Previously, even in Egypt, men had not learned to see straight. They fumbled in the dark, and didn't quite know where they were, or what they were. Like men in a dark room, they only felt their existence surging in the darkness of other creatures. We, however, have learned to see ourselves for what we are, as the sun sees us. The Kodak bears witness.

Although we are necessarily concerned, in a chronicle of events, with physical action by the light of day, history suggests that the human spirit wanders farthest in the silent hours between midnight and dawn. Those dark fruitful hours, seldom recorded, whose secret flowerings breed peace and war, loves and hates, the crowning or uncrowning of heads.

Unwearied, and with springing steps elate, I had conveyed my wealth along the road. The empty sack proved now a heavier load: I was borne down beneath its worthless weight. I stumbled on, and knocked at Death's dark gate. There was no answer. Stung by sorrow's goad I forced my way into that grim abode, And laughed, and flung Life's empty sack to Fate.

I spent a part of ...1923 with...Dr. W.W. Keen...In the ..Civil War....he was a surgeon...and had seen many men die from suppuration of wounds after he had operated. ...He would hold the sutures in his teeth and sharpen his knife on the sole of his boot, after he had raised up his boot from the muddy ground. That was the accepted practice at the time.

Even places that have been shrouded in darkness for billions of years can be illuminated. Even a stone from the bottom of a river can be used to produce fire. Our present sufferings, no matter how dark, have certainly not continued for billions of years--nor will they linger forever. The sun will definitely rise. In fact, its ascent has already begun.

The ...experts of the FDA have declared Laetrile to be worthless...quackery and fraud...These experts are the professional descendants of experts...confident that mental illness should be cured by drilling holes in the skull, the better to let the demons out. ...This is the Orwellian fashion in which the medical establishment throws its weight around.

There was no wind; there was no passing shadow on the deep shade of the night; there was no noise. The city lay behind him, lighted here and there, and starry worlds were hidden by the masonry of spire and roof that hardly made out any shapes against the sky. Dark and lonely distance lay around him everywhere, and the clocks were faintly striking two.

In the dark, my master let down his guard and he was Caleb again. He didn't correct me. He didn't punish me. He didn't push me away emotionally. Caleb was there to hold me until the nightmares passed. He was there to tell me I was beautiful. He was there to tell me I was going to be okay. In the dark, he seduced me. I didn't want the seduction to end.

You and I have been through too much together. We're too close, too connected. I wasn't that crazy on spirit when I said you're my flame in the dark. We chase away the shadows around each other. Our backgrounds don't matter. What we have is bigger than that. I love you, and beneath all that logic, calculation, and superstition, I know you love me too.

Then he will be called Acheron for the River of Woe. Like the river of the Underworld, his journey shall be dark, long and enduring. He will be able to give life and to take it. He will walk through his life alone and abandoned – ever seeking kindness and ever finding cruelty. May the gods have mercy on you, little one. No one else ever will. (Oracle)

If I could dream, I know I'd dream about you.I'd dream about the way you smell and how your dark hair feels like silk between my fingers. I'd dream about the smoothness of your skin and the fierceness of your lips when we kiss. Without dreams,I have to be content with my own imagination—which is almost as good. I can picture all those things perfectly.

And I have Julian. I found him, and he followed me. I reach out in the half dark, wordlessly, and find his hands. We interlace our fingers, and though he doesn't say anything either, I can feel the warmth and energy passing between us, a soundless dialogue. Thank you, he is saying, and I am saying, I am so happy, I am so happy, I needed you to be safe.

Watching him, I thought, not for the first time that night, that maybe it should have felt strange to be with him, here, now. And yet it didn’t, at all. That was one of the things about the night. Stuff that would be weird in the bright light of day just wasn’t so much once you passed a certain hour. It was like the dark just evened it all out somehow.

Life is not being sure what will come next or how it will come. We guess at everything we do. We take leap after leap in the dark and that's the joy of living and the beauty of faith. When we grow tired, when we sit still, that's when we begin to die.... One does not discover new lands without consenting to lose sight of the shore for a very long time.

Life was dense, dark, ancient. They watched Dean, serious and insane at his raving wheel, with eyes of hawks. All had their hands outstretched. They had come down from the back mountains and higher places to hold forth their hands for something they thought civilization could offer, and they never dreamed the sadness and the poor broken delusion of it.

Moon In the Window I wish I could say I was the kind of child who watched the moon from her window, would turn toward it and wonder. I never wondered. I read. Dark signs that crawled toward the edge of the page. It took me years to grow a heart from paper and glue. All I had was a flashlight, bright as the moon, a white hole blazing beneath the sheets.

I have lived with the prospect of an early death for the last 49 years. I'm not afraid of death, but I'm in no hurry to die. I have so much I want to do first. I regard the brain as a computer which will stop working when its components fail. There is no heaven or afterlife for broken down computers; that is a fairy story for people afraid of the dark.

