When we reverence anything in the mature, it is their virtues or their wisdom, and this is an easy matter. But we reverence the faults and follies of children. We should probably come considerably nearer to the true conception of things if we treated all grown-up persons, of all titles and types, with precisely that dark affection and dazed respect with which we treat the infantile limitations.

Saw you walking barefoot taking a long look at the new moon's eyelid later spread sleep-fallen, naked in your dark hair asleep but not oblivious of the unslept unsleeping elsewhere Tonight I think no poetry will serve Syntax of rendition: verb pilots the plane adverb modifies action verb force-feeds noun submerges the subject noun is choking verb disgraced goes on doing now diagram the sentence

Maybe I don't need a relationship after all, she thought. Maybe thinking about these conversations was just as good as having them. She could sit in her Honda in the dark and experience whatever kind of life she wanted. Sometimes you think, Hey, maybe there's something else out there. But there really isn't. This is what being alive feels like, you know? The place doesn't matter. You just live.

The sun hides not the ocean, which is the dark side of this earth, and which is two thirds of this earth. So, therefore, that mortal man who hath more of joy than sorrow in him, that mortal man cannot be true-- not true, or undeveloped. With books the same. The truest of all men was the Man of Sorrows, and the truest of all books is Solomon’s, and Ecclesiastes is the fine hammered steel of woe.

In the early 1700's, two physicians...learned about pinkroot's efficacy from the Indians. The word soon spread to the general public, who praised this worm treatment, particularly against roundworms, for the next 200 years. Pinkroot fell into disuse in the early 1900's, simply because greedy herb dealers adulterated or even substituted shipments of true pinkroot with quantities of other plants.

The concept of time, as it’s commonly understood by normal people with normal jobs and normal goddamn lives, doesn’t exist on the road. The nights spread out like the dark, godforsaken highways that distinguish them, and the days run together like Thanksgiving dinner smothered in gravy. You never really know where you are or what time it is, and the outside world starts to fade away. It’s cool.

In my 20s, I was more cynical/despairing (even though I still wrote comically), but I often sent audiences home with rather dark last moments. After a while though, I don't want to send the audience home bummed out, or distressed ... I want to see what's hopeful. I'm not overly cheery all the time, and yet I'm not suicidal either. I do think people can make choices that make their lives happier.

Perhaps, the answer is that my ravaged mind rails against the idea of God, but something deeper in me calls out as if God might answer. 'There are not foxholes,' I guess, and depression is the deepest and deadliest foxhole I've been in. It may be the 'dark night of the soul' that the mystics talk about but in depression it is not so much that one becomes lost in the dark as one becomes the dark.

Yet it's true that looks matter in politics... It is also true that perfecting the outer shell has become an obsession in this country... Mitt Romney, Barack Obama and John Edwards almost always look good, and pretty much the same, in dark suits or casual wear. Fred Thompson always looks crepuscular and droopy. Often Hillary Clinton looks great, and sometimes she looks tired, heavier or puffier.

Five hours after presenting a ...lecture on cancer before an audience of about 400 in L.A., the windshield was shot out of my car on the road back to San Francisco. The next night the glass window in the tailgate (the back window) was shot out (300 miles removed from the first shooting)...The late Arthur T. Harris, MD, was threatened by two men with assassination if he continued to use Laetrile.

Nick was dressed in jeans, a dark green sweater, and bomber jacket–the perfect image of a rich college student. Talon looked like a biker who had just left Sanctuary, New Orleans’s premier biker bar. Acheron looked like a refugee from the Dungeon–the local underground goth hangout. Valerius was the professional contingent, and Zarek…Zarek just looked like he was ready to kill something.’ (Talon)

Nobody really owns anything. We give back our bodies at the end of our lives. We own our thoughts, but everything else is just borrowed. We use it for a while, then pass it on. Everything. We borrow the sun that shines on us today from the people on the other side of the world while they borrow the moon from us. Then we give it back. We can't keep the sun, no matter how afraid we are of the dark.

