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The trouble with dead people often begins with something called the Death Master File, which is kept by the Social Security Administration. Every day, new reports are added, provided by relatives, funeral homes, and the state agencies that issue official death certificates. The list contains 90 million reports.
I can hardly tell you how boring it is to interview almost every politician among the multitudes I have ever interviewed (journalists can't say this, because if people knew how boring politicians were they wouldn't read what we write), how dead the conversation feels, how bald, flat, uninteresting the message is.
I am here to tell you, TV is not dead. Rather, it is constantly evolving as we are. My view is that we are in the next Golden Age of content. If AOL, Google, Netflix, Amazon, and Yahoo felt TV was dying, they would not be so eager to play in our sandbox. It is, after all, TV content that's driving their business.
Yom HaShoah is a vital day in the Jewish calendar, providing us with a focal point for our remembrance. We cannot bring the dead back to life, but we can bring their memory back to life and ensure they are not forgotten. We can undertake in our lives to do what they were so cruelly prevented from doing in theirs.
Environmentalists should like fracking for its relative cleanliness. But they don't. They have made a bugaboo out of the chemicals in fracking fluids, which supposedly can leach into groundwater sources. I'm convinced they're dead wrong. Ultimately, good technology with a cost advantage will win out over paranoia.
The war was an escape to reality... The only thing that mattered were human relationships; not money, not position, not even family... Only relationships with people who might be dead tomorrow were important. It is a sort of wonderful state of mind. It's too bad it takes a war to create such a condition among men.
I learned hard lessons in life; I had to because I had so much happen: My mother died my sophomore year in high school. The next year, same day, my brother dropped dead. Two years after that, I got married because my girlfriend got pregnant. The year after my wedding, my father - who I had only recently met - died.
Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything - all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important.
I used to say that the Constitution is not a living document. It's dead, dead, dead. But I've gotten better. I no longer say that. The truth is that the Constitution is not one that morphs. It's an enduring Constitution, not a changing Constitution. That is what I've meant when I've said that the Constitution is dead.
When I'm dead, I wanna leave a body of work, like authors or great painters do. I don't wanna get ideas above my station, but why shouldn't this be comparable? Pop music was supposed to be a flash in the pan, but here we are 50 years later, and it means something to us, and it always will do. It's incredibly important.
We can all instinctively understand the idea of life insurance; most of us will feel an instinctive repugnance at the thought of the viatical industry, or 'dead peasants insurance.' As market thinking penetrated the life insurance industry, a moral line was crossed, and the application of market ideas was taken too far.
Whatever my trouble had been at first, it developed into separation of the retina in both eyes. From the day on which I first consulted the oculist up to the present time, about twenty-four years, I have only been three times in 'The World' building. Most people think I'm dead or living in Europe in complete retirement.
I'm telling you, man, after I did 'Land of the Dead,' which Mark Canton produced, Universal picked it up, and I had to use stars. I didn't think I needed stars - Dennis Hopper was in it. I loved him. We hung out. I loved him, but his cigar budget was more than we paid for the entire budget of 'Night of the Living Dead.'
Here's what happens in a play. You get involved in a situation where something is unbalanced. If nothing's unbalanced, there's no reason to have a play. If Hamlet comes home from school, and his dad's not dead and asks him if he's had a good time, it's boring. But if something's unbalanced, it must be returned to order.
Harvesting the biosphere is still the most fundamental human activity. Without that, everybody's dead, really. We could do quite well without microchips, or the business site of 'Atlantic Monthly,' the gated communities, Guccis, and high-growth GDP. But we cannot do without harvesting the crops and cutting down the wood.
Way back in the 1970s, I was eating a steak, and I looked down, and for the first time it suddenly looked like flesh to me - like a dead creature. In a flash, I realized that every time I ate any kind of meat, something had been killed for me, and I stopped eating all animals, not just cows and pigs but chickens and fish.
Rock will never be dead for me. Do I like a lot of what I hear on rock music radio? No, not for the most part. I'm not a fan of the regurgitated Pearl Jam and Nickelback crap that's the biggest thing in the Midwest. There isn't that big of a market for rock anymore. Every once in a while something happens and you like it.
