Quotes of All Topics . Occasions . Authors
For me, dance is a nutrient, you know, it's something that I need, it's something like, you know, the air we breath, the food we eat. These are things that we need for survival. For me, dance is a nutrient. It's my nourishment.
I think a lot of people don't realize that martial arts are just an expression like anything else. It's just that most people are not trained to punch or kick, but you can walk or run or dance, which is also part of expression.
I think dance is amazing because what people don't realize is like when you dance your spirit and your soul get ignited. You're not only releasing endorphins, but also your spirit is awakening. It makes you feel good and happy.
I love doing movies that are content-driven, but at the same time, I would love to dance around trees and do those things that are typical to Bollywood. I have grown up watching such films and I would love to be a part of them.
Dance is communication, and so the great challenge is to speak clearly, beautifully, and with inevitability. Dance is the only art of which we ourselves are the stuff of which it is made. Dancing is like dreaming with your feet!
Music is an expression of individuality; it's how you see the world. All art is, for that matter. You take how you experience the world, interpret it, and send it out there - express it - whether it's sculpture, dance or singing.
Dancing is a very living art. It is essentially of the moment, although a very old art. A dancer's art is lived while he is dancing. Nothing is left of his art except the pictures and the memories--when his dancing days are over.
Dance is active meditation. When we dance, we go beyond thought, beyond mind and beyond our individuality to become one in the divine ecstasy of the union with the cosmic spirit. This is the essence of the trance dance experience.
I have an amazing spouse; we're a team. He works, and I work, and we sort of do this dance with each other so that we can be present to our kids. But I think the whole 'balance' thing is an illusion; we just embrace the imbalance.
Regis can do anything these young punks can do. I fit right in there with my Fox people. They want Regis to dance, Regis will dance. They want Regis to lift weights with them, Regis will lift weights with them. Whatever they want!
When doctrines divide and "isms" turn human against human, without speech, without silence, let us demonstrate. Let these demonstrations manifest everywhere. Not what we think or say but what we do shall avail - on with the dance.
Sometimes I have to shut off the omnipresent disco ball and flashing lights that are always in my head. It's a part of maturing, I guess - just learning that it's not just always about a quick, easy fix of getting people to dance.
Every time I dance I have a high. I mean every time I danced, it was the whole world was the stage and I was in control of it and there was a form and a ritual and yet it was spontaneous and life didn't matter after that of before
Out of the sky, the birds, the parrots, the bells, silk, cloth, and drums, out of Sundays dancing, children's words and love words, out of love for the little fists of children, I will build a world, my world with round shoulders.
If I were to try to break into the world of modern dance, after the first few rejections the logical response might be, practice even more. But after the 12,000th rejection, maybe I should realize this isn't a viable career option.
When I was in school, I was very involved with a lot of things. I was very very active. I couldn't say that I wasn't popular. I was a cheerleader when I was in junior high. I didn't make it in high school so I started a dance line.
It may be possible to do without dancing entirely. Instances have been known of young people passing many, many months successively without being at any ball of any description, and no material injury accrue either to body or mind.
Dance design is not simply one element; it is that without which ballet cannot exist. As aria is to opera, words to poetry, color to painting, so sequence in steps - their syntax, idiom, vocabulary - are the stuff of stage dancing.
To be creative means to be in love with life. You can be creative only if you love life enough that you want to enhance its beauty, you want to bring a little more music to it, a little more poetry to it, a little more dance to it.
I can dance - I can dance a little bit. I can move. I don't - I'm not a - I don't proclaim to be a dancer, but I can move. But instruments, playing the drums, I probably play the drums better than I walk, better than I do anything.
I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.
I'm a beauty guru, I just love all of that stuff. We have a makeup artist for 'Dance Moms' that touches us up and stuff, but I love doing my own makeup; sometimes I do my friends', too. My favorite is doing eye shadow and eyeliner.
Growing up, others girls wanted to dance and help their mums with the cooking. I liked to play soccer with the boys. Or I'd be off on my own, tilting mirrors towards the sun in order to burn armies of ants. That was my idea of fun.
So many dancers rely on some sort of magic happening on the stage. They never, for various reasons, work full out in rehearsal. That's very uncreative. They don't discover the kinds of things that add up to a remarkable performance.
I was asked to act when I couldn't act. I was asked to sing "Funny Face" when I couldn't sing and dance with Fred Astaire when I couldn't dance and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
By approaching everything with a sense of suspicion and struggle, we like to think we're in control of things. But in truth our past karma is simply playing itself out. Instead of struggling with it, however, we can choose to dance.