There are no footprints on the sea and no road-signs, not a single guard-stone or post, and no bends, only paths of light and dark from which to choose, the choice is always a difficult navigation and the storm's wingspan immeasurable as the depths and the horizon, but the sea holds you in its mighty hand your life is a sea-blue tale of love and death.

When everything is dark, when we are surrounded by despairing voices, when we do not see any exits, then we can find salvation in a remembered love, a love which is not simply a recollection of a bygone past but a living force which sustains us in the present. Through memory, love transcends the limits of time and offers hope at any moment of our lives.

One of the important things about marriage is to be accepted. Love is the basis of marriage, but there are many married people who have never felt accepted. Marriage is not a reformatory, and spouses need to reach out to each other without criticism or reservations. To live with a wife or husband who does not accept you is a dark valley to walk through.

She cried out into his kiss, her hands clawing his shoulders, adrift now in a pleasure that threatened to consume her. In her sexual lifetime she had never known anything like it. Had never tasted such a dark kiss, one that warned her he had no intention of making allowances for sensual inexperience. He was hungry. Needy. And she was the meal he craved.

22 of 52 top (FDA) officials have worked for regulated industries, or organizations that cater to those industries...During a hearing held in 1969 by the House Inter-governmental Relations Subcommittee, it was disclosed that of 49 high ranking FDA officials who had recently resigned or retired, 37 joined or served as consultants to regulated industries.

For the emergent process, as noted by the geneticist Theodore Dobzhansky, is neither random nor determined but creative. Just as in human order, creativity is neither a rational deductive process nor the irrational wandering of the undisciplined mind but the emergence of beauty as mysterious as the blossoming of a field of daisies out of the dark Earth.

The whole switch from film to digital has changed some of the ways I use color and the juxtaposition of light and dark. It's getting better with digital, the separation's gotten better, but I still feel like it's really flatter than film, so I do a lot of screening and subtle textural printing and painting on clothes for film to get it not to look flat.

E'en in mid-harvest, while the jocund swain Pluck'd from the brittle stalk the golden grain, Oft have I seen the war of winds contend, And prone on earth th' infuriate storm descend, Waste far and wide, and by the roots uptorn, The heavy harvest sweep through ether borne, As light straw and rapid stubble fly In dark'ning whirlwinds round the wintry sky.

[...] intelligent people only have a certain amount of time (measured in subjective time spent thinking about religion) to become atheists. After a certain point, if you're smart, have spent time thinking about and defending your religion, and still haven't escaped the grip of Dark Side Epistemology, the inside of your mind ends up as an Escher painting.

Bob Saget was known, in the comedy clubs in those days, as extremely funny but with dark humor. It was always an inside joke among comics, when he got Full House, it was, like, wow, hes playing this all-American dad kind of thing. That was not Bob Saget. His comedic style is definitely more twisted, and he has an edgier side than he showed in Full House.

The woman who opens the door has a blue stain on her shirt and dark hair wound into a messy knot and the most beautiful eyes I have ever seen. They're pale, like a lioness's, nearly golden, but they also look like they've done their fair share of crying, and we all know that a sky with clouds in it is much more interesting than one that doesn't have any.

But the person who stepped out of the front door was tall and thin, with short, spiky dark hair. he was wearing a gold mesh vest and a pair of silk pajama pants. He regarded Clary with mild interest, puffing gently on a fantastically large pipe as he did so. Though he looked nothing at all like a Viking, he was instantly and totally familiar. Magnus Bane

I think that laughter is very close to terror and horror. Maybe that's just me, but that sort of all - over rush that happens when you are either laughing or terrified or weeping...? I think that comedians, in and of themselves, make other people laugh because they aren't necessarily the happiest people in the world. So they know a lot about dark things.

Diamonds are found only in the dark bowels of the earth; truths are found only in the depths of thought. It seemed to him that after descending into those depths after long groping in the blackest of this darkness, he had at last found one of these diamonds, one of these truths, and that he held it in his hand; and it blinded him to look at it. (pg. 231)

Many nightclubs from this era were very loud and very dark. Plus some of the best ones were incredibly crowded. To begin with, I could seldom get back far enough to get people into frame from head to foot and when I could, people would be constantly walking in front of me all the time. Then I bought a 24-mm lens and only had to be four or five feet away.

My sense is that we are missing a huge part of the human story. I think it's possible, indeed probable, that we are a species with amnesia; that we've lost the record of our story going back thousands of years before so-called history began, and I think that if we could go back to that dark epoch, we would discover many astounding things about ourselves.

When, on the still cold nights, he pointed his nose at a star and howled long and wolf-like, it was his ancestors, dead and dust, pointing nose at star and howling down through the centuries and through him. And his cadences were their cadences, the cadences which voiced their woe and what to them was the meaning of the stillness, and the cold, and dark.

