full of music, love and fun. I am really looking forward to performing with the Sydney Symphony Orchestra and fabulous guest artists who all have ties to Vienna and telling a story with music that inspired me and songs from my debut album.

When I was prepping for my Broadway debut as Romeo, it really hit me that I had never done that. I had trained at drama school for three years in my late teens to early 20s, and I'd studied Shakespeare, of course, but I hadn't actually performed it. So to do something like Romeo for my first Broadway role was a challenge.

Misty Copeland is making history. During American Ballet Theatre's current season at the Metropolitan Opera House, Copeland will alight on that storied Lincoln Center stage, making her New York debut as the Swan Queen in the iconic masterpiece Swan Lake - a crowning achievement for any dancer, regardless of the color of her skin.

One of my favorite memories as a kid was when the original 'Secret Wars' came out with the debut of the black costume for Spider-Man. I remember I couldn't wait to get home to read it, and I was like, 'Oh, my God, I've been waiting for this comic to come out. I hope, God forbid, nothing happens to me before I get home to read it.'

A personal highlight was probably when we got a No. 1 in the U.K. and when the album went to No. 1 in America. The top four that week was us, Adele, Guns N' Roses and Bruce Springsteen. It was ridiculous seeing those names there. Being the first band from the U.K. and Ireland to go to America and debut at No. 1 is just unbelievable.

The ambition of 'Ten Thousand Saints,' Eleanor Henderson's debut novel about a group of unambitious lost souls, is beautiful. In nearly 400 pages, Henderson does not hold back once: she writes the hell out of every moment, every scene, every perspective, every fleeting impression, every impulse and desire and bit of emotional detritus.

When I was at Shanghai SIPG, I had the Brazilian player Hulk, who had joined for over £50 million from Zenit St Petersburg. He had no problems with life in China - his only problem was that he got injured on his debut and was out for two months after that. But I never heard him complain about life in China at all - everything else was good.

Samuel Beckett's 'Waiting for Godot,' billed as 'the laugh sensation of two continents,' made its American debut at the Coconut Grove Playhouse, in Miami, Florida, in 1956. My father, Bert Lahr, was playing Estragon, one of the two bowler-hatted tramps who pass the time in a lunar landscape as they wait in vain for the arrival of a Mr. Godot.

If people knew that Burzum was just the band of some teenager, that would sort of ruin the magic, and for that reason, I felt that I needed to be anonymous. So I used a pseudonym, Count Grishnackh, and on the debut album, I used a photo of me that didn't look like me at all to make Burzum itself seem more out-of-this world and to confuse people.

I thought the Rousey match was the best major league debut in the history of wrestling. They did the right thing at the right time at the right pace and took people on a roller coaster ride. That, to me, was a pro wrestling match. I couldn't find fault with it, except I wish that Ronda had come out with her game face on when she did her entrance.

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