I think the best way to listen to my music is through recording. I would love to be one of those artists where you can go into a coffee shop and watch people pass by and then my music is in their ears. Not necessarily a sensory deprivation thing, but that's cool too. Unfortunately in order to focus on nobody else, you would probably have to go into a dark room and just sit there and listen to it.

Perhaps generations of students of human evolution, including myself, have been flailing about in the dark; that our data base is too sparse, too slippery, for it to be able to mold our theories. Rather the theories are more statements about us and ideology than about the past. Paleontology reveals more about how humans view themselves than it does about how humans came about, but that is heresy.

Haiti is the kind of place that grabs your heart, and never lets go ... When you arrive in Port-au-Prince, the first thing that strikes you is how vibrant the colors are. Buses, buildings, fences, clothing, everything is brightly painted in primary hues. On closer inspection, you see the reality behind this brightly colored landscape: a dark, grinding poverty, the worst in the Western hemisphere.

The Calormens have dark faces and long beards. They wear flowing robes and orange-colored turbans, and they are a wise, wealthy, courteous, cruel and ancient people. They bowed most politely to Caspian and paid him long compliments all about the fountains of prosperity irrigating the gardens of prudence and virtue --and things like that-- but of course what they wanted was the money they had paid.

I'm sketching ideas. They're a completely different way of working than working with editors at a magazine where you're always working with permission; approval. I'm willing to make a gentle separation. I still need to do that work since I enjoy it. It gives me access to a lot of energy in life and culture. But also, there's a part of me that is dark, sarcastic, funny. Unpredictable, even naughty.

I noticed the different kids were always put down by other people and it would cause them to become almost violent with themselves. It's not really necessary; there's a way to find strength in yourself, and for me it was writing. That was sort of my release and my escape, so the term 'Knives and Pens' to me was like a choice. You can either create, or become violent, and maybe go down a dark road.

So they were turning, after all - those cameras. Life, which can be strangely merciful, had taken pity on Norma Desmond. The dream she had clung to so desperately had enfolded her. Norma: You see, this is my life. It always will be! (In a whisper) There's nothing else - just us - and the cameras - and those wonderful people out there in the dark. All right, Mr. De Mille, I'm ready for my close-up.

Some of our newspapers and magazines are more concerned with the welfare of their advertisers than they are with the dissemination of news and the discussion of matters of lasting importance. ...Radio, television, motion pictures, popular books - all contribute...to...the stifling of dissent on all but the most banal levels. ...a renunciation of the most basic and precious of democratic principles.

...The Chinese in the 9th century AD utilized a book entitled The Thousand Golden Prescriptions, which described how rice polish could be used to cure beri~beri, as well as other nutritional approaches to the prevention and treatment of disease. It was not until twelve centuries later that the cure for beri~beri was discovered in the West, and it acknowledged to be a vitamin B-1 deficiency disease.

and because what we learn in the dark remains all our lives, a noise like the sea, displacing the day's pale knowledge, you'll come to yourself in a glimmer of rainfall or frost, the burnt smell of autumn, a meeting of parallel lines, and know you were someone else for the longest time, pretending you knew where you were, like a diffident tourist, lost on the one main square, and afraid to enquire.

There is a sign in the heavens Another light in the darkness A better time is beginning There is a fire star coming I see the mark of the ice bear In the tears of the dragon And you'd better start wishing There is a fire star coming Stay with me, my love...... ....Until the stars have blinked their last Wherever on this earth you walk He will arouse, excite, inspire, My Valentine, my one dark fire.

I think it's a fascinating thing to see how lonely people are in this world and what they're looking for. It's a universal concept. So, it's something that interests me and I'll probably revisit it if I get the chance to do the child soldier film because I think it's one of the most important scripts I've written. It's just too dark to do as a film right now. I need to do something a bit different.

I felt an absolutely indescribable sense of menace. It was hell on earth to be there [in the presence of the entities], and yet I couldn't move, couldn't cry out, couldn't get away. I'd lay as still as death, suffering inner agonies. Whatever was there seemed so monstrously ugly, so filthy and dark and sinister. Of course they were demons. They had to be. And they were here and I couldn't get away.

