Dark Quotes - Page 112

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Russell Hoban created a tremendous marriage of characters and philosophy. The plots, the wind-up toy characters, the settings, they all work together to support basically a dark vision that the world is kind of a dump. And we all have to find our ways of surviving in it and of making it a better place. It's a world where we don't have much help, other than what we bring to the table. It's a world in which brotherly love counts more than anything else.

Who are you?" "I am Death," said the creature. "I thought that was obvious." "But you're so small!" "Only because you are small. You are young and far from your Death, September, so I seem as anything would seem if you saw it from a long way off-very small, very harmless. But I am always closer than I appear. As you grow, I shall grow with you, until at the end, I shall loom huge and dark over your bed, and you will shut your eyes so as not to see me.

There is a struggle inside you between these two parts. It's as if at times your heart becomes a battlefield! The secret part, full of light, seems so small and weak in the face of the discouraging and morbid part, which seems enormous and overwhelming. However, if you light a small candle in a dark room, everything is lit up. It is a matter of trusting in this little light in the deepest part of your being which can gradually chase away the darkness.

He is the dark prince. The all-powerful one. The leader of the creatures of the night." Then Meena said, "I'm confused then. I thought the prince of darkness was the devil." [......] "Wait," Meena said, blinking. " Are you saying....." "Yes," Alaric said. "That is exactly what I'm saying." Jon looked blank. "I don't understand. Is he the devil or not?" "Lucien Antonescu," Alaric said. "is a vampire. Not just any vampire, but the ruler of all vampires.

I really wish that peoplewould just say, 'Yes, it's a comic. Yes, this is fantasy. Yes, this is Science Fiction,' and defend the genre instead of saying, 'Horror is a bit passe so this is Dark Fantasy,' and that' s playing someone else's game. So that's why I say I'm a fantasy writer and to hell with 'It doesn't read like what I think of as a fantasy'. In that case what you think of as a fantasy is not a fantasy. Or there is more to it than you think.

It was September, and there was a crackly feeling to the air. I was saying something that was making her laugh, and I couldn't stop looking at her. It was a little bit chilly, and her cheeks were pink, and her dark hair was flowing around her face. All I wanted for the rest of my life was to keep making her laugh like that. Sometimes our arms brushed against each other as we walked, and it was like I could feel the touch for minutes after it happened.

Forgiveness is not a moral issue. It is an energy dynamic... Forgiveness means that you do not carry the baggage of an experience. When you choose not to forgive, the experience that you do not forgive sticks with you. When you choose not to forgive, it is like agreeing to wear dark, gruesome sunglasses that distort everything, and it is you who are forced every day to look at life through those contaminated lenses because you have chosen to keep them.

His frown was less dark and more confused. "What's new for you? Dancing?" And so much more, but all I said was, "Yes." "And you let some strange college boy grind all over you for your first time? That's stupid, Ali." Not going to be embarrassed, not going to be embarrassed. "First, he wasn't grinding on me, and second, you're no better than him." A solid minute of silence, then "You are terrible for my ego, you know that?" I could say the same to him.

Superhero science has taught me this: Entire universes fit comfortably inside our skulls. Not just one or two but endless universes can be packed into that dark, wet, and bony hollow without breaking it open from the inside. The space in our heads will stretch to accommodate them all. The real doorway to the fifth dimension was always right here. Inside. That infinite interior space contains all the divine, the alien, and the unworldly we’ll ever need.

I have realized that part of being Dauntless is being willing to make things more difficult for yourself in order to be self-sufficient. There's nothing especially brave about wandering dark streets with no flashlight, but we are not supposed to need help, even from light. We are supposed to be capable of anything. I like that. Because their might come a day when there is no flashlight, there is no gun, there is no guiding hand. And I want to be ready.

We may say that feelings have two kinds of intensity. One is the intensity of the feeling itself, by which loud sounds are distinguished from faint ones, luminous colors from dark ones, highly chromatic colors from almost neutral tints, etc. The other is the intensity of consciousness that lays hold of the feeling, which makes the ticking of a watch actually heard infinitely more vivid than a cannon shot remembered to have been heard a few minutes ago.

This does not mean that the profession is about to abandon Darwin forever or indorse [sic] my views publicly. The situation remains much as it was: the inner circles are full of doubt, but the public utterances are confident. The doubts may be greater now and the confidence less serene, but it will be a long time before the public is given the full dark picture. There is still need for a dissenting voice, a devil's advocate, a skeptical whistle-blower.

The music enchanted the air. It was like the south wind, like a warm night, like swelling sails beneath the stars, completely and utterly unreal... It made everything spacious and colourful, the dark stream of life seemed pulsing in it; there were no burdens any more, no limits; there existed only glory and melody and love, so that one simply could not realize that, at the same time as this music was, outside there ruled poverty and torment and despair.

