Quotes of All Topics . Occasions . Authors
It's part of improving every day, being willing to be receptive of the people who know and see things from the outside that you might not notice in the inside.
I see people every day who think they're the be all and end all of the industry. I've seen so many people come and go, but the industry doesn't revolve around one person.
All the kids had to sing every Sunday to draw in people from the neighboring villages. Every day, we woke up at 5 A.M. to pray and to rehearse the songs. We had no choice!
A lot of producers now are people who stay in their office and never go to the set. I don't know how you can be the advocate of the movie if you're not there in it every day.
I was trying to figure out what to do next, I'd been accumulating ideas for productivity tools - software people could use every day, particularly to help organize their lives.
I'm not trying to write raps for people in three-piece suits sitting behind big oak desks. I'm writing for people who can't speak for themselves and about things we see every day.
I couldn't really relate to the fraternity or party scene, to the people out in the mall every day protesting one thing or another. I felt like there was no one I could relate to.
Many people are afraid to talk about race because it's so emotionally loaded. We don't have the vocabulary to talk about it. Every day, our vocabulary seems more and more inadequate.
Every day I run into people who don't know what I do. And even after I explain it they still don't know what I do. So now I can just say, 'Pick up the Locas book!' And that tells them all.
I have always heard that uber-successful people who write books about how to become uber-successful all have one thing in common: They all meditate every day. I consider yoga my meditation.
I'm basically a creature of habit - I do practically the same thing every week, every day of every week: I go to the office, I meet people, I write, I read, and, of course, I give lectures.
I'd be on stage in Ireland performing for thousands of people and just not believing in what I'm doing at all. And it hurt, it hurt badly. I knew every day that I couldn't continue this way.
I mean, I would say I get five or six e-mails every day from people asking, "Is there going to be a Leprechaun 6?' It's probably the most asked question besides, 'Is there going to be a Willow II?'
I'm constantly meeting people that I hurt, you know? This is not - when I go and talk about these things, this is not a theoretical - it's not a theoretical apology. It's something that I live every day.
If you get it out into the urban field it's going to be used or misused but it'll also probably provide a way of people acknowledging what the aesthetic is about because people have to confront it every day.
We make decisions every day about what we're going to eat. And some people want to buy Nike shoes - two pairs, and other people want to eat Bronx grapes and nourish themselves. I pay a little extra, but this is what I want to do.
If I were to share with you the number of attacks that come into the Duke network every day, you would be astounded. And it's not from people working out of their garage; it's from nation-states that are trying to penetrate systems.
I watch basketball all day every day. So when I'm watching the games, I watch it - I just enjoy watching basketball - but when I'm watching other people play, I'm really just watching as a student trying to figure different things out.
My favourite two festivals have always been the Big Day Out and Summersonic in Japan. The Big Day Out is a little more fun because it lasts longer. It's like an abbreviated version of the Warped tour because you get to play with the same people every day, which is really fun.
I speak all my languages basically every day with the people in the dressing room, and it's a pleasure to be able to do so. On the pitch, if it's a group of players I'm trying to communicate with, then I use English because you need to make sure everyone understands what you are saying.
I think the problem I have with films is that, because there's so much hype around them, they become bigger than they should be, really. There are things that people do every day in their little workshops that they'll take to heaven with them. You've got to realise that it's not everything, making films.
The thing I would say is governments have the tendency to over-promise and under-perform. So the over-promise part ends up sounding very aspirational. But it's the performance part that ultimately people feel every day and read about. And my goal is to make sure, whatever it is we aspire to, that we deliver on.