I fell in love with art and music and dance and acting and how all those things can cultivate something really special and unique - depending on the performance and the show. That really kind of helped me develop my love of theater.
The Florida sound would probably be best defined as heavy bass with high energy dance records. There's a strong Caribbean heritage in Florida which features a lot of uptempo music, and the music accents the sexy, body-oriented sound.
When playing big festivals, I tend to play big, over the top techno tracks, like hands in the air songs that make sense being played in front of 30,000 people. I steer away from subtlety in the interests of big bombastic dance music.
You could put me on a stage in front of 100 people, and I could do a tap dance, but one-on-one was really difficult for me. And it took me most of my life to learn how to work with that anxiety, to embrace and be comfortable with it.
I also had a will that let me eliminate everything that stood in the way of my becoming the best dancer I could be. By a gradual process... (I) had invested every bit of my dreams, my hopes, my energies in defining myself as a dancer.
I can destroy a dance floor. I think life should be a musical. I always hate it when people watch a musical and they go, 'Oh, it's so unrealistic, no one just breaks into song in the middle of their day.' Yeah, they do- if they're me.
I know I have to be like people expect, because people love to dream with me, they like to think that I love my boat of 50 metres, that I drink Cristal for breakfast, that I dance until five o'clock in the morning. I am not like that.
I had longed to be a butterfly, and I was one at last. I attended private parties in sumptuous evening dress, simpered and aired my graces like a born beau, and polkaed and schoisched with a step peculiar to myself - and the kangaroo.
In terms of the organic feel and the love for noises, I definitely feel more connected to Four Tet and Fennesz, as any dance floor artist. I do like some dancey stuff like Martyn when I DJ, but I draw my inspiration from other things.
Indian classical dance is sustained by a profound philosophy. Form seeks to merge with the formless, motions seek to become a part of the motionless, and the dancing individual seeks to become one with the eternal dance of the cosmos.
Only the tango has continued to enjoy undiminished favor for more than twenty years in spite of polishing and refinement. To be sure, it is no pure Negro dance and owes its best qualities to the unusual dance talents of the Spaniards.
From when I can remember, I wanted to be an actress. I am a die hard fan of dancing and would take my dad's clothes and my mom's clothes and dance in front of the mirror. I loved my dad's clothes, as they had a lot of glitter in them.
Playing on the streets of Iraq, or in Israel or the Gaza strip, I'd sing angry protest songs against war. People would say, 'Make us clap, make us dance, and laugh and sing.' It really made me think about the importance of happy music.
When I'm taking my last breath, I want to look at how I used up the best of myself. How much did I sweat, push, pull, rip, fall, hit, crash, explode?...My dream is to be so well-used that in my last-half second, I just burst into dust.
I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing, and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
I started Ballet at a very young age and I was captivated immediately. It became my voice, means to overcome those final barriers to expressing myself. Letting myself fly free. The more experience I have, the more I get to know myself.
Holland was one of the first countries to adopt dance music into their culture, and we were the first ones to have really big raves. I grew up in that atmosphere in the early 1990s, and I was very interested in how dance music was made.
I'm no dancer. I got rhythm, I can dance if I need to, but I'm not Chris Brown. He's an amazing dancer. If I'm not going to be amazing at it, I'm not gon' do it. I'm gonna do what works for me, and you're going to feel it 'cause it's me.
I saw the dance as a vision of ineffable power. A man could, with dignity and a towering majesty, dance. Not mince, cavort, do "fancy dancing" or "showoff" steps. No: Dance as Michelangelo's visions dance and as the music of Bach dances.
Holland is a really small country, but with a very strong club and festival scene. Dance music has been huge in Holland since the late eighties. So there were a lot of opportunities for producers and DJs to release records and play live.
One's concentration as a performer must remain centered on the action of which one is a part. For it is in truth only one's own concentration on the imagined reality of the role that can force the audience's attention to that same place.
They said that Etta James is still vulgar. I said, Oh, how dare them say I'm still vulgar. I'm vulgar because I dance in the chair. What would they want me to do? Want me to just be still or something like that? I've got to do something.
Figure skating has been a great influence for me. I took dance at the School of American Ballet, which helped my own skating. And whether you are a skater or a dancer, without sounding narcissistic, it is all about looking in the mirror.
It's easy to fall into victim mode and feel like the world is against you. The truth is, people aren't against you: they're just for themselves. The only thing within your control is how you react and respond to the chaotic dance of life.