Spaces devoted to Hannibal Lecter’s earliest years differ from the other archives in being incomplete. Some are static scenes, fragmentary, like painted attic shards held together by blank plaster. Other rooms hold sound and motion, great snakes wrestling and heaving in the dark and lit in flashes. Pleas and screaming fill some places on the grounds where Hannibal himself cannot go. But the corridors do not echo screaming, and there is music if you like.

...He went to Scotland and studied under Lister...("Lister was persecuted by the British Medical Association. He was threatened with having his license revoked.") Yet in Lister's hospital virtually no one died as a result of operations because Lister had developed a carbolic acid wash and disinfectant. Dr. Keen came back from Scotland...He was referred to as a crazy Listerite.....He was denied an opportunity to practice in every hospital in Philadelphia.

Individuals for whom no orthodox cure is available surely are entitled to select a health care approach.....This right (is) specifically within,,,the 1st, 4th, 5th, 9th, and 14th amendments to the (US) Constitution....To be insensitive to the very fundamental civil liberties....(:) the choice...of the person whose body is being ravaged (by disease), is to display slight understanding of the essence of our free society and its constitutional underpinnings.

Then you know that Sam was the true hero of the tale,' Sayna said. 'That he faced far greater and more terrible foes than he ever should have had to face, and did so with courage. That he went alone into a black and terrible land, stormed a dark fortress, and resisted the most terrible temptation of his world for the sake of the friend he loved. That in the end, it was his actions and his actions alone that made it possible for light to overcome darkness.

You may be going through a trial so overwhelming that it's borderline unbearable. You want to see the end of the tunnel. Which is only natural, because once we see that little speck of light, we feel we can make it through to the finish. But God's tunnels are often twisting, too complex and dark to see the light for many days. In such settings He says, "In that dark, twisting, seemingly endless period of time, trust Me. Stop running scared! Stop fearing!"

I have been told I've got a darkish personality. A few times." Takahashi swings his trombone case from his right shoulder to his left. Then he says, "It's not as if our lives are divided simply into light and dark. There's shadowy middle ground. Recognizing and understanding the shadows is what a healthy intelligence does. And to acquire a healthy intelligence takes a certain amount of time and effort. I don't think you have a particularly dark character.

As your consciousness becomes more settled, all your life patterns change. What religions have called sin will disappear from your life, and what they have called virtue will automatically flow from your being, from your actions. But they have been doing just vice versa: first change the acts... It is as if you are in a dark house, and you are stumbling over furniture and over things, and you are told that unless you stop stumbling, light is not possible.

Like everybody else, I've got dark and light, trying to hold onto the civilized part and use it successfully. I'm sure that includes competition, but not in a way that I can recognize. Most of the games I like have more to do with the process of the game or the aesthetics. Racing's really about the aesthetics for me, not particularly the idea of coming in first - though I certainly appreciate a champion, and I like watching people do something really well.

What you're born with dictates your life. Do you run home after dark? Do you choose an apartment in a questionable neighborhood? I dated a guy a few years ago in California, actually who was, as we say in England, "built like a brick shithouse." He was a lovely guy, but I thought, his arms are as big as my head, he could kill me. I don't think that men would predict the kinds of things that women think about when you are contemplating having a relationship.

We often wonder why God gives and takes, constricts and expands. What we forget is that human beings understand things by their opposites. Without dark, we can’t understand light. Without hardship, we wouldn’t *experience* ease. Without the existence of deprivation and loss, we couldn’t grasp the need for gratitude or the virtue of patience. And without separation, we wouldn’t taste the sweetness of reunion. Glory be to the one who gives—even when He takes.

Tessa: "A little girl robbed you?" Will: "Actually, she wasn't a little girl at all, as it turns out, but a midget in a dress with a penchant for violence, who goes by the name Six-Fingered Nigel." Jem:"Easy mistake to make." (later) Will: "I want to be back before dark. I have an assignation in Soho this evening with a certain attractive someone" Tessa: “Goodness, If you keep seeing Six-Fingered Nigel like this, he'll expect you to declare your intentions.

Louis B. Mayer is one of those with a claim to posessing the equation... he began to buy up nickelodeon arcades in the years before the First World War in and around Boston. He had noticed that people liked going into the dark to see the light... the appeal of the movies is beyond the sensible, rational or the hard-working. Going into the dark, afte centuries of progress in which mankind has staggered toward artificial light, smacks of delicious perversity.

