A dead end street is a good place to turn around.

I think interactive television is doomed. It's a dead end.

I live on a one-way street that's also a dead end. I'm not sure how I got there.

I have always believed that cinema has no language and 'Dead End' has proved it so.

I'm not going to be intimidated by people or identity politics. I think that's a dead end.

A dead end can never be a one way street; you can always turn around and take another road.

We can't afford to go down the dead end roads of Parliamentary Socialism or Fascistic Bolshevism.

It is a sure sign that a culture has reached a dead end when it is no longer intrigued by its myths.

If you start trying to figure out yourself from the image everyone has of you, you run into a dead end.

I retired after 'Mr. Yaa Miss.' I think that at that point, I'd hit a dead end in terms of what I wanted to do.

I came up with the idea that I wanted to develop products because I saw services businesses being a dead end long term.

The British public deserve real choices not forced, technocratic arguments about variations of the same dead end arguments.

We have always argued that attempts to isolate Belarus, like other countries, lead to a dead end. In this situation, everyone loses.

At certain moments, both the WEEE Act and the First Step Act appeared doomed to dead end in partisan gridlock and procedural hurdles.

If I cry, it's because I'm very angry and I can't do anything about it because I've run into a dead end. That's when the tears would come down.

I tell people, 'I was born in a little house at the dead end of a dirt road that had no name and no number, and you can go anywhere from nowhere.'

Dead End' will see one of the most successful complex cross country funding and I'm sure it will firm up India's position in the global cinema market.

The Language Poets are writing only about language itself. The Ashbery poets are writing only about poetry itself. That seems to me a kind of dead end.

But some things are the same. My mother still owns the house I grew up in, on what would now be called a cul de sac, but which the sign on the corner called a dead end street.

When I was 6 years old, I was in a rock band that was horrible called 'Dead End.' The name kind of described us. People liked us; we would go and perform at coffee houses and stuff.

I think that concrete poetry seems to have, as far as I can see, come to a kind of a dead end. It doesn't seem to be going any further than it went in its high period of about five or six years ago.

Going back to the moon is not visionary in restoring space leadership for America. Like its Apollo predecessor, it will prove to be a dead end littered with broken spacecraft, broken dreams and broken policies.

Failure should be our teacher, not our undertaker. Failure is delay, not defeat. It is a temporary detour, not a dead end. Failure is something we can avoid only by saying nothing, doing nothing, and being nothing.

As an actor, whatever I get the opportunity to do, if it has a good story then I'm in. I thought 'Dead End' had a great story; 'Nightmare on Elm Street,' of course, was probably the first real horror film I was in.

If our players start to see coaching as a dead end, where is the next Ferguson, the next Clough or Shankly? It's sad. How will players see a pathway, how are they going to see a future if even the England job goes abroad?

Postmodernism is, of course, the dead end from which hauntology starts - but one of its role is to denaturalise what postmodernism has taken for granted, to conceive of postmodernism as a condition in the sense of a sickness.

People go on exploration; they're trying to find places that weren't known before. But it is an inevitable fact of research, as is in any other form of exploration of the unknown, that some people find they go down a dead end.

I was going to be a concert pianist, and when I was in high school, my parents were scared to death that I would focus too much on that too soon. And that I'd end up in some sort of dead end, and not fulfilling whatever potential they thought I had.

'Art or anti-art?' was the question I asked when I returned from Munich in 1912 and decided to abandon pure painting or painting for its own sake. I thought of introducing elements alien to painting as the only way out of a pictorial and chromatic dead end.

Sometimes comparing can be a good thing: it can inspire us to work harder and reach farther. But for the most part, excessive measuring yourself up against others - especially when it becomes a way to put yourself down - is a colossal waste of time. It's a dead end. It won't make you do anything except feel horrible.

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