'Dead Poets Society' was a very influential film on me and so talking about that movie with him, he just inspired me to continue writing poetry and we talked a lot about our favourite poets. My wrap present from Robin was a beautiful limited edition copy of Walt Whitman's 'Leaves of Grass' and that's a great memory for me.
If I'm not in the dead heat of working on something, I can end up spending tons and tons of time on the Web, and I hate it. I feel the same shame I did in grad school when I was pretty much addicted to reruns of 'Star Trek: The Next Generation'. I wish someone would make the Web just go away. Just remove it from the earth.
It's a funny thing when you think you're dead. You're not terrified of it anymore. There's a sort of a epiphany to religious thing; it's not sort of church-based, but you end up with a serenity which you didn't have before, and I just simply enjoy it. It really does sound stupid, but I've got to tell you it's made my life.
I like 'Reanimator,' and I like 'Evil Dead 2.' But I really like the Corman movies from the late '60s and early '70s, and my favorite is 'The Mask of Red Death' with Vincent Price because - spoiler alert - but at the end of the movie, Vincent Price, he's the evil prince, and to kill him, his court just, like, dances at him.
Sidney Farber was a pathologist. He was called a doctor of the dead. He was a pathologist who sort of lived in the basement of the children's hospital in Boston, and he became very interested in childhood leukemia. And Farber began to inject this drug, aminopterin, into young kids, in order to see if he could get a remission.
Safe care saves lives and saves money. Adverse events like high levels of infection, blood clots or falls in hospital, emergency readmissions and pressure sores cost the NHS billions of pounds every year. There is a serious human cost, too, with patients ending up injured, or even dead. Most are avoidable with the right care.
With high fashion, it's a performance. You're trying to interpret a fantasy in a very physical way, and you really are playing a character. I've played men, dead people, famous people, historical icons, and it's no mean feat. It's quite an insular experience even though the crowd is in front of you and there's an expectation.
God is dead. God remains dead. And we have killed him. Yet his shadow still looms. How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives; who will wipe this blood off us? What water is there for us to clean ourselves?
My childhood was spent with dogs, and I work with dogs surrounding me. This relationship is hardly unique - man-and-dog stories date back to ancient history, up to 10,000 years ago - but it feels that way to me. I used to have a love-hate relationship with dog stories because some got the dynamic right but most were dead wrong.
I've been a fan since I was a kid of that sort of bump-in-the-night stuff. I don't tend to go in too much for the slash-and-burn-'em or the walker kills on 'The Walking Dead.' That stuff's not necessarily the stuff that frightens me or gets me going. It's more the terror of waiting, the thriller aspects, that I find compelling.
I do mourn my characters. I wrote an essay once where I was sure that far back in a marsh there was a hummock - a little hill of hardwoods - and an old farm house, where all the heroines in my novels lived together with all my beloved dead dogs. I've discussed this with my therapist, naturally. He says it's okay in fair amounts.
When you found a company, you feel a deep sense of responsibility for it. I'll care about Dell even after I'm dead. So this is a pretty personal process. And when you're doing what you love, and it's working, you don't get tired working what other people might consider long hours or crazy schedules. It's just fun. It's energizing.
When I grew up in the early '90s, the new World Wide Web felt like a gimmick, and I had no idea of the changes in store. In the summers, I'd backpack through Europe, follow the Grateful Dead. I had a car and a tent and traveled around the Great Lakes and out West. Jack Kerouac was my guiding light, his 'On the Road' a sacred text.
Must whales and dolphins be subjected to deafening noise that will cause more than 3.5 million instances of temporary and/or permanent hearing loss? For species that depend on hearing for survival - to find food, migrate, and communicate - any hearing loss could be catastrophic. As one scientist noted, a deaf whale is a dead whale.
There is no time and space limitation for public accountability on the Internet. Creative commonality is standard and does not resemble the authoritarian style of the dead communist experience. It seems that it is no longer society's obligation to understand legislation; it is a duty for governments to be understood by their people.
