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I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
Germany's Angela Merkel exudes an atmosphere of elderly exhaustion and pooped-out pessimism. Britain's David Cameron, though by nature exuberant, feels he has to look and sound glum. And France's leader, Francois Hollande, seems determined to drive every successful businessman out of the country.
We are all socialists now, it seems. John McCain, David Cameron and Gordon Brown attack bankers' irresponsible behaviour and salaries, and call for state intervention in the financial markets. But these calls will not get them elected or re-elected if they are addressed only to the banking sector.
I think someone like Khandi Alexander, who's now on 'Treme,' is one of the most extraordinary actresses I've seen in years. But she's dependent on someone brilliant like David Simon to realize that and to give her a forum. Tyler Perry's not interested in that kind of nuance because it doesn't sell.
Whenever I approach a record, I don't really have a science to it. I approach every record differently. First record was in a home studio. Second record was a live record. Third record was made while I was on tour. Fourth record was made over the course of, like, two years in David Kahn's basement.
I've been lucky to have opportunities with David Lynch in 'Lost Highway' and Jennifer Lynch in this movie 'Surveillance,' so I've always boomeranged around a little bit, and no one has caught my foot in the trap yet, but I think if I move fast enough... 'cos I think I got trapped a couple of times.
It's gone on my whole life, this David and Goliath syndrome that a lot of these smaller guys always have. They think the only reason I've ever had any success in my career is because of my physical size. And you know what? If that's the case, so be it. I really don't care. Because I have that size.
Every Olympics, when I was growing up and playing basketball, my parents and I made it a point to sit down and watch the U.S.A. compete. To join that team later, and play and practice one-on-one with David Robinson, Larry Bird, Chris Mullens and all these guys I looked up to, was a dream come true.
Nobody told David Clarke what to think, what to feel, what to say, what to believe in, who to marry, what kind of food to eat - you know that thing that the race hustlers like to say defines your blackness? But yet every time I look in the mirror in the morning, I see a black guy looking back at me.
In Iraq, I listened to David Petraeus speak every day about how we had to rebuild Iraq's oil infrastructure and protect it. But, if we're going to go trillions of dollars in debt over Iraq, why can't we go billions of dollars in debt and make every single coal-producing plant clean in West Virginia?
For those of us who spent our careers competing with David Broder, the hardest thing to abide was the inevitable comparison. If someone said Jack Germond - or Jules Witcover or Walter Mears or whoever - 'is a pretty good political reporter,' the default response would be, 'but he's no David Broder.'
I have more faith in doing something creative for a cable station or something like Yahoo or Google or Amazon. What Netflix did with 'House of Cards' and David Fincher was brilliant. That is inspiring to me. I think there is more chance for creativity in animation, it just hasn't happened there yet.
When I did 'Racing Demon' by David Hare, I worked with Paul Giamatti, who had stacks of books in his dressing room. I was offstage a lot, so I would go read in his room. He was reading a four-part series on the Byzantine Empire by Alexander A. Vasiliev. I read two of those during the run of the play.
Well, the mission statement of Heart of David is that we're a ministry of evangelism and encouragement. Evangelism meaning that I evangelize I travel on a weekly basis to churches not only churches but I find myself doing a lot more men's events, I talk to a lot more men and I go to a lot of prisons.
I didn't plan to be a politician. The founder of our country, David Ben-Gurion, called me from the kibbutz to serve in the underground. We were short of manpower, short of arms. I was 24 years old. I was supposed to serve my country for one or two years. I am 89 years old this year, and I keep going.
I'm struggling with what is epic. People decided I was epic - if by epic, do you mean a big, heavy book? 'David Copperfield' is a big book - is it epic? Amount of time covered, length, drama, or story - that's the real appeal - if the story is long you have a better chance of becoming more connected.
I went into Guitar Center, and David Koresh and Steven Schneider were looking at a drum set, and they asked me to play it. They handed me their card, which said, 'Messiah Productions.' All this religious scripture was written on the back. The last thing I wanted was to join any kind of Christian band.
Somebody had given me a copy of 'Hunky Dory,' which had yet to be a hit, although it was starting to percolate. I'd seen a couple of pictures of David, with his interesting hairdo and outfits, and I decided to seek him out, which wasn't difficult back then, as he was eager to do any kind of publicity.
