Quotes of All Topics . Occasions . Authors
I'm a big David Lynch fan.
David Lynch helped me be cool.
I just wanted to work with David Lynch.
I'd like to work with David Lynch again.
'Twin Peaks' was my gateway for David Lynch.
I will be working with David Lynch when I'm 80.
It's a strange world, as David Lynch would say.
Working with David Lynch, rules go out the door.
I'm a massive fan of David Lynch and 'Twin Peaks.'
You must always watch when David Lynch makes anything.
I love David Lynch movies, and I like Haruki Murakami books.
'Twin Peaks' without David Lynch is like a dog without a bark.
Twin Peaks' without David Lynch is like a girl without a secret.
I'd really love to watch David Lynch work, to be a fly on the wall.
But I would love to work with David Lynch, if I could. He's my hero.
I'd love to work with David Lynch. I'm such a big fan. He's a genius.
I like David Lynch; I like Stanley Kubrick. I'm a big fan of Kubrick.
'Twin Peaks' is a continuing story; that comes from David Lynch and myself.
To David Lynch, any film or television show should be life casting a shadow.
When I was going to film school, before film school, my hero was David Lynch.
David Lynch is a very kind and warm-hearted man. I really think he's brilliant.
If David Lynch wants me to audition I will do it. But a young filmmaker, no. I won't.
As soon as someone like me or David Lynch pops up everyone says hallelujah, how weird.
I admire David Lynch so much, and I think he made some bad decisions with Lost Highway.
I wanted to go to Jupiter. That was my plan from day one, and David Lynch gave me the ticket.
I really wanted to work with David Lynch. I was a big fan of The Elephant Man and Eraserhead.
No I didn't audition, I didn't even know David Lynch till the week before I started the film.
But my mother loved The Elephant Man, and my father gave David Lynch a scholarship to study in Rome.
I think that David Lynch, he lives in a zone, and he expresses that zone to us with everything he does.
David Lynch was very good, very patient with us, and the reaction in the United States seems pretty good.
David Lynch saw my picture in a casting agent's office in Seattle. I got a call to see him, and the rest is history.
I worked with the best directors - Martin Scorsese, John Huston, David Lynch, Alfred Hitchcock. Alfred Hitchcock was great.
David Lynch is like that - every sound, every detail to the end of making the film, he never gives up. It has to be perfect.
David Lynch is my friend, and I love his movies and his art and his music. Few things make me happier than working with him.
Tom Hooper had done 'John Adams,' and David Lynch did 'Twin Peaks.' I figured I could do eight hours of television, and I wanted to.
When you work with David Lynch, you never know where he's going next and that's exciting. He's like a magician pulling out new tricks.
Our music would probably be a really dark ocean, so you may not know where you are. It's not so literal. It's like a David Lynch movie.
I wanted to work with Mike Leigh. I had my list of British people I wanted to work with, and I wanted to work with David Lynch and Woody Allen.
I was living in Seattle. I was 21 years old, just going to do theater. And I got a call that David Lynch was in town and wanted to meet with me.
The question I always ask is: 'Where are all the women directors in America?' You know, where's the female Martin Scorsese, the female David Lynch?
Working with David Lynch was like taking a bullet. A gun at you. 'Lost Highway' is, I think, one of the best films I've ever been in. It'll endure a long, long time.
When I first met David Lynch, he was living in the stables of the American Film Institute... He'd work all night and have his crew lock him in during the day, and he'd sleep.
Whereas my producer literally worked on this thing for 10 years and because I gave that presenter credit to David Lynch, she to this day never gets credit. It really kills me.
France and America have a long history of mutual loathing and longing. Americans still dream of Paris; Parisians still dream of the America they find in the movies of David Lynch.
My first introduction to television, and really just the business in general, was working with David Lynch, with his incredibly open, creative mind that was not following any rules.
I grew up in Colorado - went back there, tried to heal myself and grow and learn, then got a call that David Lynch wanted me to fly back to Seattle so he could meet me for Twin Peaks.
We don't have to look back at da Vinci's work and Albert Einstein's work and Mozart's work. We're actually living in the time period that David Lynch is creating his art. We're so lucky.
For me, the key is years of the blessed filmmakers I've worked with giving me permission to be bold and jump off cliffs and to be boundaryless. I would put David Lynch at the top of that list.
The thing that interested me, there are so many filmmakers I admire - like David Lynch and Quentin Tarantino - they have these themes where there's not much going on, but they were suspenseful.
I've worked with some of the best of them. Not just directors like Sam Peckinpah and David Lynch, but writers like Sam Shepard and singers like Bob Dylan, Willie Nelson, and Kris Kristofferson.