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I've been doing magic since I was five years old, and when I was trying to get acting gigs, I found I could make a good living at it. It's great to kind of shake the cobwebs off and get the feeling of a live audience again. I love close-up magic, the card stuff, the coin stuff, the really up-close David Blaine stuff.

Myself and David, we both love art. We have a lot of respect for Damien Hirst and Julian Schnabel, and we've met them both, and they're very interesting characters. I also have a lot of respect for the working women out there. As you know, it's not easy when you're looking after children and you have a career as well.

Many of the network television shows have done takeoffs on 'Family Circus,' including 'David Letterman,' 'Friends,' 'Roseanne,' and others, and, in my estimation the use of them is a compliment to the popularity of the feature, which just by mentioning it's name sets up the image of a warm, loving family-type feature.

There is already good organisation at Chelsea, but at Milan, it was about prevention rather than treatment. We want to integrate some of the things we had at Milan here. Some people are surprised when they hear that we solved David Beckham's back problem by fixing his teeth, for example, but we will look at everything.

In my opinion, Hollywood doesn't know the context. Hollywood sees a David and Goliath story with Israel being cast in the role of Goliath, as the evil aggressor. The Palestinians are simply innocent reactors to whatever Israelis are throwing at them. And everything - like their economic situation - excuses the savagery.

When David Fincher called me up a few years ago and said, 'Hey, I'd like you to score this film 'The Social Network,' I said, 'I'm flattered, but I really don't have any real experience scoring films, and I'd rather not screw it up on a high-profile project. And I like you and I don't want to compromise our friendship.'

David Bruce, I think, is one of the outstanding persons for whom I've ever worked. He had a sense of balance. He was interested in everything that went on in the Embassy. He delegated authority, but at the same time when you needed the Ambassador's help on anything, you could go to him, and he would immediately respond.

So-called reality TV, which dominates British channels, is destroying what made it cherishable to me and lots of others in the first place. I loved Alan Clarke, Ken Loach and Alan Bleasdale's work. In fact the first TV dramas I ever saw were 'Screen Twos' produced by David Thompson, who also produced a lot of Alan Clarke.

For a younger generation to imagine a time where there was no security at airports - going around the world in the bar of a jumbo jet, 'Tell the plane to wait, I'm running late!' - there is something very Austin Powers about David Frost, a man who, in all seriousness, would approach women in a safari suit, with sideburns.

If I had auditioned for 'Merlin' on magic alone, I don't think I'd have got it. Like any kid, I probably had a magic kit, but it's not something I ever pursued. I've never watched a magic show like David Copperfield or used him to base my character on, but I really like David Blaine and Darren Brown. They are doing wonders.

A lot of people say to me, 'Stay grounded; be humble.' David Schwimmer was just like, 'You need to love what you do.' And I think that's really nice. Just love your work. My family has given me great advice saying, you know, 'Don't work too hard.' And it's really nice to have someone like that - you know that they love you.

I never actually sought out an agent or a publishing house. A friend of mine named David Simmer got wind of what I was doing, and he sent one of my books to a literary lawyer in Los Angeles. He loved it, and he sent it to other people, including an agent, and he picked me up, and that's how 'Bird Box' got to where it is now.

It's something I've recognized in the careers of those people who have been inspiring to me over the years - Neil Young, Kate Bush, David Bowie, Frank Zappa, and Prince. These are all people who constantly redefined themselves, and had to deal with the difficulty of trying to take their audience with them when they did that.

I knew Chelsea had made some offers while I was at Shakhtar so when I eventually arrived here, after a short spell with Anzhi Makhachkala, it was amazing. Having David Luiz, Oscar and Ramires here when I joined was very important for me because they helped me a lot with the language and inside the club, so it was very helpful.

'FlashForward' was on the outs when I was approached with 'Happy Endings.' I literally got the script on a Friday, and on Saturday morning I met with David Caspe, Jamie Tarses, and the Russo brothers. I took the role on that Saturday, and on Monday I was doing a table read. It all happened very fast, but it was super exciting.

You don't need a digital David Petraeus or a President Bush avatar to distract you from the truth. You don't need to wait decades to have disinformation beamed into your head. You just need a constant stream of misleading information, half truths, and fictions to be promoted, pushed, and peddled until they are accepted as fact.