I once interviewed David Herbert Donald, the Lincoln historian, and we talked about how one deals with the secondary sources and the previous biographies. He said something which kept coming back to me as I worked on Cleopatra, which was: 'There's no further new material; there are only new questions.'
It's fun to look at people that are so good at acting that aren't actors, like David Bowie creating a mystique about rock n' roll. I've listened to 'Ziggy Stardust' as much as any rock n' roll fan - I don't really know what it's about, but it sure is fun to think about David Bowie as this mad creation.
When I came to Hollywood, I would take the opportunity to get to know George Stevens or Willy Wyler or Billy Wilder or Freddie Zinnemann. David Lean I got to know, of course, in London. And David Selznick and Darryl Zanuck, not to mention Jack Warner, and Sam Goldwyn was actually very, very nice to me.
I like to use the analogy of going to the gym. If you go to the gym and your goal is, 'I want to look just like David Beckham,' then that drives you to do certain things. You may never look like Beckham, but it is a goal. Cities need the same thing. They need a vision and a plan for their ideal physique.
The beautiful despair is never fruitless. It keeps you going. Like when I first heard Bob Dylan do 'Things Have Changed,' or any time I see any work of art really beautifully done, like Michelangelo's 'The David' or that movie 'Lost in Translation' - it inspires me to try and find my own version of that.
To all the people that he hurt, I'm not - I can't be an apologist for David Koresh, but I feel for people that have had negative experiences at the hands of David. Let me put it that way. I think about those people, whether I agree with them on every point or not. Everyone has a right to their experience.
I did about 10-12 national commercials and then got one line parts in things like 'Curb Your Enthusiasm' and the show 'The Unit.' Got a little part in the movie 'Redbelt' by David Mamet and kept slowly grinding up and then started getting bigger parts in independents and getting noticed by Liz Meriwether.
I'll tell you this: you can look at all the masculine toughies you want - the Ben Roethlisbergers, the Russell Crowes, the David Petraeuses - but if you want to look at what a man should be - persevering, honest, a person who manifests his intellect into action - you need look no further than Roger Ebert.
I don't want to be judged next to guys like Suge Knight. I want to be measured next to David Geffen, Irving Azoff, and Clive Davis. Whether I measure up or not, I let my record speak for me. That's how I want to be judged - by what I've done, not by what people like Ice Cube and Dr. Dre have said about me.
What I treasure most at any moment is intimacy, surprise, a sense of mystery, wit, depth and love. A handful of cherished friends offer me this, and the occasional singer or film-maker or artist. But my most reliable sources of electricity are Henry David Thoreau, Shakespeare, Melville and Emily Dickinson.
And then 'Wanderlust,' Ken Marino and David Wain wrote the funniest - they're amazing. That was one of my most favorite creative experiences; we're all up at that commune, a small group of people. Everyone was funnier than the next. It was an amazing ensemble feeling. Everyone gave and took in the best way.
I was a student in London in the '70s, so CBGB really wasn't on my radar at all. Obviously, I was aware of the emergence of the Police in England and as an art student, I was very aware of David Byrne, but I suppose my musical taste at that time certainly didn't stretch towards the Dead Boys or the Ramones.
I've known the poet Eileen Myles since the 1990s, when I first moved to New York, and I remember seeing her walking her Pit Bull Rosie around the East Village. She had these beautiful arms and David Cassidy hair and the sort of swagger so many of the gay boys I knew wished we had. We all had crushes on her.
I also learned to play Fruit Ninja on an iPad. It is quite hypnotic, and I hope one day to get past 100 points. I remembered that David Cameron admits to being an addict. I wonder if it helps him in his work. 'Great, just destroyed a pineapple! Reminds me, shall we send those grenades to the Syrian rebels?'
I certainly know that on our first tour of America in 1968, David Crosby came to see us backstage at the Fillmore East in New York, and I was very pleased to meet him from Buffalo Springfield and that kind of stuff. He didn't ask me anything about the music, but he said, 'Where'd you get your clothes, man?'
The genre of narrative business books that I love so much - the ones that have a you-are-there quality - was invented, or so it is said, in 1982 by David McClintick, who wrote 'Indecent Exposure,' a rollicking good read about a Hollywood scandal and the ultimate boardroom power struggle at Columbia Pictures.