But there was not a moment when she did not see Carol in her mind, and all she saw, she seemed to see through Carol. That evening, the dark flat streets of New York, the tomorrow of work, the milk bottle dropped and broken in her sink, became unimportant. She flung herself on her bed and drew a line with a pencil on a piece of paper. And another line, carefully, and another. A world was born around her, like a bright forest with a million shimmering leaves.

People's minds are polluted by these dark pictures of the future from Hollywood: "The Terminator," the Skynet, "The Matrix." It's world where there's no room for humans, or they have to fight against the machines. I think it's just a way, way, way, way in the future. Is it going to happen? I don't know. For me, these debates are not similar, but they resemble debates about how the sun will turn into a supernova in 4 to 5 billion years. Frankly, I don't care.

He blinked a few times, each motion so slow that he was never quite sure if he’d get his eyes open again. He wasn’t wearing a shirt. Funny how he was only just realizing it. Funnier still that he couldn’t seem to summon any concern for her maidenly sensibilities. She might be blushing. He couldn’t tell. It was too dark to see. But it didn’t matter. This was Honoria. She was a good egg. A sensible egg. She wouldn’t be scarred forever by the sight of his chest.

I am lucky. I did not choose this life. It chose me. It's strange like that; not picking my path, but rather easing into the water and letting it carry me where it will. Yes, there will be nights where I feel like my destiny is at my fingertips and there will be nights I wish the lights were off and I could just make these sounds in the dark. Still, I will always be there, wherever there might be, staring into blackness hoping the blackness stares back at me.

The dark dangerous forest is still there, my friends. Beyond the space of the astronauts and the astronomers, beyond the dark, tangled regions of Freudian and Jungian psychiatry, beyond the dubious psi-realms of Dr. Rhine, beyond the areas policed by the commissars and priests and motivations-research men, far, far beyond the mad, beat, half-hysterical laughter... the utterly unknown still is and the eerie and ghostly lurk, as much wrapped in mystery as ever.

Oh, Myr," he chokes out. "I hate having to ask this of you..." He glances towards the car again, and I crouch down in the shadows, hoping it's too dark for him to see whether the window is open or closed. The woman pats his arm, cradling her hand against his elbow. "You know I'd do anything for you and Hil," she says. I like her voice. It's throaty and rich. "You'd do anything?" my father repeats numbly. "Even now? After -?" "Even now," the woman says firmly.

September 11 definitely opened our eyes, but when I was 19 or whatever on the last record, we just didn't care about anything. We were too young to care about anything. And then as you get older, you don't really have any excuse to be stupid anymore, to be in the dark. That just kind of opened everyone's eyes (which I probably wish it did to more people) that there's obviously something wrong, to try and figure out what it is and what's going on in the world.

When I'm teaching, I tell the story of this painting for two reasons. First of all, if you want a good solid color structure, you have to have a solid development in values, dark and light. Second, if you have a good design, don't leave it if you fail to render it to its full extent the first time around. Remember it's the design that's important. Try and try till you get the thing to work. That's why The Pattern Makers is a key picture in my painting career.

And what does the rain say at night in a small town, what does the rain have to say? Who walks beneath dripping melancholy branches listening to the rain? Who is there in the rain’s million-needled blurring splash, listening to the grave music of the rain at night, September rain, September rain, so dark and soft? Who is there listening to steady level roaring rain all around, brooding and listening and waiting, in the rain-washed, rain-twinkled dark of night?

Be careful what you say. It comes true. It comes true. I had to leave home in order to see the world logically, logic the new way of seeing. I learned to think that mysteries are for explanation. I enjoy the simplicity. Concrete pours out of my mouth to cover the forests with freeways and sidewalks. Give me plastics, periodical tables, TV dinners with vegetables no more complex than peas mixed with diced carrots. Shine floodlights into dark corners: no ghosts.

When you learn conflict-resolution skills in the playroom, you then practice them on the playground, and that in turn stays with you. If you have a combative sibling or a physically intimidating, older sibling, you learn a lot about how to deal with situations like that later in life. If you're an older sibling and you have a younger sibling who needs mentoring or is afraid of the dark, you develop nurturing and empathic skills that you wouldn't otherwise have.

It is the job of artists to open doors and invite in prophesies, the unknown, the unfamiliar; it’s where their work comes from, although its arrival signals the beginning of the long disciplined process of making it their own. Scientists too, as J. Robert Oppenheimer once remarked, ‘live always at the ‘edge of mystery’­—the boundary of the unknown.’ But they transform the unknown into the known, haul it in like fishermen; artists get you out into that dark sea.

It's easy to have a relationship and show each other only the beautiful shiny things. Sharing good parts about you is elementary, so finding a partner in life can't be only about showcasing these agreeable characteristics, but also the less impressive ones. In a strange way, true intimacy lies in that dark side-in making peace with the fact that it lives inside you somewhere-so that you can share it with the person and they can be there to help you overcome it.