I was a guitar player in a band that had two keyboard players, sometimes two other guitarists, a bass player, and a drummer, four or five singers, and percussion. We did a two-and-a-half hour show where the music spanned from the early Sixties to the present. Whereas the David Lee Roth thing was like, Now. Very big and intense.

The first weekend after the attacks of September 11, George W. Bush had a meeting at Camp David with his top advisors, including Colin Powell, the secretary of state. And there was a lively debate about Iraq policy, in which some people from the Pentagon were arguing that the war against terrorism should include Saddam Hussein.

I've got funny things. David Duchovny had to have a cast made of his face to do an old person's make-up, and I've got that cast of his face in my house. I've got something from the pilot, the original implant that was in Billy Miles' head. I've got a sign from 'The Erlenmeyer Flask.' But my house isn't a museum to 'The X-Files!'

I don't want to have anyone else as Prime Minister other than David Cameron, and if people spend their time thinking about some of this stuff, then they are getting in the way of two things: one, a fair, open, fact-based referendum debate; and two, the Conservative government continuing afterwards in a stable and secure fashion.

I was allowed to write about race using an elevator metaphor because of Toni Morrison and David Bradley and Ralph Ellison. Hopefully, me being weird allows someone who's 16 and wanting to write inspires them to have their own weird take on the world, and they can see the different kinds of African American voices being published.

I started in the club route. I did the alternative scene later on. When I lived in New York, I did the Luna Lounge and stuff, where Janeane Garofalo and David Cross and all those guys worked out of, but I came from a comedy club background. I'm proud of that background. I'm one of the people that really crossed over and did both.

For years, I was watching other people have so much fun playing out their version of authorship, like Louis C.K. and Larry David. As I watched them do their thing, I began to pine for the days when I had a lot less expected of me and, often, a lot more creative freedom. The courage that those guys have is always captivating to me.

It would be a very good thing for all involved - the country, an independent judiciary, and the Left itself - if liberals take a page from David von Drehle and their own judges of the New Deal era, kick their addiction to constitutional litigation, and return to their New Deal roots of trying to win elections rather than lawsuits.

I've done two motorcycle pictures: I did 'Beyond The Law,' and I did one produced by Tarantino called 'Hell Ride,' with Dennis Hopper and David Carradine and Vinnie Jones. And I just think 'Hell Ride' was a lot more of what a biker movie should be. But the good part of 'Beyond The Law' was that I had a good time with Charlie Sheen.

As alleged, David Hu directed a multimillion-dollar, years-long scheme to defraud investors. Putting profit ahead of his fiduciary duties, Hu allegedly mismarked millions of dollars of loan assets to cover up millions in losses. Hu also created fake entities and loans, and falsified paperwork to deceive auditors and avoid detection.

At 10 A.M. on the Friday after the election in 2010, David Cameron's team met in his room at the Westminster Bridge Park Plaza Hotel. Cameron was clear that, unable to form a majority government, they had to begin talks with the Lib Dems about forming a coalition. But in a rare example of strategic discord, George Osborne disagreed.

I have favorite authors from a lifetime of reading, so there are some I'll automatically read every time they have a new novel. Included in them: Robert Goddard, Jeffery Deaver, Sophie Kinsella, Katherine Neville, Greg Isle, Laurie King, Lee Child, Lisa Tucker, Susan Howatch, Paul Auster. Barry Eisler, David Hewson, Tracy Chevalier.

On 'Silver Linings Playbook,' David O. Russell is the master at getting his actors to give him something that he doesn't expect. He loves to keep things spontaneous. He talks to the actors throughout a take because, in real life, you don't know what the next person is going to say; you don't know when you're going to get interrupted.

After the Republican Party did everything that Colin Powell says it needs to do to grow, and nominated the very kind of candidate he wanted in 2008, what did Powell do? He endorsed Obama! So according to the Drive-Bys and David Gergen, Republicans should let somebody who campaigned and voted for Obama, tell us how to build our party.

At 11, I went to Misha's school for two summers. So when I wasn't in that school, I was taking classes at David Howard or Robert Denver's studios - kind of legendary places - and there was one summer where Alexander Godunov sort of took me under his wing; the memory's a little murky, but I felt as if I was his project for those weeks.