On balance, my life has been a constant stream of blessings rather than disappointments and failures and tragedies. I wish I had been re-elected. I think I could have kept our country at peace. I think I could have consolidated what we achieved at Camp David with a treaty between Israel and the Palestinians.
My friends once told me I remind them of the main character from the American comedy series 'Curb Your Enthusiasm.' I thought they must mean a sunny, affable girl-next-door, but instead I was confronted with Larry David! Crabby, moody, perversely neurotic Larry David. And the thing is, my friends were right.
I think that 'Mr. Show' was a huge influence on me. It was literally the reason I started doing comedy, because I was asked to do a bit at The Comedy Store, and B.J. Porter and I went to see Bob and David - who I'd never heard of - do a live show, which was one of the shows that got them the 'Mr. Show' show.
The scripture is filled with examples of genuine masculinity; you could mine David's story for probably a year by itself. And we have to get the masculinity of Jesus back. Not the pale-faced altar boy, but the man that made a weapon and cleared the temple, who boldly cast out demons and calmed the raging sea.
You have to go into rehab after doing a David Walliams book. David is such an important man; publishers rate him very, very highly, His books usually go straight to the bestseller number one spot on the day of publication. He is a hugely important writer as far as HarperCollins, his publishers, are concerned.
If what I've been told is true - and I believe it is, General David Petraeus, a commander with soldiers deployed in two theaters of war, has had multiple meetings with Dick Cheney, the former vice-president of the United States, to discuss Petraeus's candidacy for the Republican nomination for the presidency.
David Beckham is a patriot, and I am sure he will help in any way he can. Beckham needs to be part of any future plans to remould the England set-up. Beckham and players like him need to be integrated into the set-up in the same way that the Germans take on board former players from Beckenbauer to Rummenigge.
I phoned the KKK Grand Wizard David Duke in Louisiana and asked why my membership was being delayed. He said my application was on his desk and promised to deal with it personally. It was the first of many conversations with David Duke. We talked about his family, the weather, and about his political ambitions.
Who have I been starstruck by in real life? One of the weirdest ones was, when we were making 'Cry-Baby,' David Nelson from 'The Adventures of Ozzie & Harriet.' I couldn't believe he was sitting in my living room. Certainly Patricia Hearst. Tab Hunter. A lot of the stars I've worked with, when I first got them.
You can approach the guitar like a voice. That's the best way of looking at it. If you are singing, you can't keep going a million miles an hour. You can only fit so many syllables in, so think about what you can sing through your guitar. Players like David Gilmour and Neal Schon are great at that kind of thing.
A part of me looks at life from a dismal perspective, not unlike Woody Allen and Larry David. But I don't want to look at life like that. It's bad enough that I have to think it. What works for me is writing against that view. There is God, there is love, there is greatness, there is a plan, and there is beauty.
Somebody said something funny to me the other day. They said, 'Wolper, until two weeks ago, your tombstone was going to say, 'David Wolper, the man who produced 'Roots.' I think the tombstone now has a new inscription. It's going to be 'David Wolper, the man who produced the opening ceremony of the 1984 Olympics.'
My daughter Stacia was born when I was 31, after I was divorced from David, and she was my gift to myself. She was just a joy because I didn't have the stress of a male irritating me, and I vowed that I would make absolutely certain that between her and me there would be a clear line of communication at all times.
The most common thing over the years is, 'What's it like to work with David Lynch?' That's absolutely the fascination, whether it's people that are in the industry or it's just diehard fans. Because he's our modern-day master. We're lucky enough to be alive at the time that an absolute master and genius is working.
When I write something, I want the best director to direct it. And that's not going to be me. So when David Fincher comes along and wants to direct 'The Social Network,' when Bennett Miller comes along and wants to direct 'Moneyball,' or when Danny Boyle wants to direct 'Jobs'? Hallelujah. I want them directing it.
Once you understand that Goliath is much weaker than you think he is, and David has superior technology, then you say: why do we tell the story the way we do? It becomes, actually, a far more meaningful and important story in its retelling than in the kind of unsophisticated way we've done it for, I think, too long.