Ordinary men live in fear all the time. Didn't you know that? We're afraid of the weather, we're afraid of powerful men, we're afraid of the night and the monsters that lurk in the dark, we're afraid of growing old and of dying. Sometimes we're even afraid of living. Ordinary men are afraid almost every minute of their lives.

I think that the thing is, all those years of creating music or trying to express something of a dark shadow, an existential angst that I have felt most of my life and still feel today, to not be overwhelmed by it. Music, in a way, is a great vehicle, a means by which one can express all these somewhat contradictory feelings.

It was a dark and stormy night; the rain fell in torrents - except at occasional intervals, when it was checked by a violent gust of wind which swept up the streets (for it is in London that our scene lies), rattling along the housetops, and fiercely agitating the scanty flame of the lamps that struggled against the darkness.

Because I am a bad girl, people always automatically think that I am a bad girl. Or that I carry a dark secret with me or that I'm obsessed with death. The truth is that I am probably the least morbid person one can meet. If I think more about death than some other people, it is probably because I love life more than they do.

Animals see a video of the world. If an animal were only to see still images, how would its vision develop? Neuroscientists have run experiments in cats in a dark environment with a strobe so it can only see still images - and those cats' visual systems actually underdevelop. So motion is important, but what is the algorithm?

Had I the heavens' embroidered cloths, Enwrought with golden and silver light, The blue and the dim and the dark cloths Of night and light and the half light, I would spread the cloths under your feet: But I, being poor, have only my dreams; I have spread my dreams under your feet; Tread softly because you tread on my dreams.

You should be thankful that dark colors suit you. Not everyone wears black well." "Why, Lady Olivia, is that a compliment?" "Not so much as a compliment to you as an insult to everyone else," she assured him. "Thanks heaven for that. I don't think I would know how to conduct myself in a world in which you offered compliments.

I was living in a terrible time when people were being accused of being communists, and they attacked the movie industry, especially the writers. People couldn't work if they were on the blacklist. The studios banned them. It was the most onerous period in movie history. I don't think we have ever had a period so dark as that.

Polly Jean, I love you. I love the texture of your skin, the taste of your saliva, the softness of your ears. I love every inch and every part of your entire body. From your toes and the beautifully curved arches of your feet, to the exceptional shade and warmth of your dark hair. I need you in my life, I hope you need me too.

But I know I would not go out. I had taken this time to fall in love instead — in love with the sort of helplessness I had not felt in death — the helplessness of being alive, the dark bright pity of being human — feeling as you went, groping in corners and opening your arms to light - all of it part of navigating the unknown.

I think I connect to people who could be written off as wild or dark, or who are just full of fire and looking for a place to put that fire. It's an important lesson to learn, and it's something I did learn: you live on behalf of others and you're happier and you have purpose. And you have a great excuse to have all that fire.

Everyone watched, wondering if this could be the same lunatic who'd nearly berthed his ornithopter in the restaurant. I swallowed, for it seemed he was headed straight for my table. He pulled off his helmet and a mass of dark auburn hair spilled out. Off came the goggles, and I was looking at the beaming face of Kate de Vries.

Whenever I wore a bathing suit, I kept a sarong around my hips that went halfway down my thighs. The tops of my thighs are like baby skin. Where the sarong ended, I can see sun damage: I've got dark spots and places where there is no melanin. The spots are not pretty, so I encourage everyone to protect their skin from the sun.

'Waveform' puts you in charge of the wavy pathway of a ship in space. Hit the good stuff and avoid the bad things. While it sounds simple, this title will keep you on your toes as you try to navigate the dark inky space. By hitting the items you want or following the correct path, you build up your combo as well as your speed.

There's this movie, 'Zero Dark Thirty' about the hunt for Osama bin Laden. Some have complained that too many 'secrets' were dished out by the intelligence and special operations communities to director Kathryn Bigelow, screenwriter Mark Boal and their crew, part of a broader pattern of using intelligence for political effect.

I loved IRON MAN: Robert Downey Jr. has been and probably will be my favourite actor for a long time…but IRON MAN, THE INCREDIBLE HULK, SUPERMAN RETURNS and all the others feel a little like Saturday morning cartoons next to the carbon black glory that is 'The Dark Knight.' Trust me, *this* is the future of this sort of thing.

But, my dear, so few things are fulfilled: what are most lives but a series of incompleted episodes? 'We work in the dark, we do what we can, we give what we have. Our doubt is our passion and our passion is our task...' It is wanting to know the end that makes us believe in God, or witchcraft, believe, at least, in something.