David Lynch plucked me from obscurity. He cast me as the lead in 'Dune' and 'Blue Velvet,' and people have seen me as this boy-next-door-cooking-up-something-weird-in-the-basement ever since. I was 23 when I first met him, in his bungalow on the Universal lot, and could never have predicted we would have such an enduring relationship.

Working with David Gordon Green, and Jonah Hill, and Michael Cera, and Drew Barrymore, and all of those people - those are the best people in comedy to work with. Anna Faris. You know, that's my goal, to keep learning and to just keep working with the best people I can. And yeah, we do all hang out, and we all kind of know each other.

The remarkable thing about 9/11 was that journalism pretty much put down its badges. People didn't worry about reacting as human beings. People who weren't reporters reported. David Letterman was sort of a brilliant reporter for a second - but it was a way nobody had ever covered a story. They just presented what was inside themselves.

I suppose a good director is like a teacher. I think that someone like David Cronenberg was very much like a teacher, because there's an openness, but a certain set of rules of behavior, and a certain conduct expected. But there's an atmosphere that's relaxed and conducive to exploration, and that is created by someone like Cronenberg.

David Harrington asked me to write a piece for Kronos Quartet for a performance in Prospect Park, Brooklyn. I live just two blocks from the park and spend many mornings running around it. The park for me symbolizes much of what I love about New York, especially the stunning diversity of Brooklyn with its myriad cultures and communities.

I love soccer, love tennis... Roger Federer has been a favourite for a long, long time. The kind of consistency he has shown, 16 Grand Slam titles... The way he handles himself in pressure situations is admirable... He is so calm... In soccer, I'm a huge fan of Barcelona... I like watching Cristiano Ronaldo, Lionel Messi and David Villa.

When Justice White retired, he gave me the chance to work for Justice Kennedy, as well. Justice Kennedy was incredibly welcoming and gracious, and like Justice White, he taught me so much. I am forever grateful. And if you've ever met Judge David Sentelle, you'll know just how lucky I was to land a clerkship with him right out of school.

I know I had my equivalents in Adrian Lester and Lenny James when I was at drama school. I remember David Harewood doing 'Othello' at the National, and Adrian Lester having done Cheek by Jowl's famous 'As You Like It and Company' at the Donmar. Not necessarily performances I saw, but just the fact they happened was massively encouraging.

Davy Jones was the grooviest of the Monkees, which makes him one of the grooviest pop stars who ever existed. He was the best dancer in the Monkees, the Cute One, the one with the coy English accent, the bowl-cut boy-child who shook those cherry-red maracas and always got the girl. He was also the guy who stole David Bowie's original name.

I call my ring Procter and Gamble, because David paid for it through his first commercial from Head & Shoulders. When I met David, he was waiting tables. He was below broke, in deep debt, but I followed my heart. When you're looking for a mate, don't look at his current status, but his present potential that will become a part of his future.

Something happened to the State of Israel. What was morally obvious in 1948 is not so obvious anymore. When the State of Israel was established, it was, for the parents and grandparents of these young Jews, a miracle. It was David and Goliath. We were the just cause. It was about values. We were small, but we were the good guys in the world!

At a book festival in Fort Lauderdale, I met David Eisenhower, Ike's grandson, who was promoting his book 'Going Home to Glory: A Memoir of Life with Dwight D. Eisenhower,' in which he describes attending the Yankees' 154th game in 1961. The whole family had been following Mantle and Maris chase Babe Ruth's home run record across the country.

When he came to television, there was no way I wasn't going to watch. Of course, he delivered everything that you would expect David Lynch to deliver, and more, and he was doing it in primetime network television. Even as a 14-year old, I wanted someone in the room with me that I could look over and say, 'Can you believe we're watching this?'

Media is so weird; everything is so accessible now. It used to be this thing where, if you did something on 'This American Life,' this predates me, but when David Sedaris did it, for example, it would just play, people who heard it heard it, and then the book would come out a year later, and people would be like, 'Ahh, I kind of remember that.'

All the work I do is personal, so the good stuff and the bad stuff that you see in there is all good stuff and bad stuff that I have, and part of the journey, for me, has been to embrace these things that I find embarrassing about myself: my stubbornness, my ego, my maudlin-ness - these things that I see myself do, and I go, 'Oh, David, stop that!'

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