Quotes of All Topics . Occasions . Authors
Every interaction with another person involves a dance of expectation, even when you're just passing someone in the street. Inside those moments - however brief they may be - there is a kind of anticipatory silence.
A lot of people think I'm gay. I have really red lips, so they say I wear lipstick; they say my dance is very feminine, and a lot of people think I look like a girl. But that's fine. I take the criticism positively.
I have made movies on education and dance, have directed and choreographed legends of Bollywood. Now, I want to make a movie on martial arts. I myself am a black belt, so I am looking forward to do something on this.
The superhuman power which exhiliration and hypnosis bring to a dancer is shown especially clearly in his almost inconceivable staying powers in a state of high tension. "In the dance even the weakest can do wonders."
I always thought that it was every performer's dream. That's the epitome of being an artist, being able to express song, dance and acting in a live theatre setting and really connecting with an audience on that level.
Meeting up with Paris and Paris was such a highlight in Greece. Dancing at the clubs was a blast. There are just certain people you know you'll always have fun with, and Paris Hilton is definitely one of those people.
I came to Mumbai to participate in a dance reality show and thought that could be my ticket to Bollywood. Gradually, I discovered that acting is what I am more passionate about and that passion has helped my boat sail.
I have maintained a low profile throughout my career but have always done things in my own unique way, be it dancing or dressing up. On the dance floor, I had my own unique steps and often had to lead my choreographer.
"Is it how she moves, or how she looks?" I say it's loneliness suspended to our own like grappling hooks, And as long as she's got noise, she's fine. But I could teach her how I learned to dance when the music's ended.
Life clearly does more than adapt to the Earth. It changes the Earth to its own purposes. Evolution is a tightly coupled dance, with life and the material environment as partners. From the dance emerges the entity Gaia.
Historically and phenomenologically viewed, dance is the original art. All arts are found within it, in its undivided unity. The image, made dynamic through movement and countermovement, sings and speaks simultaneously.
Forget the dancer, the center of the ego. Become the dance. Then the dancer disappears and only the dance remains. Then the dancer is the dance. There is no dancer separate from dance, no dance separate from the dancer.
But sometimes I fear that the people of my country can unite only beside victims' bodies, over coffins and in cemeteries. Like tribesmen who dance around old totems, we ignore the living and can only appreciate the dead.
The person drawn to dance as profession is notoriously unintellectual. He thinks with his muscles, delights in expression with body, not words; finds analysis painful and boring; and is a creature of physical ebullience.
I never danced a step in my life so naturally. My first motion picture was a musical, and Bob Fosse was the choreographer. I didn't exactly dance for Fosse, I just did the best that I could to do what he taught us to do.
To convince another part of the world that Bollywood is not just jokers who break into song and dance was very difficult. I'm literally ploughing the ground and making people understand that Indian actors are not a joke.
My worst memory is of my first dance lesson as a 14-year old in Prague. My mother put me in this silver and pink lame dress. My hair was all curled, and it was the first time I wore a garter belt. I felt so out of place!
Most people went to dance shows, but it was basically a table and a DJ playing and not really a spectacular thing. I brought the whole production with the effects - the best sound, the best lighting to blow the fans away.
Our young people are out on the streets looking for parties, a place to dance, looking for a scene. No institutions are providing them with alternatives, fun things to do that don't necessarily have alcohol at the center.
I was performing in this burlesque group, and we would go to dance rehearsals every day. You'd use every part of your body. Even though some of it is slow, it takes a lot of muscle to be able to dip down and come back up.
I always wanted to be an actor, so I began to prepare myself for a career in acting. I did a course at Kishore Namit Kapoor's acting school. I was with Shiamak Davar's dance school and also did theatre with Nadira Babbar.
Every teacher will tell you that you cannot dance classical technique with perfection, there is no such thing, there is no way. So you have to adapt the technique to your abilities or to your deficiencies. Learn to cheat!
The '60s was leather soles and a wooden floor. That's why the twist, the simplest dance, was such a sensation. Everyone could do it. They just swivel their feet and the upper body fell naturally in the opposite direction.
The music we do is for people to enjoy, dance and sing to it. Dreamers - keep on dreaming and keep working hard to achieve your goals. There are many difficulties, but what matters is to stay focused and have perseverance.
I'm an old fashioned theater major at heart. I love to do a show, do something with friends; I'm kind of a nerd in that way. I like to put on a wig or a fake mustache and do something silly with friends, do a little dance.
