Quotes of All Topics . Occasions . Authors
It is an honour to be spreading Moroccan music and dance in India while integrating some of my favourite things about India, including the beautiful, talented, carefree children, who just light up the screen the minute they start dancing.
I was out dancing with one actress or another. And that got press. Even when it didn't, the whole town knew I was a dancing fool, and since I couldn't very well dance with a man, they saw me dancing with a lady, and they assumed the rest.
The next time you look into the mirror, just look at the way the ears rest next to the head; look at the way the hairline grows; think of all the little bones in your wrist. It is a miracle. And the dance is a celebration of that miracle.
Opera is the most complete art form. It includes drama, acting, technology (lighting), art (the sets), dance, and the epitome of the human voices. But mostly, go for the glorious music. The arts are crucial to the life of every community.
If you ask an Auin Bushman what realty happens at the puberty ceremonials, he will tell you, "We dance." In the initiation customs of all peoples the dances play an especially important part. The dance is the center of wedding festivities.
I was partnered with the singer Drew Lachey of the popular group 98 Degrees. Drew and I complemented each other with our strengths. I was good at dancing and teaching dance, and he was a good student and a natural-born ham for the cameras.
Music is great; it all depends on what mood you're in, what you want to listen to. If it's party time, you listen to, you know, party music, if you want to dance with somebody. But then again, if it's a slow dance, you need something slow.
You must understand the whole of life, not just one little part of it. That is why you must read, that is why you must look at the skies, that is why you must sing and dance, and write poems and suffer and understand, for all that is life.
When I go out clubbing I can dance 'til three o'clock in the morning with just a water bottle in my hand. I love dancing to anything with a good beat really. My favorite song to dance to at the moment is probably Drake's 'Best I Ever Had'.
I pole-dance. I do. I do it at an aerobics center. Having done gymnastics for 13 years, I find it's one of the only things where I can still use my core and all my muscles. Plus, it's fun: You're a girl, and you get to dance around a pole!
I had a few DJs in my neighbourhood that would play music in the streets. There was no hip-hop yet; there were just DJs that were playing disco, funk, and pop music, and we would gather round, go to the parks, and dance and enjoy ourselves.
Then come the lights shining on you from above. You are a performer. You forget all you learned, the process of technique, the fear, the pain, you even forget who you are you become one with the music, the lights, indeed one with the dance.
You remember that my great vision came to me when I was only nine years old, and you have seen that I was not much good for anything until after I had performed the horse dance near the mouth of the Tongue River during my eighteenth summer.
In his 40s, my dad refound his youth a bit, and started going to the West Indian club in Northampton, where I'm from, where the West Indian diaspora would go to socialise on a Friday night, and have a drink and a dance to soca and the like.
Lady Gaga? She's cool! She works really hard. When we would have our dance rehearsals, she wasn't the singer that was like, 'Oh, I'll just stand in front.' She wanted to learn everything - she was doing the dance moves. She's a good dancer.
I consider a country-dance as an emblem of marriage. Fidelity and complaisance are the principle duties of both; and those men who do not choose to dance or to marry them selves, have no business with the partners or wives of the neighbors.
I just know that when I go onstage, I give everything I have, not only my feet, not only my legs, not only my body. I try to tell a story. Sometimes I am able to cry because I feel like it. Sometimes I am able to love because I feel like it.
When I started off with 'Dance India Dance,' even the TV show people thought it won't be accepted. But with the talent that the show received, I was able to personally tutor dancers to amalgamate contemporary dance moves on Bollywood tracks.
When I was growing up, Asians weren't known for dancing. I knew all my older aunts and uncles did, like, ballroom dancing and stuff. And then you saw all those dance crews, like Quest and Jabbawockeez, and now they're, like, known for dance.
A lot of the stuff I've accumulated over the last few years of touring I thought was really interesting. Like sounds, sound bites, and beats even, but they weren't good dance beats they weren't ones anyone would want to rap over or anything.
When you are fifty, you're neither young nor old; you're just uninteresting. When you are sixty, and still dancing, you become something of a curiosity. And boy! if you hit seventy, and can still get a foot off the ground, you're phenomenal!
Being called a dance photographer makes me bristle. You might say that dance is my landscape. The root of my interest is movement or, rather, how movement can be interpreted photographically, and dance provides a perfect opportunity for this.
When I entered Bollywood, I didn't have any advantage over anyone. I didn't know how to act, I was not from the industry, I didn't know the language, and I didn't know how to dance. So, whatever films I was getting, I was just taking them up.
I think people look at dance music and see it as kind of a bad thing, and bad people hang out in nightclubs, but it never felt that way for me. Growing up in Chicago, music was the thing that saved me, that kept me on the straight and narrow.
For me, dance is about the aesthetics and the hard work that goes into creating something so beautiful. Motivation and dedication to the craft is what pushes me to do my best, to always strive to do better, and the outcome is always worth it.