I like night fishing, even though there is a molecule of terror in it. Maybe it is that tiny bit of terror that I relish, that going mano a mano with another predator in the dark. I know it is not entirely civilized, but there is nothing to compare with the sizzle of fear except, perhaps, the rush of being feared. Either condition confirms you are alive.

To me, every hour of the light and dark is a miracle, every inch of space is a miracle, every square yard of the surface of the earth is spread with the same, every cubic foot of the interior swarms with the same; every spear of grass-the frames, limbs, organs, of men and women, and all that concerns them, all these to me are unspeakably perfect miracles.

He did not know how long it took, but later he looked back on this time of crying in the corner of the dark cave and thought of it as when he learned the most important rule of survival, which was that feeling sorry for yourself didn't work. It wasn't just that it was wrong to do, or that it was considered incorrect. It was more than that--it didn't work.

...It would be possible to make much more progress than has been made if the NCI knew its job better, knew how to make discoveries...The NCI really does not know how to make discoveries....So long as the NCI is not willing to follow up ideas that seem good to people who have had experience making discoveries, the work of the NCI is going to be pedestrian.

Don’t you want Simi to be your family?...This is the part where you say, ‘Yes, Simi, I would like to be your family.’ ‘Cause if you don’t, then I’ll have to take my mitt back and barbecue you. Akri is still upset about the last Dark-Hunter I barbecued and that was…oh, a thousand or so years ago. He part elephant when it comes to remembering things. (Simi)

There is a masculinity in riot grrrl music, which is probably why I don't identify with it, but also why it was so important and powerful. That is something our scene has - regardless of who is in it, it has this very powerful feminine energy, like a Nefertiti head bust or Storm from X-Men. It's a woman you see as very powerful, sassy, arrogant, and dark.

When I was fifteen, a dark shape came into my room at night. It was dark, but it glowed, which is the first of many facts you will have to tackle with your imagination. It wasn't in the shape of a person, but right away I knew it was like a person in every way except for how it looked. As it turns out, our looks are not the main thing that makes us human.

Dr. Lawrence Burton....in fighting cancer.(:) Many of his patients are now living normal lives after being told there was nothing more the conventional treatments could do for them, and that death was imminent....Why are Americans being forced to go off shore for treatment for cancer from an American doctor and for a program that was developed in America?

I felt an unrelenting restlessness. It was the first time I had ever experienced jealousy, and that emotion clung to my skin day and night like a dark stain, a contamination I could not shed; it became so unbearable that when finally I rid myself of it, I was freed forever of the desire to possess another person or the temptation ever to belong to anyone.

What is real to me is the power of our awareness when we are focused on something beyond ourselves. It is a shaft of light shining in a dark corner. Our ability to shift our perceptions and seek creative alternatives to the conondrums of modernity is in direct proportion to our empathy. Can we imagine, witness, and ultimately feel the suffering of another?

Once, when Tom was over here, to tease Rose, I asked him, "Before she was born, can you remember? Were things just the same as they are these days? Did it still rain and get dark and all the stuff it does now? Did the sun go up and down in exactly the same way?" Yes," Tom said, and then he smiled at Rose and said, "No. Not really. Not exactly the same way.

For them [LGBT group], language has to say exactly what it means. "Why aren't you proud of being gay?" they wanted to know. "Why are you so dark? Why are you so morbid? Why are you so sad? Don't you realize, we're all okay? Let's celebrate that fact." But that is not what writers do. We don't celebrate being "okay." If you want to be okay, take an aspirin.

I’m a black woman who is from Central Falls, Rhode Island. I’m dark skinned. I’m quirky. I’m shy. I’m strong. I’m guarded. I’m weak at times. I’m sensual. I’m not overtly sexual. I am so many things in so many ways and I will never see myself on screen. And the reason I will never see myself up on screen is because that does not translate with being black.

LITTLE DOGS RHAPSODY IN THE NIGHT (PERCY THREE) He puts his cheek against mine and makes small, expressive sounds. And when I'm awake, or awake enough he turns upside down, his four paws in the air and his eyes dark and fervent. Tell me you love me, he says. Tell me again. Could there be a sweeter arrangement? Over and over he gets to ask it. I get to tell.

The optimist is right. The pessimist is right. The one differs from the other as the light from the dark. Yet both are right. Each is right from his own particular point of view, and this point of view is the determining factor in the life of each. It determines as to whether it is a life of power or impotence, of peace or of pain, of success or of failure.

I sing your restless longing for the statue, your fear of the feelings that await you in the street. I sing the small sea siren who sings to you, riding her bicycle of corals and conches. But above all I sing a common thought that joins us in the dark and golden hours. The light that blinds our eyes is not art. Rather it is love, friendship, crossed swords.

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