I would look at older blues musicians who just keep going into their seventies. They keep doing it until they drop dead. And I've always felt like that's what I want to do. I've felt that since the day I was able to start playing music for a living. I don't see the point of thinking about retiring because it's not work to begin with.
From 1859 to 1971, the U.S. oil industry grew virtually continuously, in the process serving mightily to drive our economy and win our wars. But that growth was stopped dead in 1971 and sent into decline thereafter, as the advent of the EPA and the accompanying National Environmental Policy Act made it increasingly difficult to drill.
All generations think the present moment is the greatest but also have this fascination with before their time. I do the same thing. I see old British movies. I'm like, 'Man, I would love to be in London at that time.' But then I wouldn't be able to watch 'The Walking Dead,' I wouldn't have cable, and my pizza options would be limited.
The weird thing about rap is that you don't get compared in the same way that athletes do, even though it's probably the most competitive sport in music. In basketball, they look at a player and say: 'This guy was the best in his prime at this sport.' But in rap it's not until you're dead or retired that people think about it like that.
Why should it matter to us when wrestlers are found dead in their beds or seen limping around on two fake hips? Why should it matter to us that there's a list of modern wrestlers who died before the age of 50 - many of them famous - and that the list is more than 70 names long? Hey, there's always another wave of guys on the way. Always.
Someday, I have no doubt, the dead from today's wars will be seen with a similar sense of sorrow at needless loss and folly as those millions of men who lie in the cemeteries of France and Belgium - and tens of millions of Americans will feel a similar revulsion for the politicians and generals who were so spendthrift with others' lives.
If a man has wealth, he has to make a choice, because there is the money heaping up. He can keep it together in a bunch, and then leave it for others to administer after he is dead. Or he can get it into action and have fun, while he is still alive. I prefer getting it into action and adapting it to human needs, and making the plan work.
I wanna be in a movie, I wanna have a clothing line, I wanna put myself in a position where, when I'm dead and gone, or I can't rap anymore, that's still moving. Tupac and Biggie, they've been dead 10-plus years and people talk about them everyday. I'm gonna try to speak everything into existence. I know the music is my key to get there.
If a superhero knocks over a building, and there are 5,000 people in the building that we can presume are now dead, does it matter? Because they're not people we know. But if one dog we like gets run over by a car, it's the worst thing we've ever seen. I totally understand where that visceral reaction comes from. I have that same reaction.
Children will always be afraid of the dark, and men with minds sensitive to hereditary impulse will always tremble at the thought of the hidden and fathomless worlds of strange life which may pulsate in the gulfs beyond the stars, or press hideously upon our own globe in unholy dimensions which only the dead and the moonstruck can glimpse.
I know when I used to chemically straighten mine, I did it because I wasn't comfortable with my natural hair. I thought it was too poofy, too kinky. So for me, personally, when I started wearing it natural, it felt like I was blossoming because I was letting go of all the dead hair and all the parts of me that had rejected my natural state.
I think about life and death a lot. For the longest time I thought this was it, but then I thought maybe reincarnation does exist and we will all come back. My new thought is either of these could be true, but realistically what is going to happen is when you are dead you are not going to know you are dead, so it's not the end of the world.
I often get asked, 'Is the book dead?' It hasn't happened yet. It's different than music. Music was always meant to be pure sound - it started out as pure sound and now it's pure sound again. But books started out as things. Words on paper began as words on paper. The paperback book is the best technology to deliver that information to you.
I grew up listening to bands like the Cure, Joy Division, Cocteau Twins, Dead Can Dance - these are the bands that I actually grew up with, and I always had these things in my taste, too. And I always loved industrial music as well: I listened to Throbbing Gristle, SPK, Cabaret Voltaire. And shoegaze bands like Slowdive and My Bloody Valentine.
We put on shows at Golden Gate Park with the Dead and Jefferson Airplane, and the groups were part of the community they emerged out of, not some superstars. We had multiple stages, diversions, communal entertainment. There is something slightly fascistic about sitting in a huge auditorium focusing all the energy on one group far away on stage.