It's dark out, Jack, the stations out there don't identify themselves, we're in it raw-blind like burned rats, it's running out all around us, the footprints of the beast, one nobody has any notion of. The white and vacant eyes of something above there, something that doesn't know we exist. I smell heartbreak up there, Jack, a heartbreak at the center of things, and in which we don't figure at all.

I guess he'll have to figure out someday that he is supposed to have this dark side, that it is part of what it means to be human, to have the darkness just as much as the light- that in fact the dark parts make the light visible; without them, the light would disappear. But I guess he has to figure other stuff out first, like how to keep his neck from flopping all over the place and how to sit up.

But when you have order, you don't need Gods. When everything is well ordered and disciplined then nothing is unexpected. If you understand everything,' I said carefully, 'then there's no room left for magic. It's only when you're lost and frightened and in the dark that you call on the Gods, and they like us to call on them. It makes them feel powerful, and that's why they like us to live in chaos.

STARING INTO THE ABYSS by Richard Thomas is an outstanding book, a grim tapestry of broken lives and shattered dreams, of dark fantasies and dark reflections. It's one of the better single-author collections I've had the pleasure to read in recent years, and as such, gets my highest recommendation. It's also a fine testament to a talent I suspect we are going to be hearing a lot more from, and soon.

The Master keeps her mind always at one with the Tao; that is what gives her her radiance. The Tao is ungraspable. How can her mind be at one with it? Because she doesn't cling to ideas. The Tao is dark and unfathomable. How can it make her radiant? Because she lets it. Since before time and space were, the Tao is. It is beyond is and is not. How do I know this is true? I look inside myself and see.

I'm capable offstage of having some dark, twisted thoughts but the kind of things I like to do onstage are just more conceptual and I don't even think of them as being clean. I don't sit down and think, "Man, I'm going to come up with some lily-white comedy!" They're just things that I like to talk about, and then at the end of the day you think, "Well, I guess that was clean" but it's not the focus.

Little by little things began to assume a new aspect. The sense of insecurity vanished, words came of themselves, I was no longer so painfully conscious of everything I said. I drank on and felt the great soft wave approach and embrace me; the dark hour began to fill with pictures and stealthily the noiseless procession of dreams appeared again superimposed on the dreary, grey landscape of existence.

A man may have lived all of his life in the gray, and the land and trees of him dark and somber. The events, the important ones, may have trooped by faceless and pale. And then-the glory-so that a cricket song sweetens his ears, the smell of the earth rises chanting to his nose, and dappling light under a tree blesses his eyes. Then a man pours outward, a torrent of him, and yet he is not diminished.

"[My Beautiful] Dark [Twisted] Fantasy" and "Watch the Throne": neither was nominated for Album of the Year, and I made both of those in one year. I don't know if this is statistically right, but I'm assuming I have the most Grammys of anyone my age, but I haven't won one against a white person. But the thing is, I don't care about the Grammys; I just would like for the statistics to be more accurate.

There are five dark matters and five lamps. Love of this world is darkness, and the fear of Allaah is its lamp. Sin is darkness, and its lamp is repentance. The grave is darkness, and its lamp is 'none has the right to be worshipped but Allaah, and Muhammad is the messenger of Allaah.' The hereafter is darkness, and its lamp is the good deed. The Siraat is darkness, and its lamp is certainty of faith.

Every time you are looking for love, and you're making yourself available for love, it may not come in the package that you had dreamed of. It might come in something completely different. You might've thought, "I'm going to be with a tall, dark, and handsome." or "I'm supposed to be with a model woman who looks like she can walk on the runways." But, it might be just a little curvy girl from Oakland!

It's so easy to wish for death when nothing's wrong with you! It's so easy to fall in love with death, and I've been all my life, and seen it's most faithful worshippers crumble in the end, screaming just to live, as if all the dark veils and the lillies and the smell of candles, and grandiose promises of the grave meant nothing. I knew that. But I always wished I was dead. It was a way to go on living

I see cities as organisms, as living creatures. To me Madrid is a man and Barcelona is a woman. And it's a woman who's extremely vain. One of the great Catalan poets, Joan Maragall, wrote this famous poem in which he called Barcelona the great enchantress, or some kind of sorceress, and in which the city has this dark enticing presence that seduces and lures people. I think Barcelona has a lot of that.