Alexander Graham Bell brought us the telephone. He owns the telephones in the buildings. Thomas Edison owns the lightbulb. Whether they took it and did things to improve it, he's the guy. Now on the dance floor, that belongs to Chubby Checker.
What's the most fetching thing that provokes people? A volcano? Fountains that dance? A pirate ship that sinks? Some other animated device or presentation? Is that as strong as mystery? Allure, intrigue, is much more powerful... It taunts you.
Dance has been a driving force in my life for 25 years. From music videos and hip hop, to jazz and musical theater, to ballet and classic modern dance, I have had extensive exposure to a variety of techniques that inspire my own electric style.
Dance with a girl three times, and if you like the light of her eye and the tone of voice with which she, breathless, answers your little questions about horseflesh and music about affairs masculine and feminine, then take the leap in the dark.
The Twist was a guided missile, launched from the ghetto into the very heart of suburbia. The Twist succeeded, as politics, religion, and law could never do, in writing in the heart and soul what the Supreme Court could only write on the books.
When I was a teeny little girl, I was in dancing school, and I sang. We had to put a dance to a song, so I went to the 10-cent store one day and looked at all the sheet music. It was all laid out, and I picked 'Life Is Just a Bowl of Cherries.'
It has taken me years of struggle, hard work and research to learn to make one simple gesture, and I know enough about the art of writing to realize that it would take as many years of concentrated effort to write one simple, beautiful sentence.
I got married and decided I wanted to do a dance record, and I didn't ever expect for it to be what it was or for the 'No Doubt' thing to be such a long break, but it was one of those things where you just had to sort of follow your inspiration.
I love music, and I loved dance music immediately. So I bought some equipment and started making my own. When I started this, I didn't say, 'okay I'm going to do this step and then this step' to become popular. I just created music that I loved.
Every experience shapes your writing, being stuck in a car on a lonely bridge, or dancing at a prom, being the it girl on the beach, all of those things influence your life, they influence how you write, and the topics you choose to write about.
So, it becomes an exercise in futility if you write something that does not express the film as the director wishes. It's still their ball game. It's their show. I think any successful composer learns how to dance around the director's impulses.
I think if you are going to be a singer, you should sing. If you are going to be a dancer, you should dance. If you are going to do a combination of the two, you should make it very clear when you are singing and very clear when you are dancing.
'So You Think You Can Dance' comes on as a high-minded leap up the evolutionary ladder from other reality shows - on this one, you're supposed to learn something, and the guest judges are fellow dance professionals rather than actual celebrities.
I've always believed that a dance evening energizes an audience, that an audience goes out feeling chemically stronger and more optimistic. This is what I understand about dance. And this is an important thing. We need this. Our culture needs it.
Everyone always asks if I'm going to 'make my kids do CrossFit.' I'll never make them do anything. I will, however, make sure that they're physically active in some way, that they'll play some type of sport or do gymnastics or dance or something.
Having a dance background, I became used to rejection at an early age. Dance is very competitive, especially for a sensitive person like me. But I realized it's better not to take it so seriously. If you beat yourself up, it's hard to keep going.
Telling people that I wanted to make dance music, or be on the radio, they looked at me like I was crazy because there was nothing like that in Lichtenstein when I was getting started. That's why I went to Germany, because there is industry there.
As much as the world has an instinct for evil and is a breeding ground for genocide, holocaust, slavery, racism, war, oppression, and injustice, the world has an even greateer instinct for goodness, rebirth, mercy, beauty, truth, freedom and love.
The best thing about being a DJ is making people happy. There is nothing like seeing people get up from a table to dance or the expression on their face when they hear a song they love. I also love to educate people on music they have never heard.
Tango is serious and takes discipline. It must be studied hard to be done well. It is elegant, formal, passionate and intimate. It is about power and vulnerability. It is both dance and metaphor. And to its captives becomes a magnificent obsession
Dancing is very important to people who play music with a beat. I think that people who don't dance, or who never did dance, don't really understand the beat... I know musicians who don't and never did dance, and they have difficulty communicating.
What I mean by being real is just when you are doing dance celebrations, sports celebrations, like the cooking dance or anything like that. When you're an artist, you want to always try your best to do the homework and see where it originated from.
We look at the dance to impart the sensation of living in an affirmation of life, to energize the spectator into keener awareness of the vigor, the mystery, the humor, the variety, and the wonder of life. This is the function of the American dance.
I generally don't use an iPod for track work, as I'm focusing on heart rate and times. When I'm in the gym or running alone, there's always music. If I'm in the weights gym, I usually go for rap or rock music; for running, it's dance or cheesy pop.
My mom is actually a former prima ballerina, and all the women in my family are associated either with dance or choreography or acting, so I'm very lucky in a way because I grew up in a family of artists. I've been dancing since I was a little kid.