One day, I started writing, not knowing that I had chained myself for life to a noble but merciless master. When God hands you a gift, he also hands you a whip; and the whip is intended solely for self-flagellation... I'm here alone in my dark madness, all by myself with my deck of cards - and, of course, the whip God gave me.

Do not let us speak of darker days, let us speak rather of sterner days. These are not dark days: these are great days-the greatest days our country has ever lived; and we must all thank God that we have been allowed, each of us according to our stations, to play a part in making these days memorable in the history of our race.

You actually do confront your dark side, your impulses, or your feelings of sibling rivalry in Cinderella or whatever. You admit that they exist and then you work through them and conquer them and come out living happily ever after having learned something. That's one reason why the fairy tales keep having traction and meaning.

The night ... it is filled with bestial watchmen, trammeling the extremities and the interstices of the timeless city, portents fallen, constellated deities plummeting in ash and smoke, roaming the apocryphal cities, the cities of speculation and reconstituted disorder, of insemination and incipience, swept round with the dark.

Neiman's book is written with considerable flair, as many critics have already noted, but it possesses a far rarer and more valuable quality: moral seriousness. Her argument builds a powerful emotional force, a sense of deep inevitability. . . . It is not often that a work of such dark conclusions has felt so hopeful and brave.

Obviously the whole Wayward thing hasn't been explained to you properly. You don't have any superpowers. You can't leap over tall buildings in a single bound or fight Dark Casters with your magic cat. Basically, you're a glorified tour guide who's no better equipped to face a bunch of Dark Casters than Mary P. over here -Ridley

There is a real attempt to sanitize the CIA killings and to glorify the CIA and to give it a new face. That's what happened with Zero Dark Thirty, that's what happened with Michelle Obama... When she appeared my jaw dropped; I couldn't believe it... These were really a disgusting propaganda films, glorifying the role of the CIA.

Today, in the Twenty-First Century, an age of jet aircraft, personal computers, wireless telecommunications, laser surgery, and incipient space travel, the mentality with which many presumably educated, intelligent people approach matters of economics and business is, however astonishing it may seem, still that of the Dark Ages.

For me there was-is-nothing better than walking on the beach late at night. It feels like you could walk forever, like the whole night is yours and so is the ocean. When you walk on the beach at night, you can say things you can't say in real life. In the dark you can feel really close to a person. You can say whatever you want.

Look, I like gritty. I write gritty. There is a time and a place for gritty. I'll take my Batman gritty, thank you, and I will acknowledge that such a portrayal means that my 11-year-old has to wait before he sees The Dark Knight. But if Hollywood turns out a Superman movie that I can't take him to? They've done something wrong.

So - here I am in the dark alone, There's nobody here to see; I think to myself, I play to myself, And nobody knows what I say to myself; Here I am in the dark alone, What is it going to be? I can think whatever I like to think, I can play whatever I like to play, I can laugh whatever I like to laugh, There's nobody here but me.

I started to do stop-motion when I was a kid. You take a Super 8 and make some models, and move, click, move, click. All that. I love all forms of animation, but there is something unique and special to stop-motion: it's more real and the set is lit like a set. But I think it's also a kind of lonely and dark thing to want to do.

When I write, it's intimate. I write in the car, and I don't even hear, like, ambulances driving past me because I'm in my car, listening to the music, writing. I record in an attic with no booth. It's not like I'm in the dark with candles, but it's like a house, a home, and I record like that. I think that plays into the music.

Do but take care to express yourself in a plain, easy Manner, in well-chosen, significant and decent Terms, and to give a harmonious and pleasing Turn to your Periods: study to explain your Thoughts, and set them in the truest Light, labouring as much as possible, not to leave them dark nor intricate, but clear and intelligible.

Intimacy is not trapped within words. It passes through words. It passes. The truth is that intimates leave the room. Doors close. Faces move away from the window. Time passes. Voices recede into the dark. Death finally quiets the voice. And there is no way to deny it. No way to stand in the crowd, uttering one's family language.

And neither do I, asshole. (Wren) Wow. Multiple syllables and a whole sentence from the tiger. Who’d have ever thought it? Whoever she was, she must have had a lot of talent to make you speak. Next thing you know, she’ll have the dead walking. Quick, call a Dark-Hunter. I’m sure some of them would like another resurrection. (Dev)

When my hair was dark for 'House,' that was the hardest to maintain because it was like every three weeks my light roots would start coming in. And you can't really just dye your hair one color brown because then it looks like a helmet on television, so then I had to have four colors of brown woven into my hair every three weeks.