Come on,"he said, gesturing toward the exit. "let's take a walk." "Where?" "It doesn't matter. We just need you calmed down or you'll be in no shape to fight." "Yeah? Are you afraid of my possibly insane dark side coming out?" "No, I'm afraid of your normal Rose Hathaway side coming out, the one that isn't afraid to jump in without thinking when she believes something is right." I gave him a dry look. "Is there are a difference?" "Yes. The second one scares me.

When Christian pushes into the brick wall of the building catty-corner to the rear of BB&B—first left on the Dark Zone side—and disappears, I melt down in a fit of the giggles. I toss a rock at the spot where he vanished. It bounces off the brick and clatters to the cobblestone. I'm feeling twenty shades of Harry Potter's train station, especially when he pokes his head out of the wall and says impatiently, "Come on, lass. This is hardly my favorite place to be.

What matters at this stage is the construction of local forms of community within which civility and the intellectual and moral life can be sustained through the new dark ages which are already upon us. And if the tradition of the virtues was able to survive the horrors of the last dark ages, we are not entirely without ground for hope. This time however the barbarians are not waiting beyond the frontiers; they have already been governing us for quite some time.

When the Duke [W.J.C. Scott-Bentinck] died, his heirs found all of the aboveground rooms devoid of furnishings except for one chamber in the middle of which sat the Duke's commode. The main hall was mysteriously floor less. Most of the rooms were painted pink. The one upstairs room in which the Duke had resided was packed to the ceiling with hundreds of green boxes, each of which contained a single dark brown wig. This was, in short, a man worth getting to know.

I've always liked monster movies and I've always been fascinated by - again, growing up in a culture where death was looked upon as a dark subject and living so close to Mexico where you see the Day of the Dead with the skeletons and it's all humor and music and dancing and a celebration of life in a way. That always felt more of a positive approach to things. I think I always responded to that more than this dark, unspoken cloud in the environment I grew up in.

It was about eleven o'clock in the morning, mid October, with the sun not shining and a look of hard wet rain in the clearness of the foothills. I was wearing my powder-blue suit, with dark blue shirt, tie and display handkerchief, black brogues, black wool socks with dark little clocks on them. I was neat, clean, shaved and sober, and I didn't care who knew it. I was everything the well-dressed private detective ought to be. I was calling on four million dollars.

Forgetting your Self is the greatest injury; all the calamities flow from it. Take care of the most important, the lesser will take care of itself. You do not tidy up a dark room. You open the windows first. Letting in the light makes everything easy. So, let us wait with improving others until we see ourselves as we are/ and have changed. There is no need to turn round and round in endless questioning; find yourself and everything will fall into its proper place.

From the baking aisle to the post office line to the wrapping paper bin in the attic, women populate every dark corner of Christmas. Who got up at 4 a.m. to put the ham in the oven? A woman. . . . Who sent the Christmas card describing her eighteen-year-old son's incarceration as 'a short break before college?' A woman. Who remembered to include batteries at the bottom of each stocking? A woman. And who gets credit for pulling it all off? Santa.That's right. A man.

But, this dark place is not the end. Remember that the darkness of night precedes the dawn. And as long as your heart still beats, this is not the death of it. You don’t have to die here. Sometimes, the ocean floor is only a stop on the journey. And it is when you are at this lowest point, that you are faced with a choice. You can stay there at the bottom, until you drown. Or you can gather pearls and rise back up—stronger from the swim, and richer from the jewels.

He rose and turned toward the lights of town. The tidepools bright as smelterpots among the dark rocks where the phosphorescent seacrabs clambered back. Passing through the salt grass he looked back. The horse had not moved. A ship's light winked in the swells. The colt stood against the horse with its head down and the horse was watching, out there past men's knowing, where the stars are drowning and whales ferry their vast souls through the black and seamless sea.

Depth, in a pictorial, plastic sense, is not created by the arrangement of objects one after another toward a vanishing point, in the sense of the Renaissance perspective, but on the contrary (and in absolute denial of this doctrine) by the creation of forces in the sense of push and pull . Nor is depth created by tonal gradation (another doctrine of the academician which, at its culmination, degraded the use of color to a mere function of expressing dark and light).

We must make the building of a free society once more an intellectual adventure, a deed of courage. Unless we can make the philosophic foundations of a free society once more a living intellectual issue, and its implementation a task which challenges the ingenuity and imagination of our liveliest minds, the prospects of freedom are indeed dark. But if we can regain that belief in the power of ideas which was the mark of liberalism at its best, the battle is not lost.

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