I love hip-hop and R&B. People always say, "You are dark, you make dark dresses. You probably only love The Cure or Diamanda Galás." I love Diamanda Galás, but I also love Madonna, Beyoncé, and Courtney Love. They are all from different worlds, but they all evoke emotions in me. I am someone who needs emotions and needs to transmit them. If that weren't the case, I'd be better off changing professions.

We all, everyone one of us, carry a star inside our chests. ...Light and darkness are always side-by-side. If you show even the slightest fear or tears to the darkness, it will immediately swell and come attacking, and swallow up the light. Serenity, in order to defeat the darkness and dark souls, you must keep the star inside your chest burning brightly at all times. That is your most important charge.

Anxiously you ask, 'Is there a way to safety? Can someone guide me? Is there an escape from threatened destruction?' The answer is a resounding yes! I counsel you: Look to the lighthouse of the Lord. There is no fog so dense, no night so dark, no gale so strong, no mariner so lost but what its beacon light can rescue. It beckons through the storms of life. It calls, 'This way to safety; this way to home.

That freedom can never be attained by a nation without suffering and sacrifice has been amply borne out by the recent tragic happenings in this subcontinent. We are in the midst of unparalleled difficulties and untold sufferings; we have been through dark days of apprehension and anguish; but I can say with confidence that with courage and self-reliance and by the Grace of God we shall emerge triumphant.

Many of us were a little to early to assume that the most logical uses of the internet in authoritarian states would be to empower people. And to force them towards participation in politics. If you look at most authoritarian states, they are very grim places to live in. The only good thing about it is fast internet. That's the only way you can find some meaning in an otherwise very dark and gloomy life.

The incident itself happened in London, but because we were all based at the time in Los Angeles we moved it there. Certain details are almost exactly like the true experience, but we decided to make the film more of a thriller, in the hope that it would reach a bigger audience. That's why it's called "Selling Isobel" and not "Selling Frida." We didn't want to make a dark, depressing "movie-of-the-week."

In one way, it is this sense of order and also love that, I think, really saved Eleanor Roosevelt's life. And in her own writing, she's very warm about her grandmother, even though, if you look at contemporary accounts, they're accounts of horror at the Dickensian scene that Tivoli represents: bleak and drear and dark and unhappy. But Eleanor Roosevelt in her own writings is not very unhappy about Tivoli.

To me it seems not unreasonable to find a re-enforcement of optimism, a renewal of courage and hope, in the modern theory that man has mounted to what he is from the lowest step of potentiality, through toilsome grades of ever-expanding existence, even thought it have been by a spiral stairway, mainly dark or dusty, with loop-holes at long intervals only, and these granting but a narrow and one-sided view.

There really are two different schools of songwriting-American and Canadian. It's interesting. You guys have this history of guys like Paul Williams and Jimmy Webb, and they're different than Neil Young and Joni Mitchell and Leonard Cohen. All those weird voices come out of Canada. That's because it's so cold here we can hardly open our mouth. We get much less light in Canada. No wonder the writing's dark.

Poetical taste is the only magician whose wand is not broken. No hand, except its own, can dissolve the fabric of beauty in which it dwells. Genii, unknown to Arabian fable, wait at the portal. Whatever is most precious from the loom or the mine of fancy is poured at its feet. Love, purified by contemplation, visits and cheers it; unseen musicians are heard in the dark; it is Psyche in the palace of Cupid.

Poets need be in no degree jealous of the geologists. The stony science, with buried creations for its domains, and half an eternity charged with its annals, possesses its realms of dim and shadowy fields, in which troops of fancies already walk like disembodied ghosts in the old fields of Elysium, and which bid fair to be quite dark and uncertain enough for all the purposes of poesy for centuries to come.

When we pray, instead of trying to produce love in our souls toward God, we should be basking in God's love for us. How foolish to stay indoors in the cold, dark little room off the self, trying to turn on the light and turn up the heat, when we can just go outside into God's glorious Sonlight and receive his rays! How silly to fuss with artificial tanning salons and lotions and lights when the Son is out!

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