After a decade this glum, we deserved a shot of 'Glee,' a show that restored our faith in the power of song, the beauty of dance, and the magic of 'spirit fingers' to chase our cares and woes into somebody else's backyard.
I love the whole world of dance, because dancing is really the emotions through bodily movement. And however you feel, you just bring out the inner feeling through your mood...people don't think about the importance of it.
When I was young, and addicted to reading, I had heard about dancing on the points of metaphysical needles; but, by mixing in the world, I found the points of political needles finer and sharper than the metaphysical ones.
Well, number one I like dancing. Number two I knew it would be challenging because I had never done this type of dance before. I always wanted to and I happened to have the courage to go out there and give it my best shot.
Hamp would ask me about tempos in the band: 'Jacquet,' he'd say, 'knock off that tempo.' A lot of jazz musicians didn't prefer to play for dancers, which was their loss, really. But good jazz has always had that dance feel.
A lot of people insisted on a wall between modern dance and ballet, that the two disciplines were totally separate, and if you did one, you couldn’t do the other. I’m beginning to think that walls are very unhealthy things.
Black Eyed Peas music appealed to everybody and that's why we incorporated EDM influences, dance influences, house influences, and we mashed it up with the Black Eyed Pea melodic pop sensibility that still has bounce to it.
Dance in this century has remained primarily a personal ritual operating, like most avant-garde art, as an idiosyncratic form rather than a tribal expression of religious powers or a corporate expression of societal values.
I wanted to give people - which is fairly bizarre considering my whole life is contemporary dance really - I wanted to give people a really fulfilling sense that they had seen a white classical ballet - in a very pure form.
Part of the reason I fell in love with dance so early was because of people like Janet Jackson, Michael Jackson, and Britney Spears. When they would dance onstage and in their videos, that was huge for me. I lived for that.
My mother had been a country and western singer but when she moved out to Hollywood found it very difficult to get work so when I was born they put me into dance classes and singing classes as soon as I could walk actually.
We are developing the other parts, and we can't give quite all our attention to the upper part, but soon the lower parts will be developed, and the upper part and the lower part will become partners, that will be wonderful.
I did a dance with Fred Astaire in the movie 'Bandwagon.' I got to waltz just from left of camera to right of camera, and I'm taller than Fred Astaire. Fortunately, I was wearing a long skirt, so I waltzed with bended knees.
I use something that is a real staple in the directing world. It's called a dance floor. You lay it down so that it's so smooth you can roll around, and you can put furniture on top of it. It's seamless and you don't see it.
We are just at the studio, me and my choreographers, we are spending like 30 nights and we are thinking, what is my next dance move? Because in Korea there are huge expectations about my dancing. So it was a lot of pressure.
For hardly any man dances when sober, unless he is insane. Nor does he dance while alone, nor at a respectable and moderate party. Dancing is the final phase of a wild party with fancy decorations and a multitude of delights.
All music is dance music. But when people think of dance music, they think of techno or just house. Anything you can dance to is dance music. I don't care if it's classical, funk, salsa, reggae, calypso; it's all dance music.
In liberal democracy and anxious anarchy, the traditional classic dance, compact of aristocratic authority and absolute freedom in a necessity of order, has never been so promising as an independent expression as it is today.
The Gods have meant That I should dance And in some mystic hour I shall move to unheard rhythms Of the cosmic orchestra of heaven And you will know the language Of my wordless poems And will come to me For that is why I dance.
Afro-Caribbean influences are in me as a creative being the same way Spanish influences were in Picasso's work. I think the notion of labels - "black dancer, black choreographer" -is a ploy to divide and conquer, and to limit.
'Man In The Mirror' by Michael Jackson - I used to have my very first dance parties with my kids to this song when they were little, even carried them around to it. It just makes you want to be a better person and be inspired.
As kids, we spontaneously sing and dance and tell stories, and along the way, someone comes and says, 'No. You shouldn't be doing that.' And we slowly begin to unlearn our passions. I think you have to hold on to those things.
I spend a lot of time on the 'Glee' set. A lot of time. Luckily we have to dance and rehearse, so we're always moving, but having such a tight schedule can make it hard to find the time to exercise. It's definitely a struggle!
I went to my first drum n' bass rave when I was 16 and remember being terrified. Looking around, trying to figure out how to dance to this music, watching some girl in some hot pants, trying little ways to learn her movements.
Dabbing started with us - QC the label - Jose Guapo, Migos, Skippa Da Flippa, PeeWee Longway. When we performed, we just dabbed, and everyone started running with it. People would do the dance, but no one would say what it was.