Comeback records always worry me, especially when they're made by one of my heroes, and I'd heard stories about Gil Scott-Heron recently, about drug arrests and prison terms and other troubles. I wasn't prepared for the ravaged shakiness of his voice on this record or the raw spoken word pieces or the dark electronic backgrounds.

I was unfair to him, of course, but where would I have been without unfairness? In thrall, in harness. Young women need unfairness, it's one of their few defenses. They need their callousness, they need their ignorance. They walk in the dark, along the edges of high cliffs, humming to themselves, thinking themselves invulnerable.

This is a dark time, filled with suffering and uncertainty. Like living cells in a larger body, it is natural that we feel the trauma of our world. So don’t be afraid of the anguish you feel, or the anger or fear, because these responses arise from the depth of your caring and the truth of your interconnectedness with all beings.

The subject I liked best was painting, but the teachers didn't approve of my experiments and sometimes criticized me in front of the whole class. Maybe my love for photography came from that humiliation: a photo is something that you develop and print yourself, in the dark, and that remains in the dark until you decide to show it.

When a president makes life and death decisions, he should draw strength and wisdom from broad and deep experience with the reasons for and the risks of committing our children to our defense. For no matter how many others are involved in the decision, the president is a lonely man in a dark room when the casualty reports come in.

As I came home through the woods with my string of fish, trailing my pole, it being now quite dark, I caught a glimpse of a woodchuck stealing across my path, and felt a strange thrill of savage delight, and was strongly tempted to seize and devour him raw; not that I was hungry then, except for that wildness which he represented.

The snow drifted down and down, all in ghostly silence, and lay thick and unbroken on the ground. It was a place of whites and blacks and greys. White towers and white snow and white statues, black shadows and black trees, the dark grey sky above. A pure world, Sansa thought. I do not belong here. Yet she stepped out all the same.

The more closely the author thinks of why he wrote, the more he comes to regard his imagination as a kind of self-generating cement which glued his facts together, and his emotions as a kind of dark and obscure designer of those facts. Reluctantly, he comes to the conclusion that to account for his book is to account for his life.

Somehow the killing of the giant spider, all alone by himself in the dark without the help of the wizard or the dwarves or of anyone else, made a great difference to Mr. Baggins. He felt a different person, and much fiercer and bolder in spite of an empty stomach, as he wiped his sword on the grass and put it back into its sheath.

I'm a light sleeper. I've never been one of those people who can put their head down and suddenly everything disappears. Nighttime is the time I get most scared, anxious or worried. In those darker moments before waking or sleeping is when I feel most, I don't know, I can turn on myself, and my imagination can take me dark places.

And while one is brought up with luxury and caresses, and is thrown bewildered and despairing into a dark pit, another is lifted from the pit and raised to a throne where a jeweled crown is placed on his head. The world has no shame in doing this; it is prompt to hand out both pleasure and pain and has no need of us an our doings.

Avice for a human. 87. Dark matter is needed to hold galaxies together. Your mind is a Galaxy. More dark than light. But the light makes it worthwhile. 88. Which is to say: don't kill yourself. Even when the darkness is total. Always know that life is not still. Time is space. You are moving through that galaxy. Wait for the stars.

I have likewise made many 'skies' and effects - for I wish it could be said of me as Fuselli says of Rembrandt, 'he followed nature in her calmest abodes and could pluck a flower on every hedge - yet he was born to cast a steadfast eye on the bolder phenomena of nature'... We have had noble clouds & effects of light & dark & color.

Our self-identification changes with our environment, but sometimes those dark thoughts permeate within us and there are those who are able to fight off those thoughts and others who don't want to fight them, or have just given in for whatever reason and whether they know the darkness they act upon is wrong, they love the darkness.

The rise of the anti-hero can be traced to a litany of social reasons. Post World War I, for instance, saw the blooming of some pretty dark stuff - I'm thinking of Dashiell Hammett's Red Harvest, for instance, when "The Continental Op" shows up in Poisonville to clean up the town...and proceeds to kill something like thirty people.

They say it's not the snoring itself but those anxiety-packed moments in between snorts. It's the waiting for the nasal passages of the person lying beside you to strike again. And strike it always does. In the dark, almost against your will, you produce that special glare reserved for people who cannot control their own behaviour.

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